Brooke: So you're going all
the way to Nevada
to double-check my research?
Edmund: I have to see this
Maureen Gorman for myself.
Aidan: Hey, stranger.
Maria: It's you. Thank God.
Aidan: I thought you might
like me to pick up something
cold on my way back.
TODAY’S - - - ALL MY CHILDREN
[Thunder]
Leo: Honey, what channel were
you watching when the power
went out?
Greenlee: Six.
What are you doing?
Leo: Well, I’m trying to find
the name of the movie you were
watching because, I’m telling
you, when I came back
from the store, I heard a voice,
and whoever it was sounded
exactly like Trey Kenyon.
There it is. Got it.
It was called
"Son of the Monster."
Greenlee:
Mr. Straight-and-Narrow did
a horror flick?
Leo: No.
It was made in 1953,
starring Richard Fields
and Evelyn Mulwray.
Greenlee: Maybe Trey was
reincarnated.
Leo: No.
No, no, Greenlee, I’m telling
you, I heard a voice.
I heard a voice and it was
Trey Kenyon’s.
There's got to be an explanation
for it.
Kendall: Damn it, we cannot
be stuck in this building.
We can't!
Aidan: Well, unless you call
a security guard, the only
person that can override --
Kendall: Who can override
the security system is
the Empress Kane.
Aidan: Unless you give me
your telephone and I can call
the security people.
Kendall: Oh, I’d love to.
Unfortunately, it's in my purse
in Erica’s office.
Aidan: You don't have
your phone?
Kendall: I would if a certain
Neanderthal hadn't dragged me up
here.
Aidan: You're an idiot.
Kendall: Me?
Aidan: Damn it! Ugh!
I promised that I would --
oh, man!
Kendall: You promised to be
back in a few minutes -- yeah,
I heard.
Well, I guess your girlfriend's
going to have to wait.
Aidan: This is all
your fault.
You'd better pray that
she doesn't go anywhere.
Kendall: Why, is
she that hot?
Aidan: Shut your mouth!
[Knock on door]
[Thunder]
Brooke: Edmund?
Brooke: Hi.
Come on in.
Tad: Nice to see you, too.
Is something wrong,
besides the humidity?
Brooke: No.
Edmund's gone.
Tad: What?
Brooke: Yeah, I knew it would
happen, you know, as soon
as that reporter's instinct
kicked in.
Tad: Wait, wait,
what, you knew what would
happen?
Brooke: He had to see
for himself.
He had to know.
Tad: Brooke, look at me.
Where's Edmund?
Brooke: He went to look
for Maria.
Greenlee: You have got
Trey Kenyon on the brain.
What were you thinking about
on the way back from the store?
Leo: Uh -- Trey.
Greenlee: Can you say
"obsessing"?
Leo: Green, I just want
to know who the hell the guy is. I've practically been tripping
over him.
How could I not put this
together?
Greenlee: You don't know
for sure if he's after Vanessa’s
drug fortune.
Leo: Well, he's always
hanging around her.
He's always hanging around her,
pumping her for information.
Greenlee: He's her lawyer.
Leo: What if there's
something else, Greenlee?
What if I’m missing something?
Why are you fighting me on this?
Greenlee: Because I know you.
And if he's been scamming you --
Leo: You know what,
I’m not going to let this guy
win.
Greenlee: That's what
I’m scared of, Leo.
Like you said, we don't even
know who this guy is.
Leo: No, I think I just
figured out how.
I think -- come here.
Greenlee: Don't do that.
Leo: What?
Greenlee: Treat me like
I’m Ethel Mertz.
Leo: That's a good analogy.
Just think landlady.
Just think --
Greenlee: No, what are
you thinking?
Leo: Yeah, Greenlee, come on,
you've got the keys
to his place.
Greenlee: No, no,
no, forget it, Lucy.
You're not breaking into Trey's
apartment -- that's final.
Greenlee: You can lose that
goofy grin because that's not
going to work, either.
Leo: I'll be in and out
in 10 minutes.
Greenlee: You'll be
in for 10 to 20 if you're caught
breaking and entering.
Leo: Yeah, but it's not
breaking and entering
if you have the key, right?
Greenlee: You don't.
