Vanessa: Oh.
Vanessa: Oh.
Paolo, that was breathtaking.
Oh.
You really do love me a little,
don't you, darling?
Paolo: Well, could I have
made love to you like that
if I didn't?
Vanessa: Well, there was that
little kiss with Erica earlier.
Paolo: Oh, but I told
you that was all for show.
Vanessa: Hmm.
Paolo: She's merely paying me
to make your son David jealous.
It's a mere business
transaction.
Vanessa: Yes, and
the fundraiser tonight's
strictly business, too, right?
Paolo: Of course, yes.
Every minute I'm with her,
I will be thinking of you.
I'm just her paid escort.
In fact, I'll probably be
counting the minutes until it's
over.
Maybe afterwards you can sneak
away and come back, hmm?
Vanessa: Well, you had better
be telling me the truth, lover,
because I will never take
second place to Erica Kane.
Reporter: Miss Kane,
thank you so much for granting
me this exclusive interview
today.
Erica: Oh, certainly.
I'm delighted to speak to such
a prestigious publication,
and I'm very happy to say a few
words about my very favorite
charity, teens against
addiction.
Reporter: Would you like
to say a little bit about
"Wave's" and Enchantment's
participation in this event?
Erica: Yes. Yes, of course.
I'm thrilled that Hayley
and "Wave" have joined
Enchantment in supporting teens
against addiction.
Maitre d': Good afternoon,
Dr. Hayward.
David: Yes, good afternoon.
We were expecting two more
people from the Andrassy
Foundation, but unfortunately
my co-director and her guest had
to leave the country,
so they won't be attending.
Maitre d': Not a problem,
Dr. Hayward.
I'll take them off the guest
list.
David: Thank you.
Erica: Nonprofit
organizations' funds for these
things are cut every single day,
so I'm particularly proud to be
hosting this fundraiser.
Reporter: Oh, I see that
your date has arrived.
How about a shot of
you and Dr. Hayward?
Erica: Oh --
Photographer: Yes, good idea. How about it?
Erica: Well, I -- it's not
advisable right now.
David: What Erica's trying
to say is that she's very busy
right now, trying to make
preparations for her guests'
arrival.
But perhaps we could squeeze
in one photograph.
And since this evening is
designed for Erica to raise
funds for her charity,
she and I will essentially be
attending this function
separately.
Reporter: Oh, really?
No other reason?
David: No, none whatsoever.
So, how about that photograph?
Photographer: Great.
That's perfect.
David: Just go with it and
smile.
Photographer: Hold it. Smile.
Good.
Man: Packing up?
Ryan: Hey. Yeah.
Yeah, it's my -- my last day
here.
Man: Lucked out.
IncredibleDreams.Com already has
a buzz on the internet.
Maybe you'll let a buddy
in on the ground floor before
you go public?
Ryan: Oh, I don't know, man.
I think it's going to be a long
time before that happens.
But --
I don't know.
Now that things are finally
going well for me, I think
I might just take this trip solo
for a bit, all right?
Take it easy.
Man: You, too.
Ryan: All right.
Ryan: Oh.
Greenlee: Oh, sorry.
Ryan: Well, hello there.
You're in a good mood.
What was that for?
Greenlee: I hope you got
your cool tux for tonight
because the dress I'm wearing is
so scorchingly hot, I might
spontaneously combust.
Ryan: Ok.
Well, I mean, you know that
nothing's changed between us,
right, Greenlee?
I mean, we're going to this
thing together tonight, but it's
for work, right?
Greenlee: Absolutely.
Ryan: Ok.
Greenlee: I can still have
fun though, right?
I can wear a really nice dress?
That's still allowed, isn't it?
Ryan: Yes, it's still
allowed.
Yes, it is.
And don't worry, my tux is very
cool.
Greenlee: Excellent.
Liza: I need to see Adam.
Dr. Benton: I'd rather he not
have any visitors today.
