Mateo: You are so finished.
Hayley: Why do I play this game with you? You can't spell.
Mateo: Just go.
Hayley: Oh, fine. E, E.
Mateo: E?
Hayley: Yeah.
Mateo: Is that your final answer? You're done. You are so dead. This is little Hayley hanging by a rope. Ha-ha-ha-ha!
Hayley: Very funny. What's the word?
Mateo: What do you mean, what's the word? Boomerang. N, G. B-o-o-m-a-r-a-n-g.
Hayley: Oh, ok, that's not how you spell "boomerang." That is an E. That should be an E there.
Mateo: No.
Hayley: Boomerang.
Mateo: Why do I play hangman with you?
Hayley: You can't spell!
Mateo: You can't spell.
Hayley: No, you can't spell, honey.

Adrian: Wow. You made palm trees with swizzle sticks.
Tina: Oh, it's what I call artistic talent.
Adrian: And what do you call your drink?
Tina: The Desert Island.
Adrian: Any particular reason?
Tina: Um, because after two of these, you will think you're on a desert island with the hottest person in the world.
Adrian: Really? Guess we'll have to see about that.
Tina: Bottoms up.

Mateo: All right, how much do you want to bet?
Hayley: Oh, I don't know, $10 million.
Mateo: Ok. I'll get the dictionary.
Hayley: Fine, get the dictionary. That's a good idea. Oh, wait, wait, wait.
Mateo: What, what?
Hayley: Let's ask Ryan. He'll know.
Mateo: Ryan will know.
Ryan: Hey.
Hayley: Thank goodness you're here.
Ryan: Oh, no.
Hayley: Very important. How do you spell "boomerang"? "Boomerang."
Ryan: Ah -- b-o-o-m-a --
Mateo: A!
Hayley: No!
Mateo: A!
Hayley: No!
Mateo: A!
Hayley: It's got an E in it. Boo-mer-ang.
Mateo: I'll be getting the checkbook, ok?
Hayley: You know what? I'll make it out for $50 million, if you get the dictionary with it.
Mateo: Ok, all right, all right.

[Hayley sighs]

Ryan: Slow night?
Hayley: Oh, yeah. So, nice suit.
Ryan: Thank you.
Hayley: How'd it go in New York? I take it, pretty great.
Ryan: Yeah, it did. It went amazing. It went amazing, excuse me, sorry. They loved me, and I loved them. And I guess we're going to make a lot of money.
Hayley: Yeah?
Ryan: Yeah.
Hayley: So I guess it's working?
Ryan: Yeah I guess. What, what? What? What's working?
Hayley: Your plan to bury yourself in work and forget all about Gillian.
Ryan: Ah. Oh, yeah. Well, let me tell you, it's really working. There's probably about 10 minutes every hour that I'm actually not thinking about Gillian and the fact that this month we would've been married two years -- if it wasn't for me screwing everything up.

Janet: You were wonderful. Best model I've ever seen.
Amanda: Do you know why? Right before the show, Aunt Arlene said that when they taped it, the whole country might be watching and maybe even Daddy, so I had to do my best.
Janet: Well, that's nice that your Aunt Arlene reminded you of that.
Amanda: She's nice all the time, even though Hayley wasn't very nice to her before the show today.
Brooke: Knock, knock.
Janet: Hey!
Brooke: Hey, girls.
Janet: Look who's here.
Brooke: I'm back from China. Greetings from China.
Janet: I sure didn't expect you back so soon.
Brooke: Well, actually, Laura was all better. The back pain disappeared completely when they performed acupuncture.
Amanda: Does that mean they stuck needles in her?
Brooke: It certainly does. And they were very long.
Amanda: Ew.
Brooke: Ew. But they didn't hurt.
Janet: How long have you been back in town?
Brooke: I just got back. I just arrived at the airport.
Janet: You haven't see
n Jamie yet? Brooke: Well, actually, I called Tad's, and he told me that Jamie went to the movies with Opal and Petey and Junior, and I had a little gift for Amanda, so I thought I would bring it by.
Janet: That was sweet.
Amanda: It's beautiful. Thank you.
Brooke: You know who this is? This is the heroine from the Peking Opera. And a little something for you.
Janet: Thank you. It's gorgeous.
Amanda: I'm going to show Aunt Arlene. She'll love it.

