Edmund: Some place, huh?
Alex: Yeah, if you're
into cold, dreary, and bleak.
Edmund: Anything look
familiar?
Alex: Nothing.
Dr. Griffith's office is there.
Edmund: Oh, good.
You starting to remember?
Alex: No, it says
so on the door.
Nurse: Can I help you?
Alex: Oh. Hello.
Edmund: Yes, good --
afternoon.
We're here to see Dr. Griffith.
Nurse: And you would be?
Edmund: Edmund Grey
and Alexandra Marick.
Alex: Yes.
Nurse: I don't see
an appointment.
Alex: We don't have one.
Edmund: It's not for lack
of trying.
I've left several messages
with Dr. Griffith.
Nurse: Dr. Griffith is a very
busy man.
Alex: Yes, I can relate
to that.
I'm co-director of the Andrassy
Foundation for rare diseases
in the United States and I also
practice, so I do understand,
believe me.
Nurse: Yes.
Perhaps we can make
an appointment to discuss
your foundation.
Oh, I see he has an opening
at 10:30 In the morning next
Tuesday.
Alex: Well, actually,
we're not here to discuss
the foundation.
It's more personal.
I was a patient here once.
Nurse: I see.
Edmund: No, I don't think
you do.
We need to see Dr. Griffith
today, now.
Nurse: I'm terribly sorry,
but that is just not possible.
Edmund: Either inform
Dr. Griffith we're here or I'll
go through that door and I'll
tell him myself.
Nurse: That won't be
necessary.
I'll relay the message.
Kindly have a seat and wait over
there.
Alex: I bet she's in there
right now complaining about how
brash you Americans are.
Edmund: That's just what
I want her to think.
We didn't come this far to be
shown the door.
Alex: Well, it's so strange.
I mean, I spent a significant
amount of time here, but nothing
looks familiar to me.
Vanessa: Here you are.
I just called your room.
Have you found the emerald yet?
Paolo: Angel, no, I have not
seen it yet, but I have turned
the entire room upside down.
Vanessa: All right,
well, let's just go back
upstairs and turn it right side
up because I have to find that
stone.
Paolo: There is nothing
I would like more, but right now
I have a little business to take
care of.
Vanessa: What kind
of business?
Paolo: Are you busy this
afternoon?
Because we can go back
to my room and explore every
inch of it, hmm?
Vanessa: Please be careful,
darling.
This is a public place.
Palmer could walk in here any
moment.
Paolo: I know.
But, you know, I get around you,
and I forget myself.
Vanessa: Really.
Paolo: Promise me?
Vanessa: Yes, I promise.
Paolo: See me later?
Vanessa: I promise.
Just control yourself.
Paolo: Ahem.
Ahem.
Apologies.
Not used to getting up this
early.
Erica: Save it, will
you please?
You're in luck anyway
because David is late
for breakfast, too.
But what could be keeping him?
I mean, he always has
breakfast.
And I was very careful,
you know.
Here I am wearing exactly what
I had on yesterday.
Paolo: You mean I could've
slept in this morning?
Erica: Will you please stop
it?
Don't yawn.
Are you kidding?
Stop it.
Someone might think that you are
bored.
[Paolo yawns]
Erica: Are you kidding?
Paolo: I'm sorry.
Erica: I'm telling you,
when David comes through that
door, I want you to look at me
with total admiration --
admiration and adoration --
or I will send you straight
to jail, straight to jail
without a second thought.
Have you got that?
Adam's voice: I really
thought you'd forgiven me.
Liza: I'm sorry.
I was afraid something like this
would happen.
My husband, your CEO,
Is incapable of running this
company.
He has completely lost
his mind.
Secretary: Good morning,
Mrs. Chandler.
I have your newspapers.
The "London Monitor," the other
Europeans, the "Times" --
Liza: I didn't ask for these.
Secretary: Mr. Chandler
always reads these over a cup
of coffee.
How would you like yours?
Liza: I don't.
I prefer tea.
And please don't bring me this
dead pile of trees.
I own a television station.
I can get my news elsewhere.
Could you make that mint tea?
Secretary: Right away,
Mrs. Chandler.
Liza: Thank you.
Marian: Liza --
oh, excuse me.
Secretary: This way.
Marian: Right.
Have you seen this morning's
paper?
Liza: Well, obviously I've
seen some papers.