Liza: Well, I'm afraid it's
urgent.
I need to speak to him right
now.
Dr. Benton: I'll allow it.
Just keep your visit brief.
Liza: Ok.
Liza: Adam.
I need to speak to you.
You were right about last
night -- about Stuart.
He's disappeared.
Adam, did something happen when
he saw you?
Did he say anything?
Adam?
Adam.
Adam: Liza.
Hello.
Liza: What have you done
to my husband?
Man: Hey, buddy.
Wake up.
Hey.
You all right?
Man: Dead.
Liza: Look at him.
He's practically in a stupor.
If I find out you have
mistreated him --
Dr. Benton: Mrs. Chandler,
please calm down.
We had to sedate Mr. Chandler
last night.
Liza: I didn't give
you permission to drug him.
Dr. Benton: You committed
him.
Once he's in our care,
we're responsible for
his well-being.
Liza: Oh. Oh, I see.
And making him into a baked
potato is in his best interests.
Look at him.
He can't even say his own name.
Dr. Benton: You saw
his behavior last night.
I didn't think it was necessary
to commit him till I saw how
disturbed that he could be.
Then I understood what
your course of action was.
Liza: Yes, but --
Dr. Benton: Unfortunately,
Mrs. Chandler, we had to sedate
him for his own good.
He tri to attack one
of our staff members.
Liza: So he's been like this
since last night?
When is this going to wear off?
Dr. Benton: Don't worry.
What you're seeing is
the aftereffect of the drug.
He'll be coming out of it very
soon.
Then I can continue
with my evaluation.
Liza: You can forget
your evaluation.
I need to speak to him.
This is an urgent matter.
I need some time with him.
Dr. Benton: Very well.
But if you need any help,
we're right outside.
Liza: I'm sure I'll be fine.
Liza: Adam, I need your help.
I need it now.
I'll get you.
Come on. Come on.
Come on.
We're going to get up.
We're going to walk this off.
You were right.
You were right about Stuart.
Stuart is missing.
He's been missing since last
night.
What happened when you saw him?
What happened?
Adam: Stuart?
Is my brother missing?
Man: Nothing personal,
fellow, but you sure don't need
this stuff anymore.
I sure don't need pictures.
This might be worth something.
Man: Car keys.
Car must be around here
somewhere.
Hope you got a full tank, buddy.
Thanks again.
I'll see you in the great
beyond.
Esther: Mister?
Mister, I saw that man take
your things.
It wasn't very nice.
Stuart?
Oh, my.
Stuart, wake up.
It's me, Esther!
You're so cold.
What happened?
Oh. Oh.
Please don't be hurt, Stuart.
Wake up.
Please?
Paolo: Hmm. No note.
Good.
Looking good.
[Telephone rings]
Paolo: Mama Mia.
All right, I'm getting dressed.
Just got out of the shower.
I'll be down in about --
look, look, I told you I would
have the money, ok?
I'll have the money by the end
of the week, all right?
No, no, no, no.
That's not necessary.
No.
I'll have it by the end
of the week.
I promise you.
No.
I got it covered.
Paolo: Payday's coming up.
Got to get ready.
Erica: We have to do
everything we can to save
our children.
And that means education,
that means hands-on parenting,
and it means programs like this.
So I am extremely happy to have
played a part in putting this
fundraiser together.
And I thank you.
Thank you so much.
Reporter: Thank you,
Miss Kane.
Erica: You're welcome.
Photographer: A pleasure.
Erica: Thank you.
Enjoy your evening.
Photographer: Thank you.
Reporter: Thank you.
Erica: Well, as long as I'm
expressing gratitude, I really
should thank you for coming
to my aid.
David: Well, this evening's
not about our personal lives.
It's about teens against
addiction.
Erica: Yes, precisely.
And you handled a very sticky
situation very diplomatically.
David: Well, I guess working
with Alex has a few fringe
benefits.