Brooke: Arlene is upstairs?
Janet: Yeah, she came for a visit. I told her she could stay with us.
Brooke: Janet, Arlene is a real troublemaker.

[Knock on door]

Marian: I'm coming, I'm coming. Goodness gracious.

[Knock]

Marian: I said I'm coming! Wow.
Tad: Is Liza here?
Marian: No, of course she isn't. Why, should she be? Was that part of the plan?
Tad: No, but if she's not here with you, that means she's up at the house alone with Adam. And that scares me to death. Got an awful lot riding on this little coup. She bails on me now, it's all for nothing.
Marian: Well, what could be going wrong, Tad? Tad: Well, for one thing, I've been calling her for the last half-hour. She won't pick up the damn phone.
Marian: Well, is that it?
Tad: Yeah, that's it. Think about it. When we left her, she was there waiting for Adam, right? Now she can't answer the phone? You know their history. God only knows what kind of song and dance Satan came home with.
Marian: Well, for goodness' sakes, she's probably bathing Colby or maybe she's taking a bath herself. There could be a dozen reasons why she's not picking up the phone, Tad.
Tad: Dozens, huh? I got to find out what she's up to.
Marian: Look, why don't you just go on home? Maybe this is for the best.
Tad: Oh, yeah, maybe. For Adam. Forget about it, Marian, we've come too far to turn back now. Liza is not changing her mind.
Marian: But, Tad --

Liza: She woke up?
Adam: Yeah. Ah, she was glad to see me. I think she missed me while I was gone.
Liza: Well, you didn't have to bring her all the way down here. I'm sure she missed you.
Adam: Well, I wanted both of you to see what I brought back for her from South America.
Liza: Hmm, there goes the rain forest.
Adam: Ha-ha.
Liza: How's my Sweetpea?
Adam: Here it is.
Liza: See?
Liza: Is this for real?
Liza: Maybe you'd like to explain this?
Adam: It's exactly what it says. I'll translate it into legalese tomorrow.
Liza: But why?
Adam: After you asked for my power of attorney, I got to thinking. You were worried about protecting Colby's interests in the event that something should happen to me. Well, it's the next logical step to wonder what would happen to her if we were to both die. And it would be usual for her to be given to her next of kin, which would be Stuart and Marian, but why let a judge decide that?
Liza: But you didn't -- you didn't write "Stuart and Marian."
Adam: No, because I think the people best suited to take care of Colby if we are not here would be Jake and Gillian.
Liza: I mean, that's not what I would expect -- that you would choose Jake and Gillian as legal guardians in case anything happened to us.
Adam: Yes, well, there was a time when you felt -- and maybe you still do -- that Jake would make a better father for Colby than I would. And you've always wanted Colby to have the Martin influence in her life.
Liza: You hate him.
Adam: About as much as he hates me. But Colby loves Jake. And I'm sure he loves her. So, I want to make this legal so that we can work with Jake and Gillian. They can have access to Colby and establish -- continue a relationship with her.
Liza: Why? Why? Why now? I mean, nothing is going to happen to us in the foreseeable future.
Adam: I want to make an overture to Jake. I know he was hurt very badly in all this. And it is my fault.
Liza: I -- I don't think that he'll fall for it, Adam.
Adam: Well, why would he turn us down? Even if he thinks my motives are the worst, it gives him an opportunity to be part of Colby's life.

[Colby fusses]

Adam: Yes. And eventually, the love we all have for Colby will win out.
Liza: I don't want to talk about it anymore.
Adam: Well, I hope you'll think about it.
Liza: We just have a board meeting at Chandler Enterprises tonight first. Why don't you think about that?
Adam: Right. Of course. When was the last time you talked to Stuart?
Liza: Oh, he -- he knows what he has to say.
Adam: Are you sure about that?
Liza: Hi, baby. Yes. Come here. Give me a hug.
Adam: I think maybe a dress rehearsal for Stuart might be in order.
Liza: No. I don't want him to think that we don't believe in him. All he has to do is go and tell the truth d tell him that he signed those checks and gave away those millions.
Adam: I don't know why my own board of directors can't determine that Stuart is impersonating me. Uh -- I'm going -- I'm going to go find Stuart.
Liza: We should just meet him there.
Adam: No, no. I'm not going to grill him or anything. I just -- I just want to see him, talk to him. I won't be gone long.

Liza: Where'd he go? Did he say "bye-bye"?