Why?
Marian: Well, take a look
at this one.
Liza: Oh, my God.
How did this get out so quickly?
Marian: Then it's true?
Adam appeared before a judge,
and you had him declared
delusional?
Liza: Yes.
It was all according
to the book.
But I've got to get the head
of the PR Department
on the phone.
Company directory -- Pam!
Marian: Liza, listen to me.
I'm worried about this.
Liza: Well, so am I.
You never know who's aligned
with whom.
Marian: Not that.
This whole thing.
What am I going to tell Stuart?
Liza: Well, how do you know
that he doesn't know?
I mean, he might have read
the paper.
Marian: No, he left early
this morning for the gallery.
I'm sure he doesn't know yet.
But he's going to be devastated
when he finds out.
Liza: You just got to tell
him that he had a nervous
breakdown.
Marian: Darling, Adam causes
nervous breakdowns.
He doesn't have them.
Stuart won't buy that.
Liza: Well, you're
a saleswoman.
You got to get him to buy it.
Marian: Liza, what am I going
to say to him?
Liza: Listen, mother,
do you understand if all this
comes out what's going
to happen?
Everything that Adam's done is
going to come out in the open.
Stuart is going to know that
Adam tried to destroy
your marriage.
Now, that is going
to devastate him.
Dixie: Hey, what's all this?
Did we have an anniversary
I forgot?
Tad: No, no, no, no.
This is just a little
celebration in honor
of something I like to call
"The Dawn of Peace in the Valley
of Pine."
Dixie: Oh, is this about
your big night with Adam?
Tad: Yeah.
I was right.
It's over and done with.
Adam's reign of terror is
a thing of the past.
And, best of all, as promised,
nobody got hurt.
Dixie: Really?
Tad: Uh-huh.
Dixie: How'd you pull that
off?
You and Liza, huh?
Tad: Uh-huh.
Dixie: You know, I waited up
for you last night.
Fell asleep before the
11:00 News.
Tad: Oh, baby, I just wish
you could have been there to see
the look on Adam's face.
It was great.
He had no idea what hit
him until it was too late.
Dixie: Too late for what?
Junior: All right.
Dixie: What happened?
Junior: These for us?
Dixie: Yeah, yeah,
they're for us.
Don't eat too many, ok?
Tad: Ah, don't rain
on his parade.
It's you and me, kiddo.
We're going to do up the town.
Just let me heat them up.
I'll be right back.
Dixie: Ok.
Junior: Mom, I was wondering,
maybe you could call up Dad.
I saw a new ad for a driving
range.
And I know he likes golf,
so I was thinking maybe he could
take me.
Dixie: That's a great idea.
You know, I'll -- I'll call him
later, ok?
But let me -- let me go get some
milk for those muffins.
I'll be right back.
[Junior turns on TV]
TV announcer: Adam Chandler,
founder and head of Chandler
Enterprises, was taken to --
Junior: Hey, Mom,
Dad's picture's on TV.
TV announcer: Where he was
reportedly committed.
According to sources,
Mr. Chandler experienced
a severe mental breakdown
during a board meeting.
Junior: Mom!
TV announcer: Mr. Chandler's
wife, Liza Colby Chandler,
has stepped in as acting CEO
No official word yet
from Chandler Enterprises,
but inside sources quote
Mrs. Chandler as saying
her husband has completely lost
his mind.
Dixie: Give me that.
Junior: What did he mean?
Dixie: Uh --
Junior: What is that guy
talking about?
Dixie: Sweetie, I'm sure that
it's --
Junior: What's wrong
with my dad?
Is he sick?
They took him to a mental
hospital.
What's wrong?
I -- I got to get dressed.
Tad: Junior, take it easy.
Junior: I got to get dressed.
I got to see him.
Dixie: Nobody got hurt?
Junior --
Tad: Dixie --
Marian: Did you think
you could put Adam in
a loony bin and nobody would
notice?
I'm telling you, the press is
going to be all over this thing
and Stuart's going to insist
on seeing Adam right away.
Liza: Well, you know what?
You just have to tell him that
Adam is not taking visitors
at this time.
You might be jumping ahead
of yourself, you know.
He might already know.
He might have read the paper.
He might not think anything
of it, considering the stress
that Adam's been under recently.
Marian: Don't underestimate
Stuart.