I've had to develop and hone
diplomacy skills I never knew
existed.
Erica: I bet.
Well, maybe you should consider
a big career move to the UN.
David: I was very impressed
with what you said to that
reporter.
I'd almost forgotten how
remarkable you are.
I miss you, Erica.
Can we end this standoff?
We don't have to attend this
function separately.
We could be in each other's
arms, dancing the night away.
Erica: David, I'd already
made other plans.
David: Right.
Paolo.
Never mind.
Erica: David, please.
Please understand.
I can't just change my plans
at the last minute, even if I'd
rather do so.
I hope we can dance together
tonight once, at least.
I mean, if you still would like
to dance with me.
David: I would like that very
much.
Erica: Excuse me.
Could you check my evening wrap
and my bag for me?
I was waylaid by the reporter
when I came in.
Maitre d': I'd be happy to,
Miss Kane.
Erica: Thank you.
Vanessa: Well -- fine pickle
you've gotten yourself into this
time, isn't it, dear?
Greenlee: Need some help?
Ryan: Oh, no, I think I got
everything.
It's all fitting in one box.
Greenlee: Oh.
Need a ride home?
Ryan: No, thank you.
I drove myself.
But thanks.
Anyway, shouldn't you be heading
home and getting ready
for tonight?
Find yourself some fireproof
hair spray or something?
Greenlee: Very funny.
So, are you going to miss this
place?
Ryan: Yeah, I am.
This place has been very good
to me.
Greenlee: And you've been
very good to it.
Ryan: Yeah.
I've made a lot of good friends
here.
Good contacts.
You know what's kind of wild is
this thing we're going
to tonight, this event -- I've
been to things like this before,
and -- I don't know --
for the first time I kind
of feel like I'm on equal
footing with everybody,
like I kind of -- kind of fit
in there now.
Greenlee: You do.
Ryan: Who knows?
Maybe next year I'll be teens
against addiction's biggest
contributor.
Greenlee: That would be
great, Ryan.
Ryan: Yeah, it would.
So, what, I'll pick you up
at your grandmother's place
in -- I don't know -- about
an hour?
Is that going to give you enough
time to get all smoldering?
Greenlee: If I hurry.
Ryan: Ok.
See you in a bit.
Leo: Hey.
Ryan: Hey.
Leo: How you doing?
Ryan: All right.
Leo: So, Greens, how's about
a little toast?
It's the good stuff, and I know
how you like the good stuff.
Greenlee: No, thanks.
I'm going to wait for the party.
Why don't you save that
for later?
Leo: That's a good idea.
I'll just finish this one off
first.
Greenlee: What's going
on with you?
They were looking for
you in editing an hour ago.
Leo: I don't give a damn
about them.
I shouldn't even have come here
in the first place.
But I am glad that I found you.
Got any cash I can borrow?
Greenlee: Why?
You need a cab to the
Valley Inn?
I can give you a ride on my way
home.
Leo: I'm afraid I need more
than cab fare, Greenlee.
30 Grand ought to do it.
Greenlee: I told you I can't
get my hands on that kind
of cash.
Leo: Ok.
How about a bus ticket, one way,
to New York City?
Greenlee: Look --
you know, Leo, you got to give
Pine Valley a little more time.
Adjust your expectations.
You know, it's not Paris
or Milan, but it grows on you.
Leo: It's too late.
I've run out of time.
I got to leave.
Greenlee: Then go, if all
you're going to do is mope
around, because I'm feeling too
good.
I have a great feeling about
tonight.
The dress I'm wearing is
so fabulous.
It's so sexy that Ryan's going
to forget the word "platonic"
even exists.
Leo: Would you look
at yourself?
Is that all that you can think
about -- sex?
Using it like some tool to get
whatever you want?
First with Scott, then
with Ryan, and -- hell, you even
used it with Kenny the pool boy.
You know what that makes you,
Greenlee?
Huh?
You know what that makes you?