Ryan: So have you seen -- have you seen Gillian lately?
Hayley: Uh-uh. No. I've been kind of caught up with myself -- you know, my show and my mother planning my wedding. Sorry.
Ryan: No, no, that's ok. I'm sure she's all right, you know? Maybe she's heard from Jake.
Hayley: Oh, yes. You're cured.
Ryan: Oh, yeah. Yeah, I'm -- I'm cured. Sure I am. Ow, ow, ow! I can't help it. Oh.

Greenlee: Hey. Hey. Hi, guys.
Ryan: Hey! That was quick.
Greenlee: Oh, I jumped in the car as soon as you called. How'd it go in New York?
Ryan: Whew.

Mateo: Ok. All right, listen. If you would admit that I'm the master speller, I won't make you pay me, all right? And I'll make you your favorite chicken quesadilla.
Hayley: Chicken? Would that be chicken with an E or chicken with an A?
Mateo: Yeah. "Boomerang" does -- it has actually does have an E in it. You were --
Hayley: Of course it does.
Mateo: I know.
Hayley: You are the master speller. I bow.
Mateo: She's going to bow.
Hayley: Bowing.
Ryan: Oh.

Greenlee: Love is so droll the second or third time around. Anyway, so tell me everything and admit nothing.
Ryan: Ok. Well, we are like about as hot as anybody could possibly be, but the word is out right now so I got to act really fast. Otherwise, all the copycats will be up and running any time soon.
Greenlee: Well, what's slowing you down? Ryan: Well, I need to -- I need to find my, like, my own guide to oversee all of the server, the web site, the software, the hardware, all of that.
Greenlee: But doesn't Mr. Midori have his own tech guys?
Ryan: Yeah, yeah. He does, he does, but they're like -- well, "It can't be done. Can't be done." I need somebody whose middle name is "I'll find a way."
Greenlee: Well, you know, you said you got to get started. I mean, can you find someone who will do what you want?
Ryan: Uh -- you see that guy behind the bar with the yellow shirt and the funny-looking straw? Yeah. Excuse me.

Tina: Hi, Ryan.
Ryan: I'm sorry to interrupt, Mr. Sword. I have a business proposition for you.
Adrian: Not right now, but thanks.
Ryan: No, I really -- I really think you should hear me out. Believe me, you should. How do you feel about moonlighting as my technical advisor for my new web site? We've all got -- we've all got the financing settled and --
Adrian: Nope. Sorry, but I've got more important things to do with my life.
Ryan: Really?
Adrian: Yeah.
Ryan: What could possibly be more important than somebody's dreams?

Janet: I think Arlene is really trying to turn her life around.
Brooke: Well, from everything that Hayley has ever said, Arlene doesn't want to change.
Janet: Well, maybe Hayley isn't the best judge. I myself don't have the luxury of feeling superior because of other people's failings. Arlene's been very good to me and Amanda. I, for one, am grateful for that.
Brooke: I'm glad to hear it. I -- you know, maybe she has changed.
Janet: By the way, I've been anxious to know if you heard from Trevor when you were in China.
Brooke: In China, no. And I haven't had a chance to check my mail at home yet.
Janet: Ever since you've been gone, I've been thinking there might be a letter at your office or your home.
Brooke: You know, I'm sorry. I know I had to leave so quickly, but as soon as I get home, I'll check my mail and I'll let you know, ok?
Janet: I would appreciate it.
Brooke: Ok.

Amanda: Aunt Arlene's run away.
Janet: Let's just sit down. I know you're disappointed Arlene left.
Amanda: It's terrible when people leave without saying good-bye.
Janet: Maybe she was in a rush -- she had to catch a plane or a train or something.
Brooke: And you what? I'm sure she'll call and tell you where she is as soon as she, you know, gets wherever she's going.
Amanda: I know why she went away. Hayley was mean to her, and she wouldn't let her be in the mommy/daughter fashion show. Hayley was mean to her. Let's call her. You'll see.
Janet: Well, wait a minute, Amanda. We can't just call Hayley. I mean, this is a personal matter. It's none of our business.
Amanda: Then you talk to her. See if she knows where she is.

Janet: Ok. Hi, Hayley, yeah, it's Janet. Apparently Arlene has moved out without telling us. All of her clothes are gone from the closet.
Hayley: That's great! Lucky you, lucky me, lucky everyone except for the poor people she's torturing right now.
Janet: So you don't know where she went?