He loves his brother very much.
He's going to insist on seeing
him, Liza.
Liza: Well, you got to stop
him.
Marian: Well, what do
you expect me to do, lie to him
again?
Liza: Mother.
I'm not asking --
Hayley: What the hell is
going on?
"Adam Chandler trades boardroom
for rubber room"?
Liza: Hayley, that's
"The Exposure."
They sensationalize everything.
Hayley: Is it true?
Is my father in Oak Haven?
Liza: He's been under a lot
of stress recently.
I'm sure this is quite a shock.
Hayley: No, it's more like
a crock.
My father may be a lot
of things, but crazy he ain't,
and neither am I.
Tell me what the hell is going
on.
What have you done?
Tad: Eli, just keep the lid
on things until I call you back,
ok?
So, how is he?
Dixie: Well, how do you think
he is?
He's upstairs.
He's scared.
He's confused.
He doesn't understand why this
happened.
Tad: Neither do I, Dixie.
This was not part of the plan.
The news wasn't supposed to have
gotten out like this.
Dixie: What did you think?
It was going to get out
sometime.
How did you think Junior would
feel when he found out that
his father's been committed
to a mental institution?
Tad: That's what I'm trying
to tell you, honey, ok?
He wasn't supposed to be clubbed
over the head with it.
I was supposed to talk to him.
I just didn't realize he was
going to react this badly.
Dixie: He's a little boy.
Adam is his father.
Tad: I know -- a father
who scares him to death,
a father he doesn't want to have anything to do with.
Dixie: Is that why he wants
to spend more time with him now
all of a sudden?
Tad: He does? Why?
Dixie: Because he --
the whole custody hearing.
He feels guilty that he told
a judge that Adam scared him.
And so now he feels that he hurt
Adam so badly, he caused
the breakdown.
Tad: Oh, God.
Honey, listen to me.
I swear to you, I swear
to you on my life, I never
in a million years thought that
Junior was going to blame
himself.
Dixie: What did you think?
How did you think Junior was
going to react to this?
I mean, did you for one minute
consider the consequences
of your actions?
Tad: Sure.
I thought everybody was going
to understand.
Dixie: You have to understand
something, Tad.
Junior is upstairs.
He's scared.
He's hurt.
And Adam didn't do it to him
this time.
This time you did.
Alex: I don't see how anybody
could come here and recover
from anything, quite frankly.
How long has she been in there?
Edmund: Over 15 minutes.
That's it.
I'm going in.
Dr. Griffith: Dr. Marick,
my apologies.
Alex: How do you do?
Dr. Griffith: How do you do,
Mr. Grey?
Sorry for the wait.
I was tied up with a lengthy
phone consultation.
Alex: Oh, we quite
understand.
Thank you so much for seeing us.
Dr. Griffith: That'll be all,
Margaret.
You'll have to excuse Margaret.
She's fiercely protective
of my time.
Edmund: Yeah.
So, you expected us?
I mean, you received my e-mails?
Dr. Griffith: Yes, I have.
But unfortunately my hands are
tied.
I don't have access
to Dr. Marick's records.
I'm afraid you've come a great
distance for nothing.
Edmund: When you say
you don't have access,
doctor, what do you mean?
Dr. Griffith: I beg
your pardon?
Edmund: Well, I happen
to know that Dr. Marick's
records were not sealed
by the British government
as you had led me to believe.
So they must be available.
Dr. Griffith: I'm sorry,
but we only began computerizing
records five years ago.
Edmund: Ok.
Well, prior to that.
I mean, they must be
somewhere -- in a box,
in storage.
I mean, you wouldn't just lose
them or throw them away.
That would be negligence.
Dr. Griffith: No, of course
not.
We have boxes and boxes of files
in our records room.
But they're in a horrible
jumble.
I couldn't begin to know where
to look.
Edmund: Well, allow me
to help you.
Dr. Griffith: We do follow
protocol over here, Mr. Grey.
Edmund: I'm familiar
with the concept.
We have protocol in the United
States.
You know what else we have
in common?
The press.
It just so happens that I happen
to publish a magazine,
investigative journal magazine
with an international
circulation.
You may have heard of it.
It's called "Tempo."
Dr. Griffith: I know
the publication.
Edmund: You know,
technology's an amazing thing,
doc.