Just like her.
You're a common tramp.
You're no better than a whore.
Vanessa: People are talking
behind your back, dear.
Erica: What else is new,
Vanessa?
Vanessa: Loose lips steal
more than illicit kisses.
They also tell, you know.
Erica: What exactly are
you saying?
Vanessa: I wouldn't have
believed the rumors unless I'd
seen you myself from
the hallway.
I mean, really, Erica, a woman
of your stature, beauty,
intelligence --
Erica: What rumors?
Vanessa: A lover for hire.
I mean, really, Erica.
Has it come to this?
What happened between
you and David?
Does he understand you've
stooped this low?
Erica: Vanessa, think
whatever you like.
Vanessa: You know,
Paolo Caselli has quite
a reputation all through Europe.
He's, well, extremely popular.
Problem is he's not terribly
discreet, you know.
He --
loves to brag.
I guess you're already being
talked about in the
international set.
I was just wondering how long
it's going to take for the news
and the rumors to reach
Pine Valley and -- dear,
I certainly hope none
of the reporters pick up on it
tonight here.
Oh, dear, I can never really
make her happy.
Liza: How are you feeling?
Adam: Better.
Better.
When -- when was the last time
anyone saw Stuart?
Liza: No one has seen him
since you've seen him.
His car is still in the parking
lot here at the hospital.
No one's seen Stuart since
you did.
Adam: Did they check
the cabin?
Liza: Scott went up
to the cabin.
He hasn't been there.
He hasn't even been
to the gallery.
Adam: What about the police?
Liza: They will not issue
a missing persons report,
not for a few hours at least.
Adam: Damn them!
The man's life is at stake.
Ok, I'll call the governor.
I'll try to get the national
guard involved.
This is all -- this is all Tad
Martin's fault.
If he'd just kept his mouth
shut.
Liza: Wait a second.
You can't start assigning blame,
all right?
You're not in a position
to point fingers, Adam.
Adam: Yeah, of course you're
right.
I guess I did my part.
Thanks for coming back, Liza.
I'm going to do everything I can
to locate Stuart.
I felt so badly seeing him
hurting last night.
I've got to make it up somehow.
Liza: All right.
Well, let's go.
Let's go find Stuart.
Ok?
Adam: Yes. Thank you.
Liza: What's going on?
Dr. Benton: Mrs. Chandler,
you're free to leave.
But he's not going anywhere.
Adam: Move aside,
both of you.
My brother is missing,
and I have to find him.
Liza: Adam, don't.
Orderly: Easy does it, buddy.
Adam: You get out of my way
in 60 seconds, or I'm going
to tear your head off!
Liza: Oh --
Dr. Benton: We don't need
a repeat of last night,
Mr. Chandler.
This is precisely why we had
to sedate him.
He physically attacked roger
after you left.
Adam: And I'm going to finish
the job if you don't let me out.
Liza: Ok, wait a minute.
Just calm down.
His brother missing.
It's his twin brother.
Adam was the last person that
Stuart visited before
he disappeared.
Dr. Benton: I understand,
but he can't help with
the search.
Liza: Well, you must believe
the psychic connection that
twins have.
Adam believed that something
happened to Stuart last night.
He could feel it in his heart.
He tried to tell us, but none
of us believed him.
Dr. Benton: I'm familiar
with the phenomenon, but there's
no way that I can release
Mr. Chandler.
Since he was committed, I have
to conduct a thorough evaluation
as ordered by the judge.
Now, Mr. Chandler can dispute
those findings when there's
another hearing.
Liza: Ok, why don't we just
forget about that because I'm
his wife.
I have power of attorney.
Dr. Benton: Mrs. Chandler,
I'm sorry.
Power of attorney is irrelevant.
Adam: Doctor, I am as sane
as you are.
This is all a mistake.
Liza, tell them.
Dr. Benton: Mr. Chandler,
you need help.