Amanda: Ask her if she told her to leave town at the TV station.
Janet: Amanda, that's enough.

Hayley: It sounds like Amanda's taking it pretty bad.
Janet: Don't -- don't worry about it. I'm sorry to bother you.
Hayley: No, wait, Janet, listen, listen -- why don't I come over there? I mean, I'll talk to Amanda. I'll answer any questions she has.
Janet: That would be great. Thanks.
Hayley: Ok. I'll be right there.

Mateo: Where are we going?
Hayley: We are going to Janet's.
Mateo: Well, why? What's going on?
Hayley: The good news is Arlene has disappeared.
Mateo: Oh. Gone?
Hayley: Gone!
Mateo: That's great news. Well, what's the bad news?
Hayley: Amanda's blaming me for it.
Mateo: Yeah.
Hayley: You got my thing?
Mateo: Yeah, I got your thing. Hey, Adrian.
Adrian: Yeah?
Mateo: Can you cover for me here?
Adrian: Sure, go ahead.
Mateo: All right.

Ryan: All right, so why does reality always have to win? When you stop dreaming, you stop living. You might as well just pack it in.
Greenlee: That's right.
Ryan: This web site is our dreams. It's a way to make all of our wishes come true or at least as true as we can make them.
Adrian: Come on, Ryan -- IncredibleDreams.Com. Sounds just like another way of making money.
Ryan: What's wrong with that?
Adrian: Well, maybe for you, nothing. But for me, I need more. It's not enough.
Ryan: I agree. I agree. Money has never interested me. I really mean that. But I'm not talking about thousands of dollars here, Adrian. I'm talking about millions of dollars. That's power. That's -- that's influence. It's out there waiting for us, and people are doing it every single day, people that aren't as intelligent as you and I.
Adrian: Yes, Palmer Cortlandt, for example, has billions. What good does it do him?
Ryan: Palmer Cortlandt? Palmer -- I mean, God, that guy's always watching his back. He's always involved in hostile takeovers, closing down factories --

Greenlee's voice: I'll help you change the world, Ryan. I'll do anything, as long as you make my dream come true.

[Greenlee daydreams about singing to Ryan - -]

Greenlee: You made me love you
I didn't want to do it
I didn't want to do it
you made me want you and all the time you knew it
I guess you always knew it
you made me happy sometimes
you made me glad
but there were times, dear, you made me feel so bad
you made me sigh for I didn't want to tell you
I didn't want to tell you
I want some love that's true yes, I do
'deed I do
you know I do
give me, give me give me, give me
what I cry for
you know you've got the brand of kisses that I die for
you know you made me love you
Greenlee: You know you made me love you - - -

Greenlee: You know, sometimes you don't need money to make a dream come true. Isn't that right, Adrian?
Adrian: Ryan?

[Liza watches a tape of Leo confessing]

Liza: It's yours if you tell me who else was involved in trying to ruin my mother besides Paolo and Adam.
Leo: There was no one else. Adam gave me my orders. I found Paolo and hired him to seduce your mother. But I swear to you that I didn't know he was going to drug her. And I'm just thankful that nothing else happened.
Liza: Thank you, Leo.

Tad: Liza.
Liza: What are you doing here? Adam shouldn't see you here.
Tad: No, no, he won't. I just saw him walking towards the gatehouse.
Liza: Oh, yeah, he's looking for Stuart.
Tad: He came back with a story, didn't he? Huh? What did he say?
Liza: It doesn't matter what he said.
Tad: Liza, if I walk into a room and I find you with that look in your eyes, it matters, trust me. Because right now, odds are you're thinking, "gee, maybe my husband isn't a contemptible wretch after all."
Right? Liza: He gave me this.
Tad: So he wants Jake and Gillian to be Colby's guardians if you both die. So what?
Liza: No, he wants them to have access to her life, to be with her as she grows up.
Tad: No. No. No, damn it. You're not doing it this time. I'm not going to let you do this to us. We are going through with it, Liza. We are going to take Adam down.

[Banging on door]

Marian: Oh, good lord. And what now?