Leo: Greenlee, please?
Please?
I really, really, really need
to do this.
Greenlee: You know what,
you're in enough trouble
already.
Leo: Yeah, and I can get out
of trouble if I find the money
and return it to the FEDS,
right?
How am I supposed to clear
my name if I don't follow
every lead?
Greenlee: You're not even
sure if this is a real one.
Leo: Don't --
don't you want to get out
of here, start over?
Greenlee: You know I do.
Leo: Do you remember how
happy we were in Paris?
Greenlee: Don't start playing
me like that.
Leo: Why, isn't it working?
Greenlee: Bring up
the bathtub and the street
musicians, I’m going to hurt
you.
Leo: Greenlee, I just want us
to be happy.
We do happiness better than
anybody on the planet,
and we're so close.
Come on.
Greenlee: What if Trey
catches you?
Leo: He won't catch me.
Greenlee: Where have I heard
that before?
Leo: He's not going to catch
me because you're going to make
sure that doesn't happen.
We're teammates, remember?
Greenlee: And I’m not bailing
on you, but remember,
you know, I did just lose
my father.
Leo: Look, I’m sorry.
Greenlee: No, listen
to me, Leo --
Leo: I didn't even think
about that.
Greenlee: Wolfe was gunning
for you when he shot Daddy.
Leo: Yeah, I know.
Greenlee: People are willing
to commit murder for that money
and you're saying that Trey
might be one of them.
Leo: Yeah. Exactly.
I think that Trey's here to get
Vanessa’s stash.
Greenlee: And you still want
to go after him?
I just want to be sure.
Leo: He's just a few steps
ahead of me right now,
and if I can get something
on him, you know, figure out
his agenda --
Greenlee: You can beat him.
Leo: No, we -- we can
beat him.
[Phone rings]
Trey: Hello?
Greenlee: Trey?
Hi, it's Greenlee.
Trey: Uh -- hi.
Greenlee: Is this a bad time?
Trey: What can I do for you,
Greenlee?
Greenlee: Well, I’m sure that
you heard about Simone.
Trey: Yeah, I guess she's not
going to be my roommate anymore?
Greenlee: Yeah, I kicked
her sorry butt out.
But you're free to stay as long
as you like.
Trey: Thanks.
Greenlee: I was wondering
if maybe you'd want to come up
here and sign the lease
right now.
Trey: Now?
Greenlee: If you're not busy.
Trey: I'm not at home,
Greenlee.
Greenlee: Oh.
Trey: But I should be there
in about an hour.
Greenlee: Oh, well,
there's no rush.
You know, we can do it another
time, whatever.
Bye.
Greenlee: We're in.
Leo: Whoa, "we"?
Greenlee: The team thing,
remember?
Leo: No, no, you just did
your part.
Greenlee: No, you know what,
you're not going down there
alone.
Leo: Greenlee, I’m not going
to let you get hurt.
Greenlee: What, get hurt?
Leo: No.
Greenlee: Welcome
to my world.
Come on.
Trey: That was weird.
Woman: Excuse me?
Trey: Not you.
Greenlee calls me in the middle
of a blackout to ask me to come
over to sign a lease.
Woman: That is bizarre.
Trey: Yeah.
Woman: Where you going?
Trey: I'm sorry,
Rebecca, but there's something
I got to take care of.
Rebecca: Oh, Trey.
Can't it wait?
Trey: You don't play fair.
Rebecca: I thought you liked
that about me.
Trey: I like everything
about you.
Trey: But I really got to go.
Look, I’ll call you later, ok?
Tad: What's with the creepy
lighting?
Brooke: What difference
does it make?
The power's going to come
back on.
Tad: Yeah, and until then,
you get to sit around driving
yourself crazy.
Where are your candles?
Brooke: There.
Tad: So wait a minute,
how -- how did Edmund even find
out that you've been looking
for Maria?
Brooke: You know how
the world is full of men w
really don't want
to communicate?
Tad: Huh?
Brooke: You can just tell
them whatever you want,
whatever you want them
to believe, and they will
believe it.
Tad: Brooke --
Brooke: And they don't
question you and they don't see
right through you.
Tad: Well,
sounds like he busted you.