Not only have I observed
your violent outbursts,
but I think that you suffer
from paranoia as well.
Mrs. Chandler, are you ready
to go out?
Liza: In a minute, please.
Adam: Well, Liza, you see
what you've done?
Now that Stuart needs me more
than ever, thanks to you I can't
help him.
Esther: Can you hear me?
Don't you recognize my voice?
It's me, Esther.
Oh, please wake up.
Don't worry.
I'll help you.
Don't go anywhere, ok?
I'll be right back.
Greenlee: What the hell is
your problem?
Don't you ever call me that
again.
You don't even know what you're
talking about, do you?
You're drunk.
Leo: Not yet.
But I only know too well,
Greenlee.
You think that your charms are
the ticket to make Ryan yours
forever.
But if that doesn't work,
you've got dear old Gramps
shelling out millions to Ryan's
business as backup, right?
Ryan's a kept man, and
he doesn't even know it.
Greenlee: Keep your voice
down, Leo.
Leo: It's all about control,
isn't it, Greenlee?
Sexual.
Financial.
Anything but the real deal.
But I supposed you never know
what the real deal is, do you?
All you care about is the price
tag -- what it's going to cost
you to get what you want.
Greenlee: Maybe you're mad
because you can't get anything
you want, not even a little hick
from West Virginia.
Leo: You think that Ryan's
going to fall in love
with you now?
Get a grip, Greenlee.
You bought him.
What are you going to do in,
say, 20 or 30 years when you're
not the hot little vixen
you used to be, huh?
What are you going to do?
I'm asking you, what are
you going to do?
Shell out more money, Greenlee?
Favors to whatever little hot,
young stud is available?
Huh?
What are you going to do,
lie, pretend to yourself
and pretend it's love?
Is that it?
Greenlee: You know,
you're disgusting.
I don't know what's triggered
all this, but you're the one who
needs to get a grip
because tonight I'll be
snuggling up to Ryan and you'll
be snuggling up to two empty
bottles of champagne.
Becca: Greenlee,
have you seen Scott?
Greenlee: Becca.
Perfect timing.
He's all yours.
Becca: What happened?
Oh, my gosh.
You look terrible.
[Knock on door]
Paolo: Hey, just on my way
down.
What do you think of the tux,
huh?
Perfecto.
Erica: You're fired!
Paolo: What?
Erica: I knew that I was
hiring a gigolo.
I did not know that I was hiring
such a loudmouth.
Paolo: What are you talking
about?
Erica: Our deal is off.
You're fired.
Paolo: You can't do that.
Erica: I can, and I have.
After what Vanessa Cortlandt
just told me, I would be a fool
to want to keep you around.
I would never want to see
you again as long as I live.
Paolo: Whoa, whoa, whoa.
Vanessa?
What does she have to do
with this?
Erica: She told me what
a notoriously indiscreet person
you are.
Paolo: She said that?
Erica: Yes, and she told me
that you are bragging that
we were lovers.
Paolo: That is a lie, Erica.
Erica: You don't have to tell
me it's a lie.
I know it's a lie.
A couple of phony, staged kisses
to make David jealous.
I wouldn't let you touch me.
Paolo: Ok, listen.
Please, please just let me
explain this.
You have to hear me out, ok?
Erica: The only thing I have
to do is attend to my guests,
and that excludes you.
I don't want you showing up
at the fundraiser.
I don't want you to ever try
to contact me again.
Is that understood?
This is the end.
Do I make myself clear?
What --
Paolo: Nobody fires me.
Erica: You take your filthy
hands off me.
Don't you ever touch me again.
Paolo: I'm sorry.
But, please, you haven't even
given me any chance to explain,
all right?
Please, Erica, just hear me out
on this.
Erica: I have heard
everything I need to hear.
I warned you to be discreet.
Paolo: Ok, well, you can't
just fire me like that
without any warning.
I mean, what about severance
pay?
Erica: What about jail time?