[Banging]

Marian: I'm coming. I'm coming. Adam.
Adam: Where is Stuart?
Marian: What do you want with Stuart?
Adam: I just want to talk to him. Is he home?
Marian: No. He's out. He's -- he's sketching.
Adam: Marian, it's pitch black out here. How can he possibly be sketching?
Marian: He's doing a kind of a, you know, moonlight on water, the play of light and dark, and it's going to be a fabulous series. Can I get you some coffee, Adam?
Adam: No. I just want to talk to Stuart. Where is he sketching?

[Telephone rings]

Marian: Oh, excuse me. Hello?
Stuart: Marian.
Marian: Oh, hi. Uh -- how are you?
Stuart: I'm -- I'm fine. Fine, Marian. I'm still at the airport because of bad weather. My plane's delayed.
Marian: Really? Oh. Could you hang on for one minute? I'll -- I'll be right back.
This is a long-distance call, Adam. I have to take this call.

Adam: Where is Stuart? Is he down by the lake?
Marian: Right, the lake. That's exactly where he went.
Adam: You're so kind.
Marian: Bye.

Marian: Stuart, darling?
Stuart: I heard voices, Marian. Is -- did I interrupt something?
Marian: No. No, darling. You didn't interrupt anything.
Stuart: You know, I don't know when the plane is leaving. I was -- I was thinking about maybe I'd come home. What do you think?
Marian: No, no, Stuart. I think you should go to St. Louis or maybe you should just stay out there and wait for your plane to take off. That's what I think you should do.
Stuart: Ok. Ok. That's what I'll do, then.
Marian: Ok, darling. I love you very much. Have a safe flight.

Liza: You know, this is my show. Ok? I was the one who invented this scheme to punish Adam.
Tad: Yeah, that's right. It's your show. You got me into this. So how ironic is it that I'm compelled to remind you of exactly what's at stake?
Liza: Wait a second. I don't get a chance to just rethink something? I -- I don't get --
Tad: So I knew it. I knew it. I'm right. Admit it. You're going to pull out.
Liza: No, I'm not. But I'm thinking about Adam. I'm thinking about what we're doing to him.
Tad: Why?
Liza: What we're doing to him is drastic. He may never be the same.
Tad: Oh!
Liza: He would if he --
Tad: If what? What? What, if he's learned his lesson? He promises to be a good little sociopath from here on out? Come on, do you honestly think that he considered you or Jake or Marian or Stuart? Liza, this is nothing. He's playing you.
Liza: You didn't hear him. He's extending an olive branch to Jake.
Tad: No, no, no, he's extending a joke. It doesn't mean anything. I know the way Adam thinks. This is worthless until you're both dead. And after that, what does he care if they raise Colby?
Liza: He wants them to be in her life now, as she grows up.
Tad: Yeah, yeah, until he comes up with a way to manipulate my brother into throwing this back in his face so Jake gets to be the bad guy.
Liza: Did the guy think of that?
Tad: All right, then, fine. Then you know it's a trick! Liza, you're doing it again, Sweetheart. You're grasping at any little thing he shovels your way as an excuse to stop. And for the life of me, you know, god only knows. I don't understand why.
Liza: Because of my daughter. When I hold her, Tad, I don't feel the hate and the resentment. And if I don't have that, how am I supposed to have revenge?
Tad: You just got to. You've got to hang on to it because Adam Chandler deserves everything he's getting and more. Do I really have to go over his resume one more time?
Liza: No, you don't. I know what he's done. I know what he's capable of doing, but I've also always thought that he could change. And if I'm wrong --
Tad: If you're wrong, what happens to Colby? Hmm? What happens to your daughter? Is he going to do to her what he's done to Hayley and Skye and Junior? You trusted in his ability to change once before, and he violated you. You almost didn't get over it. Is there really one more recovery left in there? And does Colby have to grow up suffering the same way?
Liza: Adam loves her. Maybe her love might change him.
Tad: Ok. All right, listen. Just for the sake of argument, let's say we're dealing with a new-and-improved Adam, ok? Is this the only legal piece of paper he brought back with him? Where's the one that takes effect while he's alive?
Liza: What do you mean?
Tad: Well, I mean, as long as he's being so generous, trying to make things easier on Jake, did he sign the divorce papers -- the one thing that makes it easier for you?