Brooke: He met me
at the airport when I came back
from Nevada.
Tad: Mm-hmm.
Brooke: He knew I was there.
He knew it wasn't a story I was
working on.
He knew you were with me.
Tad: Oh, terrific.
Brooke: He said if I didn't
tell him the truth that he was
going to bail, and I -- I --
Tad: Yeah, I know.
You couldn't let him believe
that something had been happen--
that's all right.
You know, I totally understand.
And you did the right thing.
So you told him everything,
right?
Brooke: I didn't want to.
Tad: Still trying
to protect him.
Brooke: Him or me.
Tad: What are you talking
about?
You didn't do anything wrong.
It's ok.
You know, we both knew there was
a one-in-a-million shot this
woman, Maureen Gorman, could be
Maria, you know?
She wasn't.
You just had to make sure
because your conscience --
Brooke: Because I can never
quit while I’m ahead.
Tad: No. No.
Because you're a stand-up woman
and you just wanted to know
the truth.
Brooke: Oh, God!
Don't say that, ok?
Tad: Why? Why not?
Why shouldn't I say it?
Thank God it's over, ok?
Maureen Gorman is not Maria.
Maria: It's you.
In the hotel, you fainted.
Brooke: Yeah.
Maria: You're following me.
Why?
Why are you following me?
Brooke: Don't you know
who I am?
Tad: Brooke?
Brooke: He didn't believe me,
that's what happened.
Tad: Edmund?
Brooke: He knows me.
He knows when I’m --
Tad: When you're what?
You did tell him everything,
right?
Brooke: That's what I said.
Tad: And he knows
Maureen Gorman isn't Maria?
Brooke: That's what I told
him, yes.
Tad: Then I don't understand.
And I’m sick and tired of being
six steps behind the music.
Now, is there something
you haven't told me?
Kendall: Wow, that was
intense.
Aidan: Just lay off, ok?
Kendall: No, no, this is
really interesting.
Who do you have in your room?
Aidan: Just leave it alone.
Kendall: Oh, come on,
you dragged me up here.
The least you could do is
entertain me.
Aidan: I'm not telling
you again, knock it off.
Kendall: And it's so cute
the way you think I’m going
to listen to you.
Ok, let's see if I can figure
out Aidan's mystery woman.
Ok, you've said you wouldn't
tell anyone about her, so maybe
you were talking to Mrs. Hottie.
Are you getting it on
with a married woman?
Aidan: Yeah, you'd like that,
wouldn't you, huh?
Kendall: Why would I care?
Why would I care?
Aidan: Because that would
bring me down to your level.
Kendall: I'm not married.
Aidan: You were engaged,
right, when you did that strip
for me?
Kendall: That was different.
Aidan: Yeah, always is
with women like you.
I've known your type before.
Kendall: You don't know
anything about me.
Aidan: Oh, I’ve asked around.
Kendall: Well, whatever
you've heard, they were lies.
The only person who ever really
knew me was Ryan.
Aidan: And what you're going
after you'll never have.
So no matter how many times
you get slapped down,
you don't learn.
Kendall: Will you stop now?
Aidan: And you probably think
it's going to make you strong
like Ms. Kane.
Kendall: Please just stop it.
Aidan: But it's making
you pathetic.
Kendall: I'm sorry, ok?
Is that what you want to hear?
Aidan: I don't want anything
from you.
Kendall: Whoever you have
hidden in your room,
she's a perfect human being!
Aidan: This is not about her.
Kendall: I'm sorry I said
you were hot for her, I’m sorry
that I came on to you,
I’m sorry we're stuck in this
building.
I'm sorry for everything that's
ever happened in my whole stupid
life, ok?
Will you please stop beating up
on me now?
Aidan: My God, she's bringing
on the tears.
You're just a walking,
talking cliché.
Kendall: You see what
you want to see.
Aidan: And all I see is
a little helpless girl trying
to act tough.
But you'll never pull it off.
Kendall: What, are
you running for the mayor
of the I-Hate-Kendall campaign?
Aidan: God, can you not just
give up this victim --
this victim attitude?
You may be weak --
Kendall: I am not weak.
Aidan: Well, you give as good
as you get.
Kendall: Oh, God,
you think you know everything,
don't you?