Or have you forgotten about
the tape I made of you trying
to defraud me with your phony
real estate deal?
Paolo: The tape.
Ok, yeah, where --
where's the tape?
Erica: Oh, don't worry about
the tape.
The tape is safe.
I keep the tape where I can
always get my hands on it.
And don't think I won't go
straight to the police with that
if you dare to start one more
rumor about the two of us.
Paolo: Erica, you're making
a big mistake.
Erica: The only mistake
I ever made was to trust you.
But you know what?
That's over now, and so are you.
You want severance pay?
Keep the tux.
Paolo: Ok, she can't do this.
She can't do this.
She can't take --
I got to get the tape.
Leo: Sorry to disappoint you,
Becca.
It's just me.
And, no, I don't know where
Scott is.
Becca: What are you doing?
Leo: Well, I'm celebrating
the end of the line.
Thanks for the math test --
the math lessons, teach,
but this is where I get off --
or on anything headed the hell
out of Pine Valley.
Becca: You're leaving?
Leo: It's not like I have
anything here to stay for.
I mean, it's --
my family sure as hell doesn't
care.
I don't have any friends
or a lover.
You blew that.
Yeah, I totally lost the bet.
Becca: Bet?
What bet?
What did I blow?
Leo: I may as well tell
you since I'm leaving anyway.
But Greenlee and I had a little
bet about you.
It was more like a challenge.
There was no money involved.
Becca: What are you talking
about?
Leo: Well, Greenlee said that
I didn't have what it takes
to get you into bed.
And, of course, my pride was
on the line, so I said I could.
That's why I started coming
on to you, Becca -- to prove
that I could devirginize
the virgin princess.
But I couldn't do it.
I don't know.
Something weird happened, and
I just realized that I couldn't
go through with it.
Sorry, Becca, I guess I'm just
a shallow jerk after all.
Becca: Why?
Leo: I don't know.
Stupid macho thing.
I took a dare.
Becca: No.
Why couldn't you go through
with it?
Esther: You have always been
so kind to me.
Like that time that I was scared
to go into that TV studio,
and you gave me a chocolate bar.
I wish I had one of those right
now.
You said that chocolate always
made you feel better.
But this is supposed to help,
too.
Here we go.
Do you remember that time that
we had a picnic, and you found
out that it was my birthday
a few days before, and you got
me a cake?
Ooh, Stuart, that was the best
day of my life.
And that present you gave me --
"Moonlight on Willow Lake."
I look at that all the time.
If you wake up, I'll show it
to you.
It's -- it's in my trailer.
Would you please just open those
kind eyes of yours?
I knew you could do it.
I knew you'd wake up.
Hi, Stuart.
It's me.
It's Esther.
Aren't you glad to see me?
Huh?
Thanks for waking up.
Erica: Wonderful to see you.
Thank you.
Bye.
Man: Bye.
Erica: Oh, thank you so much
for bringing my bag back to me.
I realized that I need to keep
it with me all evening.
Maitre d': No problem,
Miss Kane.
May I bring you a glass
of champagne?
Erica: No. No, thank you.
I only drink sparkling cider.
As a matter of fact,
would you mind -- would
you please alert your staff
to that fact and instruct them
to only serve me sparkling cider
all evening long and nothing
else.
Maitre d': I understand.
I'll bring you a special glass
personally.
Erica: Thank you.
Maitre d': For you.
The swizzle stick indicates
sparkling cider only.
Erica: Thank you so much.
I'm just going to set it down
here for the moment.
There's something at the podium,
actually, I'd like you to check
out for me.
I noticed earlier that this
piece is a little bit loose.
It's not going to go tumbling
down, is it?
Greenlee: Oh, no.
No, no, no, no.
Come on.
We're the first to arrive.
Ryan: What are you talking
about?
There's lots of people here.
Greenlee: Not enough to make
an entrance.
Come on, let's go.