Amanda: You have to find her and apologize for what you said at the TV station. Then she'll come back.
Hayley: I'm sorry, Amanda. I can't do that.
Amanda: What do you mean? She's the only grownup who understands me besides my father.
Mateo: Amanda, I know it seems like that, but there's a whole lot people who care about you who would do anything they can for you.
Hayley: I want you to know, I promise you, I didn't say anything to her to make her leave town. Ok, I couldn't even if I wanted to because she is an adult, and she makes her own decisions.
Amanda: What if she went to be with my daddy?
Janet: Sweetheart, I don't think that's what happened. If Arlene knew where your daddy was, she would've told us.
Hayley: Yes. I'm absolutely sure she would have.

[Doorbell rings]

Amanda: Aunt Arlene!

Woman: Mrs. Dillon, I'm Linda Myers and this is my son, Christopher. I'm sorry to have to tell you this, but Christopher says that it was Amanda who punched him.
Janet: Well, that can't be so.
Linda: Well, that's why I'm here. I wanted to get Amanda's side of the story.
Janet: Amanda? Is this true?

Adrian: The way you're explaining it, there is no downside. We get rich by making people happy.
Ryan: Yeah, that's about it.
Adrian: Come on, man. You can't tell people you're going to make all their dreams come true. You got to disappoint somebody. I mean, come on. Ok, say this poor slob logs on and says that he wants the next-door neighbor, the gorgeous lady, to fall in love with him.
Ryan: All right.
Adrian: How do we pull that off without hypnosis?
Ryan: Ok, all right.
Adrian: Huh?
Ryan: All right, all right. You're right, you're right. I guess you can't make somebody fall in love with you if they really don't want to. That's for sure.
Greenlee: That's for sure.
Ryan: But what we can do is -- we can do our best to make the fantasy have the chance, at least have a chance of coming true. We can give them hope. And if it still doesn't work out for them, then at least they know that they tried and at least they know that we helped them try. And for that little bit of time, that moment in time --

Singers: You are my world
you are the one that I come to
you are the shelter I run to
to keep me safe from the sun
you are my home
you are the love that comes reaching
you are the touch my eyes feeling
I look in your eyes and I know you're my home
you are my home

Adrian: Damn. I don't know if it was your pitch or Tina's drink. But you've definitely sold me. I'm your man.
Ryan: Yes! Adrian, believe me, you will not be disappointed, man. You won't be.
Adrian: All right, all right

Janet: Come on in.
Janet: Amanda?
Amanda: Yes, I hit him. And I'm not sorry.
Janet: Why did --
Linda: I knew my child wouldn't lie to me.
Janet: Why did you feel you had to hit him?
Amanda: He was making fun of me.
Christopher: I did not.
Amanda: You did, too.
Janet: No, Amanda, stop. Enough.
Linda: I was willing to forget this whole thing if your child was willing to apologize to my son. But I can see now that's not going to happen.
Amanda: He should apologize to me for calling me names.
Linda: You can be sure I will bring this up to the school principal. He'll know the appropriate measures to take with a violent child.

Mateo: You know, maybe we're not helping here right now. Maybe we should --
Hayley: Yeah.
Brooke: You know, I think Jamie's probably home from the movies. I'm going to go home and check on him. And I'll call you, ok? And I'm sure everything is going to work itself out, ok?
Janet: Thanks for the presents.
Brooke: Ok.
Hayley: Amanda, don't worry about this, ok? Things get screwed up sometimes. Everything will work itself out.
Mateo: See you, Rocky.
Janet: Bye.

Brooke: Boy, I had no idea.
Hayley: I'm telling you, things are really screwed up around here.

Janet: Amanda, I know you were angry at him, but you can't just go around hitting people. Why did you do that?
Amanda: Daddy told me not to take any guff from those jerks.

Ryan: Yes, that is so -- that is exactly it. That's what I wanted. That's right. That's exactly it.
Greenlee: He really is "Mr. I'll find a way."
Ryan: He is.
Tina: Desert Islands for everyone.
Ryan: All right!
Tina: To celebrate Adrian's new job.
Adrian: All right.
Tina: You are going to keep your day job, aren't you?
Adrian: You better believe it. I got to pay the rent while I'm dreaming.
Greenlee: Here's to making our wildest dreams come true.
Adrian: All right.

[Ryan daydreams about Gillian] [Music plays] Singer: You are the flame in my heart you light my way in the dark you are the ultimate star

Gillian: I'm proud of you, Ryan. You're so successful. You make so many people happy.
Ryan: It's all for you, Princess.
Gillian: You're the most wonderful man I've ever known. Everything's perfect now.
Ryan: It would be perfect -- it would be perfect if we were still together.
Gillian: What do you mean?
Ryan: Well, if we hadn't got a divorce, if you hadn't married somebody -- hadn't married somebody else.
Gillian: Baby, you must be having a horrible nightmare. You are my husband. Now and forever.
Ryan: That's all I ever really wanted, Gillian.
Gillian: Dance with me. And then make love to me all night.