Aidan: No, but where you're
concerned, I know I do.
Kendall: You brought me up
here tonight to dump me
to my mother.
Aidan: Well, you were
snooping around her office.
Kendall: Why'd you do it?
Aidan: It's my job.
Kendall: You're a handyman.
You're not one of her guards.
Aidan: So?
Kendall: So it was personal.
How come?
Aidan: Because I don't like
being used.
Kendall: Oh, and now who's
playing the victim?
Aidan: Well, you tried to get
me into this mess.
Kendall: I didn't have to try
very hard.
Aidan: What's that supposed
to mean?
Kendall: You wanted me.
Aidan: Yeah.
You're really confident,
aren't you?
Kendall: You wanted me
so bad.
Aidan: Yeah, you're crazy.
Kendall: Oh, when I was doing
my little strip, all you had
to do was leave.
Aidan: Oh, my God,
can you not get it out
of your head that not every man
is panting for you?
Kendall: You were.
You just can't admit it.
Aidan: I don't need this.
Kendall: Oh, that's right,
that's right, that's why you're
so mad at yourself!
Aidan: Stuff it, all right?
Kendall: You think I don't
want to?
You think I want to remember
the worst moment of my life?
Aidan: I don't know.
Why you just ask me if I care?
Kendall: It keeps playing
over and over in my head,
and you know what the funny
thing is?
Aidan: I don't really want
to hear it.
Kendall: There I was,
peeling off my bra, ready to do
whatever the hell you wanted
me to --
Aidan: Ok, all right,
ok, that's enough.
Kendall: And then Ryan
came in.
And at that very moment --
at that very moment, I lost
everything.
I lost my entire world,
and you didn't even see it.
Aidan: Ryan was lucky to get
out alive.
Kendall: You're right.
He was lucky.
Aidan: Kendall?
Kendall: If he'd just
listened to me try to explain
to him and tell him that,
that I was doing it for him,
for us so that we could just
leave here and be happy --
no, don't. Don't touch me.
Leave me alone.
Brooke: I told Edmund that
I went back to Nevada to see
this Maureen Gorman just to make
sure that she wasn't Maria.
And he seemed ok with that
at first.
Tad: Well,
you probably opened up some
old wounds, you know, and now
he's got to come to terms
with them.
Brooke: He doesn't have to.
I saw her, you saw her.
We both agreed it wasn't Maria.
Tad: Doesn't matter.
Sometimes a person needs
a little more than just hearing
about it.
It makes sense.
I mean, you remember our little
trip to Zurich when you told me
that Dixie --
Brooke: You believed me!
Tad: Yeah, of course
I believed you, but it didn't
matter.
That's the whole point.
You know, I still had to go
to Switzerland.
I knew Dixie was gone, I knew
there was nothing I could do
about it, but I had to be there.
Brooke: This is different.
Tad: No, it's not.
It's exactly the same.
And if Edmund has got to see
Maureen Gorman and make sure
she's not Maria, then you're
just going to have to deal
with it.
Brooke: He doesn't trust me.
Tad: Of course he trusts you,
Honey.
He's just trying to make it real
for himself.
Brooke: He --
he told me, he promised me that
he wouldn't investigate this,
and then he changed his mind,
so why is he doing this?
Tad: I don't know.
Take it easy.
When's he coming back?
Brooke: I don't know.
Tad: Didn't he tell you when
he left?
Brooke: I haven't talked
to him.
Tad: What, he just took off?
Well, then how long ago did
he leave?
Brooke: I'm not sure,
all right?
I left 10 messages for him
and he -- he never got back
to me.
Tad: Oh, wait a minute.
You don't even know for a fact
he went out to Nevada, do you?
I mean, you're just assuming
that he did.
Brooke: Because it's not like
him, all right, to be out
of touch.
Tad: Out of touch for what,
a couple of hours?
What the -- you mean to tell me
we've been sitting here turning
ourselves inside out
because of a couple of stupid
phone messages?
Brooke: Look, I couldn't get
a hold of him and I didn't know
what to think, so --
so I overreacted.
Tad: You are losing it.
This -- this just isn't
like you.
Brooke: I've been stressed
out.
Tad: No.