I could just pick up this phone
right now, I could call
my office, and they could start
an expose on a private
sanatorium that is refusing
to give a former patient medical
records.
Now, why would they do that?
Could be lost.
Could be a cover-up.
Maybe a scandal.
Now, scandal's good.
That sells papers.
You know what would happen?
Your private little sanatorium
would be overrun with
photographers and reporters.
Maybe even Scotland Yard.
So, you see, doctor, that's how
we do things where I'm from.
Dr. Griffith: Give me a few
minutes.
I'll see if I have someone
available to check our
records room.
Now, please, have a seat.
Dr. Griffith: Our visitors
are very persistent.
Guy: I told you Mr. Grey was
becoming a problem.
Dr. Griffith: So he is.
Ms. Devane seems to put a great
deal of trust in him.
Guy: She's unstable.
It would be best to terminate.
Dr. Griffith: Guy, you must
learn patience.
I agree she's a risk to us,
but we can't override
our superiors.
They've ordered us to wait,
so we wait.
In the meantime, we must find
a way to contain her.
Guy: What if we can't?
She's getting closer.
What if Dr. Marick finds out who
she really is?
Erica: All right. Thank you.
I don't believe it.
David went to a medical
convention -- out of town.
Paolo: These are delicious.
You have to try these.
They're surprisingly good.
I wonder if the baker's French.
Here.
Erica: Stop.
Get that out of my face.
Didn't you hear what I said?
David went out of town
without even telling me.
Paolo: He'll be back, right?
Erica: Well, that's not
the point.
He did this completely out
of spite.
Paolo: Well, weren't
you trying to spite him with me?
Erica: You're free to go now.
Paolo: I'm waiting
for my Eggs Benedict.
Listen, between you and me,
this jealousy thing could
backfire, you know?
Ok, Erica, maybe you can't be
left penniless, but you can be
left.
Erica: You know, not that
it's any of your business,
but I tried to tell David
the truth and he was -- he was
very rude.
He was very arrogant.
In fact, this whole thing is
really his fault.
Opal: Erica.
Erica: Opal.
Opal: Oh.
Am I interrupting something?
Erica: No, no, not at all,
really.
How are you this morning?
Opal: Just dandy.
And by the looks of things,
so are you.
I didn't catch your name.
Paolo: [Italian accent]
Paolo. Paolo Decaro.
Opal: Decaro -- of
Decaro leathers?
Paolo: Yes.
Erica: No.
Liza: You want the truth?
Your father hasn't lost
his mind.
Hayley: Then why is he
in a mental institution?
Liza: Let's just say
for the sake of argument that
he's paying for what he's
done -- to me, to the Martins,
Stuart and my mother,
and, yes, even you.
Hayley: I fight my own
battles, thank you very much.
Liza: Well, you know what?
My daughter can't.
Hayley: Oh.
Well, now you're starting
to sound like Adam -- justifying
the unjustifiable out of love
for your child.
Liza: Don't compare me
to him.
Hayley: You're behaving like
him!
Liza: We did what we had
to do, Hayley.
Hayley: Oh, Liza, come on.
Come on.
How long do you think it'll
take?
Give the doctors a little
credit.
They will eventually realize
that he's not insane.
And what about Stuart?
Stuart's going to find out.
He's going to put a stop to it.
Marian: I'm going to have
to find Stuart right now.
Liza: What are you going
to tell him?
Marian: I'm going to tell him
the truth, Liza, and I am never
going to lie to him again.
Never.
Liza: Hayley, please.
We all know what Adam is capable
of doing.
I am stopping him from
continuing to ruin our lives.
Hayley: Why?
He got what he wanted.
You both did.
Liza: What do you mean?
Hayley: Colby.
Come on, Liza.
Don't make Adam the only heavy.
You lied to Jake, too,
all through that custody
hearing.
Liza: I had no choice.
Hayley: There are always
choices, Liza.
You just picked the wrong one.
Now, what --
maybe you thought you wouldn't
get pregnant or maybe you took
a chance with Adam and then
you got scared.
I don't know.
Liza: My God.
You don't know?
I mean, I thought everybody
knew.
Hayley: What?
Liza: I have always believed
that Colby was Jake's daughter,
but she's not.
Adam switched the sperm samples.
Tad: Dixie, come on.
You know that I would never do
anything to hurt Junior.
I love him like he's my own son.