Ryan: Greenlee, what,
you want to leave, then you want
to come back again?
Greenlee: Yes, yes.
We'll come back in,
like, 45 minutes.
We'll wait in the car.
Ryan: You're kidding, right?
You're not kidding.
Greenlee, we have all night
to make an impression, ok?
And believe me, with that dress
of yours, you're going to make
an impression.
Greenlee: You really like
the dress?
Ryan: Yes, I really like
the dress.
But tonight's all about
business.
Come on.
And there's Erica Kane.
So let's mingle.
Erica.
Hi.
Erica: Hello, Ryan.
Hello, Greenlee.
Greenlee: Hi.
Erica: How nice to see you.
Thank you for coming.
Greenlee: We wouldn't miss
it.
You look fabulous, Erica.
Erica: Thank you.
Ryan: As always.
Erica: Thank you, Ryan.
Ryan: You're welcome.
And I hear congratulations are
in order.
It's a sellout.
Erica: Yes, it is.
It's a complete sellout.
I'm so excited.
Please, have some champagne.
Ryan: Oh.
Greenlee: Thank you.
Ryan: Thank you.
Erica: And I understand
congratulations are in order
for you as well.
What's the name of your new
internet company?
Ryan: Thank you.
IncredibleDreams.Com.
Eric oh, well.
Then allow me to make a toast
to your success.
Ryan: Thank you,
and to yours.
I know this cause is very close
to your heart.
Erica: Oh, thank you, Ryan.
That it is.
It truly is.
Well, I'll drink to that.
Ryan: Cheers.
Erica: Cheers.
Becca: Whoa, whoa, whoa.
Where are you going?
You can't just drop this on me
and then take off.
Leo: I didn't think you could
be able to stand the sight
of me.
What's up, Becca?
Am I about to see what
the divine power of forgiveness
is like?
Becca: Answer my question.
Leo: Yeah, I didn't think so.
Becca: Why couldn't you do
it?
Leo: Why couldn't I do what?
Prove that I had what it took
to seduce you?
I don't know.
It was a sucker bet.
I was out of my league.
I was outclassed by the lass
from Pigeon Hollow.
I just couldn't do it, ok?
Just leave it at that.
Becca: So -- so everything --
anything that happened between
us -- it was all a lie,
even the math?
Leo: No, not everything.
The math was real.
Becca: Oh.
Well, at least something good
came out of it, I guess.
Leo: Becca, you don't have
to feel bad about any of this.
All you ever did was be you.
I never met anybody like you.
You're completely genuine.
And nobody ever believed in me
like you did.
Guess you'll never do that
again, huh?
Anyway,
you were the best friend I ever
had --
or the closest thing to a friend
I ever had.
And I'm sorry that I couldn't be
one to you.
I'm out of here.
Stuart: Who are you?
Esther: It's me.
It's Esther.
Don't you recognize me?
Stuart: No.
I'm so --
so sleepy.
Esther: No!
No, no, no, no.
You can't go back to sleep.
You have to stay awake.
Stay awake.
Come on, Stuart.
No. Come on.
Stuart.
Adam: All right, Liza.
It's up to you to get me out
of this hellhole.
As long as I'm in here, I can't
be any help to Stuart.
Liza: I will do everything
I can.
I will get Barry on it right
away.
But I think it's going to take
some time, Adam.
Adam: Time?
We don't have any time!
My God.
Liza: What is it?
Adam: Stuart.
What happened?
Liza: What?
What happened?
Adam: Stuart.
He's gone.
My brother's gone.
Esther:
No, please, wake up, wake up.
You -- you have to wake up.
Please.
Oh. Oh.
Thank goodness.
Oh, you scared me.
Stuart: I --
Esther: What's wrong?
Stuart: I --
who am I?
ON THE NEXT - - - ALL MY CHILDREN
Esther: It's my turn to take
care of you now.
Leo: My mother's hardly
the woman or the wife you think
she is.