I mean it, Sweetheart,
I mean, you are --
if you don't pull it together
somehow, and I mean real soon,
you are going to lose it.
And I mean everything,
including Edmund.
Leo: So -- so Trey said that
he's not going to -- Trey said
that he's not going to be back
here for, like, an hour?
Is that right?
Greenlee: Yeah, right, right.
Oh.
Oh, this place freaks me out.
I keep thinking about --
Leo: Don't.
Greenlee: I can't help it.
This is where Simone
and my father -- oh, and then
she'd come up to my loft and act
like she didn't even --
Leo: Greenlee, just try
to forget about that right now.
We're here to get information
on Kenyon, that's it.
Greenlee: Right.
What are we looking for?
Leo: Anything that connects
Kenyon to Vanessa’s drug money.
Greenlee: That's a big help.
Leo: Are you going to be ok
here?
I'm going to go in the other
room.
Greenlee: Just make it
snappy.
Go, go, go.
Greenlee: "To my darling
Simone, who brought the poetry
back into my life.
With love, Roger."
He wrote the same damn thing
in my book.
Mine was Emily Dickinson, too.
Trey: Greenlee.
What are you doing here?
Trey: What are you doing
here?
Greenlee: The power's out.
Trey: Yeah, I noticed.
Greenlee: And I was worried
about you.
Trey: But you knew I wasn't
here.
Greenlee: Well, that's --
I wanted to check on your loft.
You can take the light out
of my eyes.
I'm your landlady.
Remember?
It's my responsibility.
Trey: Thanks.
Greenlee: Don't mention it.
Trey: I couldn't help see
you throw a book across
the room.
Greenlee: I hate
Emily Dickinson, but I didn't
throw it.
You surprised me.
It just flew.
Trey: Simone must've left it
here.
Greenlee: You know,
I so trusted that girl.
I mean, I thought she was like
a sister to me.
Trey: I know she feels really
badly about it.
Greenlee: You know, I really
don't want to talk about Simone.
Trey: Ok.
Did you check the bedroom?
Lightning could've blown out
the fuse.
Maybe I should go look.
Greenlee: No, I already
looked back there and it's fine.
Everything's fine.
Trey: Good.
Well, you want to get back up
to Leo probably, huh?
Greenlee: Oh, well --
I hate to be such a wuss.
Trey: Is there something
wrong?
Greenlee: Leo.
He's not home and I’m alone
and it's dark and
I’m scared.
I almost lost it coming down
here.
Trey: No one's going to hurt
you, Greenlee.
Greenlee: I'm not so sure
about that.
Would you mind helping me go
back upstairs, walking me back?
Just to my door.
[Thunder]
Greenlee: Ah.
See?
Please?
Trey: Sure.
Sure, it'll be my pleasure.
Aidan: Ok, it's done.
Kendall: What did you do?
Aidan: The power's going
to be out all night,
so I thought you might like some
privacy.
Kendall: You did that for me?
Aidan: Yeah, well, you said
you wanted to be alone.
Aidan: There's still some ice
left in there.
You're welcome.
Kendall: Thanks.
Aidan: Well, it's going to be
a long night, so
I’m going to try and make myself
as cool as I can.
You'll probably want to do
the same.
Suit yourself.
Aidan: Are you through
with the ice?
Aidan: Thanks.
I hate to see a woman cry.
Kendall: Should think
you'd be used to it.
Aidan: Oh, yeah, when I said
what I said,
I was out of line and I want
to say I’m sorry.
Have you heard from him at all?
Kendall: Ryan? No.
Aidan: Must be hard not
to have a second chance.
Kendall: Ryan always gave me
second chances.
Aidan: I saw.
Kendall: No, you saw the one
he couldn't come back from.
Aidan: Yeah.
People have their
breaking point.
Kendall: Ryan -- Ryan cut me
more slack than anyone ever has.
I don't blame him
for leaving me.
Aidan: You probably want
to get some sleep.
Kendall: I hurt him so much.
Aidan: Yeah, but that
happens.
Kendall: No, he used to tell
me I was his wake-up call.
He said that he was sleepwalking
until I --
I let him down.
Aidan: Kendall, don't
you ever get tired of feeling
sorry for yourself?