As a matter of fact, as far
as I'm concerned, he is
my son.
Dixie: I understand that,
Tad, and Junior loves you like
a father.
But he also has another father,
and that's Adam, who is now
in a mental institution
because of you.
How do you think Junior's going
to feel when he finds that out,
what you did?
Do you think that he is ever
going to trust you again?
Tad: All right, fine.
We'll just -- just have
to explain it to him.
Dixie: "Explain it to him"?
Tad: What, you're not going
to help me out on this one?
What -- what do you want?
Do you want to turn him against
me?
Is that what you're
trying to do here?
Dixie: No, of course I'm not
going to turn him against you.
Of course.
I just have no idea how we're
going to explain it to him.
Tad: Well, for starters,
we'll tell him the truth.
We'll tell him that Adam got
exactly what he deserved.
Dixie: Oh, now you're judge
and jury.
Tad: No.
I'm the casualty of war.
And so are you.
And so is Stuart and Marian
and Skye and everybody else that
he's ever met.
God.
You know, it wouldn't be
the worst thing in the world
if the boy had to learn that
once in a while you got to get
up and fight!
Dixie: I see.
That's what you've learned,
isn't it?
Tad: Haven't you?
Don't you remember how you felt
when Adam locked you
in Oak Haven?
Hmm?
Or do you remember how you felt
when -- when Junior ran away
from home?
Dixie: I remember everything,
Tad.
I also remember the look
on a little boy's face upstairs
a few minutes ago.
Tad: Dixie, what was
I supposed to do?
Sit on my hands and wait
for Adam to do it again?
The man deserved it.
He had to be taught a lesson.
Dixie: This is such a crock.
This is not about some spiritual
edification for Adam.
This is about revenge.
This is about you, you needing
to win.
Tad: You know, I don't
understand where this is coming
from at all.
After all of the stuff that
bastard has ever done to us,
how do you make me out to be
the bad guy?
Dixie: Because I expect it
from Adam, because I expect --
since --
terrible behavior from him.
But from you, I expect you to be
better than that.
I expect you to choose us.
I expect you to choose
your family.
But that's just -- you just
couldn't do that, could you?
No, it had to be "vengeance is
mine, sayeth Tad Martin."
To hell with the family.
To hell with the consequences.
Tad: Stop --
Dixie: To hell with
the little boy upstairs.
Tad: Stop! All right?
I understand, I understand.
I'll talk to him, ok?
I'll straighten it out right
now.
Dixie: No, no, no!
Don't you go near my son!
Opal: And there's two things
I can spot about a person right
off the bat, and that's a bad
dye job and cheap shoes.
Well, obviously the hair is
real, but the shoes --
not Decaro leathers.
Paolo: They weren't that
cheap.
Opal: Well, good.
Then you won't get bunions.
Paolo: Yes, well --
ladies, if you'll excuse me,
I need to make a phone call.
Erica: Sure.
Opal, sit down a minute.
Opal: Well, all right.
Just for a minute.
I mean, I don't want to be
disturbing whatever it is you're
up to with your latest hunk
du jour.
Erica: He is not my hunk
du anything, I assure you.
Opal: Hmm.
Erica: Look, I have to swear
you to secrecy, ok?
Opal: May my perm rods be
struck by lightning.
Erica: Paolo is for show.
Opal: Show?
What?
Oh, is he modeling for
Enchantment?
Erica: No, no, no, no, no.
He's to show David that I can
get along just fine without him.
He's that kind
of a show.
Just to rub David's face in it
a little bit.
Opal: Well, is David here?
I haven't seen him.
Erica: No, he's not here.
No, he's not.
He's out of town.
Opal: Well, then, I don't get
it.
What's the point?
Erica: Well, I miscalculated.
David left town without even
telling me.
Opal: Honey, what is going
on here?
I mean, did you and David
break up?
Erica: We had
a misunderstanding.
And instead of David stepping up
to his feelings and admitting
that he was wrong, he acted like
he didn't even care.
He acted as if I was just some
insignificant little fling.
Opal: Well, is it possible
that you are?
I mean, he doesn't exactly have
a stellar record in
the relationship department.
Erica: Opal, David loves me.
He's told me that I'm really
the only woman that he ever
loved.
What we have is very special,
and we both know that.
Oh, it's just his pride.
It's his foolish pride.