Singer: You make me feel so divine
your soul and mine are entwined
before you I was blind but since I've opened my eyes and with you
there's no disguise so I could open up my mind
I always loved you from the start
but I could not figure out that I had to do it every day
so I put away the fight
now I'm going to live my life
giving you the most in every way
oh, I belong to you
and you
you belong to me, too.

Greenlee: Cheers.
Tina and Adrian: Cheers.
Adrian: Come on.
Ryan: Cheers, cheers, cheers. All right, to all of our fantasies and --
Adrian: Big fantasies.
Ryan: Wishes and dreams and everything.
Tina: Dreams.

Liza: No, Adam and I did not talk about the divorce papers.
Tad: Yeah, well, maybe you should. Just try not to turn it into good news.
Liza: Go away.
Tad: I can't. Liza, I can't. I'm not a bystander in this. I put my marriage on the line to make sure this thing goes off as planned.
Liza: You know what? I didn't make you do anything.
Tad: No. You didn't. I chose to do it willingly because I owe it to everybody I love, including you, to make sure that Adam is stopped once and for all. Now, I am going to that board meeting. If you're there, I'll know I have a partner, and we'll finish this thing together. If you don't have the stomach for it, then I'm going to do what I can do alone.
Liza: You got to go. He can't find you here.
Tad: I am counting on you. I want you to know that.
Liza: Tad, I want you to go.
Tad: Ok, just think about this -- one more thing. Adam loves Stuart like he loves a piece of himself, but somehow he was willing to destroy his marriage and his happiness. If you don't go through with this, you and your daughter will never be safe, ever.
Liza: Please.
Tad: And you know it.

Adam: Liza.
Liza: Yes, what is it?
Adam: I've looked everywhere for Stuart. I think he's forgotten all about the board meeting.
Liza: Oh, I -- I don't think he would forget. But maybe you should go with me to Chandler Enterprises just in case.
Adam: Oh, yes. If Stuart can't defend me, then I can certainly take care of myself.
Liza: Yes. You'll have to do that. Let's go.
Adam: Yeah.

Janet: Well, I'm sure your daddy never told you to hit anyone.
Amanda: Well, he said there's a lot of people out there who want to hurt you and the only way to stop them is to hurt them first. Can I play with my doll now?
Janet: Of course, sweetheart. Go ahead. I'll be up in a minute.
Oh, God

. Image: Way to go, Amanda.
Janet: Not you. Go away!
Image: Looks like the little angel's going to take after her mother.

Adrian: So you going to be at the community center tomorrow?
Tina: Yes.
Adrian: You need any help?
Tina: Sure. But aren't you too busy with your big, important job and making web sites?
Adrian: All right, all right. I'll make time.
Tina: I'm looking forward to it.
Adrian: Good.

Ryan: Ok, I don't think I've told this to you yet, but I owe this all to you.
Greenlee: No, you did all the work. I'm just -- I'm just good at spotting potential.
Ryan: Really? Well, you are the real magician who has the real dreams.
Greenlee: Well, I try.
Ryan: Hmm.

Tad: Ladies and gentlemen, I must apologize. I know I promised that I wouldn't come back here, and I fully intended to keep that promise. But I cannot endure any more of Adam chandler's harassment. He's called my home. He's threatened me and my family. I am telling you all this man is mentally unstable. He's got to be properly restrained before he does damage to himself or to others.

Adam: Has the meeting started yet?
Secretary: Yes, Mr. Chandler.
Adam: Is my brother here?
Secretary: No. Not yet, sir.
Adam: Would you give us a moment, please?
Secretary: Sure.
Liza: You were right. Stuart must have forgotten about the board meeting.
Adam: Well, I'm capable of pleading my own case.
Liza: Oh, I know you are. But I just think it's best if Stuart comes to your defense.
Adam: Well, he isn't here.
Liza: I know. Well, you know, you and I are the only ones that know that.
Adam: At are you saying?
Liza: Well -- I don't know. What if you played Stuart one more time? It might make an impression on the board members.