Kendall: No.
I never do.
Brooke: Edmund and I are
solid.
We know what we want.
Tad: Well, then what's
with the little Maria meltdown?
Brooke: I just got scared
for a second.
Tad: Why? She's dead.
Brooke: Not to him.
She's always going to be alive
to him.
Tad: Well, of course.
Listen, I mean,
you can't change that.
He loved Maria.
He probably still does.
I thought you were ok with that.
Brooke: I was.
Tad: Well, what's changed?
[Phone rings]
Tad: Talk about timing.
Brooke: Edmund?
Brooke: That was Edmund.
Tad: And?
Brooke: He's waiting for me.
He was planning a little
pre-wedding sort of special
thing.
Tad: Ah.
I'm guessing it's not in Nevada.
Brooke: No.
Tad: Oh.
Well, and if he has a lot
of work in this little soiree,
I assume he's waiting for you.
Brooke: Yeah, he's counting
the minutes.
Tad: Hmm.
All I can say is if he's got
some kind of celebration
planned, he'd better have
his own generator.
Brooke: Oh, I think what
he has in mind, candles will be
fine.
Tad: Yeah.
Or batteries.
Brooke: So you never said why
you came over.
Tad: You never asked me.
I'm going up to see Jamie
tomorrow up at summer camp.
Brooke: Oh.
Tad: I was wondering
if you wanted to, you know,
say hi or take him a care
package or something like that.
Brooke: You know, I was going
to put a batch of cookies
in the oven and then the power
went off.
Tad: It's not the night
you want to spend baking anyway.
Brooke: So tell him that
I love him and I miss him
and I’ve got that CD that
he asked for which is waiting
for him when he gets home.
Tad: Ah, bribery.
Very intelligent.
Brooke: I think I should be
going.
Edmund's waiting for me.
You know how good that makes me
feel to say that?
Tad: I can guess.
Brooke: I'm sorry.
I didn't mean to --
Tad: No.
It's all right.
Do me a favor, though,
ok -- enjoy it?
Brooke: I want to.
Tad: You earned it
and you deserve it.
Aidan: I don't get it.
Kendall: Oh, I thought
you asked around about me.
Aidan: I did, and you've had
a good life.
Kendall: Define "good."
Aidan: Well, ok,
your biological mother was raped
and she gave you up
for adoption.
Kendall: Yeah, to Alice
and Bill Hart, the two nicest
people in the history
of the universe.
Aidan: Right, and there's
something wrong with nice?
Kendall: I didn't belong
with them.
I was supposed to be
Erica Kane’s daughter.
Aidan: And I was supposed
to be --
Kendall: What?
What were you going to say?
Aidan: It's just things don't
always work out the way
you think they will.
Kendall: Yeah, tell me
about it.
Aidan: You know,
people -- you know, people lie
and people mess with your head,
sometimes just even people
you can trust.
Kendall: People who should
love you.
Aidan: You can't just,
you know, curl up in bed
and feel sorry for yourself
for the rest of your life.
Kendall: Is this supposed
to make me feel better?
Aidan: Well, you learn
from your mistakes and
you just -- and you get
on with it.
Kendall: Oh, the stiff
upper lip.
God save the Queen.
Aidan: Yeah.
And you can't whine for the rest
of your life, you know,
whining about your inner child,
either.
Kendall: Wait a minute,
is this fun for you?
Is this fun for you, making me
feel bad because I’m hurting?
Aidan: Well, you caused
your pain.
What did you think
your boyfriend was going to do
when you were taking
your clothes off in front of me?
Kendall: He wasn't supposed
to see that.
Aidan: Yeah, right.
Kendall: What, you thought
I wanted him to catch me?
Aidan: Doesn't Dr. Freud say
that there's no accidents?
Kendall: Oh, well,
then I guess that means you want
to be here with me tonight
instead of your girlfriend,
the fragile flower.
Aidan: Hey, she's not
my girlfriend, all right?
Kendall: Whatever.
Aidan: You know,
just for once, Kendall, it'd be
great if you knew what you were
talking about.
Kendall: Do you always have
a habit of taking in strange
girls who you don't know
and helping them?
Aidan: Just let it go,
Kendall, all right?
Kendall: Who is she?