That's why I have to do this.
I have to really shake him out
of it.
Opal: Well, I mean,
this Paolo guy is a hunk
and all, but I don't really see
him as any kind of a threat
to David.
I doubt David will, either.
I mean, why haven't you just
tried being honest with each
other?
Erica: I tried.
I tried to talk to David.
But he was so angry, he wouldn't
even listen.
That's why I know this is
the right thing to do.
He wouldn't be so upset
if he didn't care.
Opal: Well, are you
comfortable with this Paolo guy?
I mean, he's got quite a hungry
look about him and you're a very
wealthy woman.
Erica: He's manageable.
Look, I made him swear that
he would not have anything to do
with any other extracurricular
activities for the moment.
Anyway, that reminds me --
Opal --
have you seen this?
Do you recognize this --
this emerald?
Opal: Well, it looks real.
Erica: Sure does.
I found it in Paolo's room.
Obviously belongs to a woman.
And I'm just betting, you know,
from a piece of jewelry,
something, maybe an earring?
Opal: Ooh, it's got the look
of old money about it,
doesn't it?
Oh, girlfriend, we are going
to have ourselves some fun
tracking down that Cinderella,
aren't we?
Paolo: Angel, I was just
calling you.
Vanessa: Really?
What are you doing with Erica
Kane?
Paolo: Having breakfast.
As soon as I'm finished, I will
give you a call, we'll go
upstairs, look for your emerald.
But I really need to get back
right now.
Vanessa: Don't you dare.
Winifred: Mr. Chandler,
they let you out!
Stuart: They did?
Who let me out of what?
Winifred: Oh.
I'm sorry, Mr. Stuart.
I -- I --
I thought that they had released
Mr. Chandler .
Stuart: Released?
Is Adam in jail again?
Is he all right?
Is he in trouble?
Winifred: No --
well, I mean, yes.
But, no -- no, no, he's not
in jail.
He was taken to oak --
Oak Haven?
It was -- I just saw it
on television.
Stuart: Took him
to Oak Haven?
Why would they take him
to Oak Haven?
Winifred: I'm sorry,
Mr. Stuart.
I thought you knew.
The announcer said that
your brother suffered
from a mental breakdown last
night, and they -- and they --
Stuart: Oh, no.
No!
No, Adam, no.
No.
Tad: That's the way you want
to play this?
Huh?
Is that what you think is right
for your son?
No, no, no, you just remember
one thing, ok?
Biology aside, he's my son, too.
And I love him with all
of my heart and soul.
Dixie: You were not thinking,
Tad.
Tad: I know, I know.
Because if I ever thought
for one second that he would
react like this, I never would have gone through with
it
all I ever wanted to do was keep
Junior safe.
Dixie: Really? You're not trying to show Adam
up?
Tad: No.
Dixie: You're not trying
to make him look bad in Junior's
eyes?
Tad: No! No!
I may be jealous of Adam where
Junior's concerned, but I'd
never want to humiliate the boy
or make him feel bad about being
Adam's son.
Dixie: You're jealous
of Adam?
Tad: Wasn't that obvious?
That jerk gave you a child.
I can't.
We had our chance.
We lost it.
Our Bess.
God only knows we're going
to get another one.
And you know something?
The fact is, I'm a terrific
father.
And I love you.
And you love me.
How am I supposed to feel,
knowing that no matter how badly
we deserve to have a child
without being completely
freaked, we can't.
No matter how badly I want to,
I can't give you that happiness.
Dixie: I didn't know you felt
that way.
Tad: I didn't either until
Liza pointed it out.
Dixie: Liza?
You talked to Liza about this?
Something you couldn't even tell
me?
Tad: Sweetheart,
suddenly I was baring my soul.
I don't even remember how it
came up.
Dixie: I --
you have so many intimate
conversations with her.
Tad: Oh, God, here we go.
Sweetheart, Liza's not the issue
here.
Dixie: Yes, she is.
Tad: No, she's not.
Dixie: When these sorts
of things happen, who always
gets something out of it, hmm?
Liza.
Tad: No, we all do.
Dixie: No, your family pays.
Tad: Dixie --
Dixie: Your family always
pays.
Tad: Honey, please --
Dixie: I'm going to go talk
to Junior.
Tad: Wait. Wait.
Dixie: No!