That's ok, I’ll find out anyway.
I know where you live.
All I have to do is head on over
to the Pine Cone --
Aidan: Hey, hey, you just
stay the hell away.
Just stay the hell away.
Greenlee: Thank you.
I'm ok now.
Trey: You think Leo's home?
Greenlee: Probably not.
I don't want to keep you.
Trey: Where'd he go?
Greenlee: Out.
To buy candles.
Greenlee: More candles.
I'm terrified of the dark.
Trey: Yeah, he's a good
husband.
Greenlee: Oh, the best.
Trey: And a good son, too.
Nessa seems to really adore him,
doesn't she?
Greenlee: Uh, if that's
the word you want to use
for "eats her young."
Trey: I said Nessa,
not Vanessa.
Greenlee: Right.
It's hard to keep up sometimes.
Would you like to take a candle
with you?
Trey: I know I shouldn't get
personally involved
with my clients.
It's just not professional.
But there's just something
really fascinating about her,
you know?
Greenlee: That's one way
of putting it.
Trey: So you don't really
believe what all the doctors are
saying, that Vanessa’s
a multiple personality not
really responsible for
the things she did?
Greenlee: I don't know what
to believe.
Trey: Well, what about Leo?
What does he think?
Greenlee: Oh, Leo doesn't
really say much about
his mother.
Trey: Tell Leo my thoughts
are with him, will you?
Greenlee: Absolutely.
Good night.
Trey: Good night, Greenlee.
Greenlee: Leo,
where the hell are you?
Leo: Shh, be quiet.
Greenlee: What the hell
are you doing?
I nearly had a heart attack!
Leo: I didn't want
you to scream in case he was
standing outside the door.
Greenlee: How'd you get back
in here?
Leo: I snuck out
of his bedroom window and up
the fire escape.
Greenlee: Did you find
anything?
Leo: No, no, no, I didn't.
I didn't really have time.
The batteries started running
out on my flashlight, so --
Greenlee: Leo, I think
he knew that we were there.
Leo: No, no way.
Greenlee: Yeah, that's why
he came back.
He knows we're on to him.
Trey: Nothing's been touched.
Agent Stamp's Proteus files.
Hundreds of pages of documents,
all scanned onto these little
pieces of plastic.
Got to love technology.
I'm going to find that money,
Leo.
I didn't burn down Erica Kane’s
house so you could beat me
to it.
Vanessa owes me,
and I am going to collect.
Leo: Even if Trey does think
we're on to him, Greenlee,
that's not a bad thing.
He's more likely to slip, right?
Greenlee: Maybe he
already has.
Leo: What's that?
Greenlee: It's an airline
ticket.
I took it from Trey's apartment.
Can you think of any reason why
Mr. Kenyon would've gone
to Paris at exactly the same
time we were there?
Kendall: Whoa, that was some
testosterone flair.
Relax, they're not going
to throw you out of
the Pine Cone for shacking up.
Aidan: I'm warning you,
Kendall.
Kendall: Why, is
she an ax murderer, an illegal
alien?
Aidan: Just stay away.
Kendall: Oh.
I get it.
She's a rescue mission.
That's your deep, dark secret,
isn't it?
You've got a hero thing.
Who is she like?
Who does she remind you of?
Aidan: Who?
Kendall: The woman who lied
to you and taught you all those
valuable lessons?
Man, she did a number on you.
Aidan: Just shut up!
Kendall: You may you never
get over it.
You tell yourself that you have,
that you've forgotten her,
but she just keeps coming back.
Who's she like? Am I like her?
Is that why we're here?
Do I remind you of her?
Do I remind you of the girl
who broke your heart, Ryan?
Aidan: I'm Aidan.
And, no, you're a long way
from breaking my heart.
Kendall: But I could.
I could very easily,
and know why?
You know why?
Because you want me so bad,
you can taste it.
[Knock on door]
Edmund: There you are.
Feels like I’ve been waiting
for you forever.
Come on in.
ON THE NEXT - - - ALL MY CHILDREN
Edmund: There's something
weird going on across the way.
I think we should check it out.
Anna: You're not going
anywhere, at least not
for an hour.
I mean, I can't very well make
a baby on my own.