Vanessa: I want to know what
you were doing with Erica Kane
since professing such love
for me last night.
Paolo: Angel, it's a business
association.
I promise you.
It's a real estate matter.
And, frankly, I can't wait till
it's over with because I've
never known such vanity.
Vanessa: Paolo, you had
better not be lying to me.
Paolo: Do you doubt my love
for you?
After breakfast, this afternoon,
you come up to my room,
and I will devote the entire
afternoon to proving it, huh?
Vanessa: Look, I happen to be
married to a very prominent man
in this town.
I have obligations, so --
let's just consider last night
good-bye.
Paolo: You're trying
to torment me.
Well, you know what?
It's not going to work.
There's too much fire between
us.
I'll be upstairs
if you change your mind,
waiting for you.
Opal: Well, if you'll excuse
me.
Erica: All right.
Opal: Was a pleasure meeting
you.
Paolo: My pleasure.
Erica: Don't sit yet.
I'm done here.
Paolo: I haven't had
my breakfast yet.
Erica: You can eat the eggs
when I'm gone.
I have another assignment
for you.
Paolo: Ok.
Erica: Enchantment is
co-sponsoring this great big
gala benefit.
I'm doing it with "Wave,"
and it's in support of teens
against addiction.
David will definitely be there.
You will be my escort.
Paolo: Ah, but I didn't bring
my tux with me.
Erica: Oh, imagine that.
Don't worry.
I'll make sure that you have
everything you need to look
presentable.
Because anyone who appears
on the arm of Erica Kane will
look as if he belongs there.
Paolo: Thank you.
Guy: They're losing Alexandra
Marick.
Why won't they listen?
Dr. Griffith: They are.
They want us to follow orders.
Calm down and remain patient.
This is not our case.
Guy: What are you going
to do?
Dr. Griffith: I'll stall
until I can report back and
get instructions.
Sit tight.
Dr. Griffith: I had a clerk
check our records room.
It seems Dr. Marick's file is
among those moved to an off-site
storage facility.
Alex: Oh, good.
Edmund: Well, that's great.
Just give us the address,
and we'll check it out
ourselves.
Dr. Griffith: It's
a warehouse facility,
and there's no way I can give
you access.
But I will arrange for someone
to drive out and look
for your file.
So, how long do you plan
to remain in Wales?
Alex: As long as it takes.
Dr. Griffith: I see.
I apologize for the
inconvenience.
Alex: When should we contact
you again?
Dr. Griffith: Check back next
week.
Good day.
Alex: Well, that's a start,
I guess.
Edmund: Mm-hmm.
But he got rid of us a little
too easy, don't you think?
Alex: Yeah.
Edmund: Yeah.
Alex: I agree.
I told you my mother has
a cottage right near here
in the countryside.
Just across the border near
Bristol.
So, we could go there.
Edmund: Ok, let's go.
You all right?
Alex: Yeah.
I keep thinking about that image
of the little girl, Robin.
Edmund: Well, listen,
maybe your mother can help
you remember more.
Alex: Maybe.
Liza: I really thought that
I was doing what was best
for Colby, and I always wanted
Jake to be her father.
Hayley: I can't believe that
Adam let me get up on that stand
and defend him.
He never bothered to tell me how
he became Colby's father.
He used me again.
You both used me again,
actually.
Why don't you just divorce him?
Liza: I couldn't.
And now it doesn't really fit
into my plans for him.
Hayley: Why would you have
plans for him at all?
I don't understand this.
Everything's out in the open.
You are free to just cut
your losses and run.
Why don't you leave Pine Valley,
take Colby, and go?
Why are you even here?
This death grip you have
on my father --
just let it go.
Liza: I can't.
Don't you understand that?
Hayley: I think I do
understand.
You're either a fool or you're
still in love with him.
Tad: What do you mean,
you didn't see Liza this
morning?
Winifred: She left - it was
early, sir.
I didn't --
Stuart: Oh -- oh, Tad.
Good, good.
I need your help.
I can't find Liza and Marian
isn't home --
Tad: Stuart, wait a minute.
Wait a minute.
Slow down.
Stuart: No, I can't. I can't.
Adam's in trouble.
They got him at that mental
hospital.
Tad: I know.
Stuart: I don't know how Liza
ever let -- let that happen,
but -- but --
that's terrible.
I can't find her.
Maybe she's there right now.
She's maybe there trying to get
him out.
So you're going to help us, ok?
Because that's -- that's really
a terrible place.
It's terrible.
I know.
I was there once.
Tad: Stuart, I know.
I realize that.
Adam put you there, remember?
Stuart: Well --
well, yeah, but that was ages
ago.
He's been doing very well
lately.
He's -- he wouldn't have
a mental breakdown now.
It's got to be a mistake.
We got to get him out.
Tad: I can't do that, Stuart,
because I'm one of the people
that put him there.
Alex: So hopefully you'll be
there when we arrive, ok?
Lots of love. Bye.
Edmund: Did you reach
your mother?
Alex: No, I left a message
for her on the answering
machine.
Edmund: Ok.
Alex: That woman keeps
staring at me.
Edmund: Do you recognize her?
Alex: No.
But she might recognize me.
I'm awfully sorry, but
I couldn't help notice you were
staring at me.
Do you know me?
Woman: Oh, sorry, Mum.
Alex: No, I mean, it is
possible that we met before
because I was once a patient
here.
Oh, ok.
I beg your pardon.
Woman: Good-bye, Anna.
Liza: I am not in love
with Adam.
I loathe what he's done
and I loathe him.
I'm not divorcing him
because I can keep him in line
better this way.
I am his wife, and I have
his power of attorney.
Hayley: There's more things
in life than extracting revenge,
Liza.
Is that the example you're
trying to set for your daughter?
Liza: You know, I'm doing
this because of my daughter.
Hayley: I am so sick
of hearing that, you have
no idea.
This whole thing -- keeping
Colby away from Adam --
is to punish him, am I right?
Liza: That's not true.
Hayley: That is exactly true.
You, yourself, are always saying
how much Adam loves
his children.
You know he would never do
anything to jeopardize Colby.
You've got this vendetta thing
with him, making him pay.
But you know who's going to pay
in the long run?
Colby.
Who knows what scars that child
already has.
Liza: You know, don't say
that.
Hayley: Then move forward.
Drop this whole vendetta thing.
Move forward with your life.
Move on to something that
matters.
Because I know what it's like
to live in my mother's selfish
agenda.
I didn't know my father
for years.
Colby has a right to know who
her dad is, whether you like him
or not.
You and Adam both need to grow
up for your child's sake.
Liza: So you're just telling
me that I should forget
everything that he's done?
Hayley: What's done is done.
Move on.
Move on to something good.
Be a woman your daughter can be
proud of, Liza.
Somebody you can be proud of.
Or not.
Or not.
Play this sick game of yours
if that's what you really want.
Junior: Why can't we go
to Oak Haven now?
Dixie: Honey, I called.
Your dad can't have any visitors
yet.
Junior: Then we'll sneak in.
Dixie: Honey, I know how hard
this is on you, ok?
But your dad is going to be all
right.
You have to believe me.
Junior: Mom, they said
on the television upstairs that
Tad and Liza were there when
they took dad away.
Why didn't they stop it?
Why didn't Tad do something?
Stuart: You put Adam
into Oak Haven?
Tad: I'm sorry, Stuart.
Stuart: But you know he's not
crazy.
How could you be part of that,
Tad?
Tad: Because he got what
he deserved.
Stuart, just think of it as
a temporary time-out.
Stuart: No, no, no.
Don't talk down to me.
You don't know what it's like
in there.
You had no right to do that
to him.
You know that.
Tad: Why are you mad at me?
Listen, Adam has done more dirt
to you than I ever could.
Stuart: Adam loves me.
Tad: Is that what you call
it?
He tried to destroy
your marriage.
He paid off Paolo to seduce
Marian.
Stuart: No, he did not.
Tad: Yes, he did, Stuart.
Stuart: He did not.
Tad: Yes, he did.
Stuart: He looked right at me
and promised he didn't do that.
Tad: Then he's a damn liar!
Leo Du Pres confessed
to the entire thing.
Liza's got it on tape.
I saw it.
It's probably still in there.
Well, go ahead.
See for yourself.
[Stuart watches tape]
Leo: Adam gave me orders.
I found Paolo and hired him
to seduce your mother.
But I swear to you that I didn't
know he was going to drug her.
I'm just thankful that nothing
else happened.
On the next
"All My Children"
Becca: If you're in trouble,
I'll help you.
Let me.