Edmund: "Geoffrey Ashford,
access denied"?
We'll see about that.
Edmund: Here we go.
[Computer beeps]
Edmund: Again?
Karen: Don't se me back.
You can't.
I won't go. I won't.
Alex: You're not going
anywhere.
I promise you, I'm going to keep
you here at the hospital
for as long as I possibly can.
But look, you're talking again.
That means you're getting
so much better.
Maybe you could help us now,
Karen.
The person who told you not
to tell anyone --
who is it?
Karen: He said don't tell.
Don't tell!
Alex: I know, but he was
wrong, sweetheart, because
little girls should always tell
if someone hurts them
or if they're scared
by anything.
You have to let it come out,
darling.
Everything will be so much
better if you do.
[Salsa plays]
Leo: Who we looking for?
Greenlee: I wanted to make
sure I wouldn't run into Kenny
and his no-neck friend.
Leo: Oh, those are two
certified idiots, but I doubt
that Ken is even stupid enough
to risk arrest for attempted
rape and assault.
Greenlee: Is your cut
all right?
Leo: It's healing nicely,
though I am hoping for
a romantic scar.
Greenlee: To impress whom?
Becca?
Leo: Mm-hmm.
Greenlee: Well, you'd better
start doing something.
So far that girl immune
to your charms.
Leo: Becca is like
a thoroughbred
she requires subtle handling
and patience.
Greenlee: You know,
when I challenged you to make
a conquest of Miss Virginity,
I had in mind that it would
happen in this decade.
Tina: I've never seen Mateo
happier than he's been with you.
You know, it always
you he wanted.
I mean, any fool could have seen
that.
Hayley: Thank you, Tina.
Mateo: Hey, hey.
Hayley: Hey.
Tina: Oh.
I think they need another drink.
Excuse me.
Mateo: What was that all
about?
Hayley: Nothing.
She seems sweet.
Is she sweet?
Mateo: She's sweet.
Hayley: You know who else
is sweet?
Adrian.
Mateo: Yeah.
Hayley: What do you think?
Maybe, you know --
Mateo: Why don't you let them
figure that out by
themselves, ok?
Hayley: Always a good plan.
Mateo: Yeah.
So, you thinking about what
I've been thinking about?
Hayley: You mean the upcoming
New Hampshire primary?
Mm-hmm.
Mateo: I think we should have
a big, long, discussion about
that tonight, my place.
Hayley: Hmm.
Mateo: Hmm.
Hayley: Hmm.
Mateo: Yeah? Yeah?
I don't think it's going to take
too long fore to close this
place up, so how about
a sleepover?
Hayley: Well, you know,
since Brooke is staying
with Janet, I'd say absolutely.
Mateo: Yeah?
Well, then in that case,
I am closing up early.
Hayley: No, don't you dare!
Mateo: Mm-hmm.
Hayley: You're only
in the place half, you know.
You've got to maximize profits.
Mateo: Listen, the place is
doing fine.
I don't have a care
in the world.
Well, you know, I'm not --
of course, I'm worried about
your Uncle Trevor.
Hayley: Yeah, that
and I'm really concerned about
Gillian.
I feel really bad about setting
her up to meet Ryan.
I just hope that everything
works out for the best.
Mateo: And we want Gillian
and Ryan back together.
Is that right?
Hayley: Whatever is meant
to be is meant to be.
Gillian: What happened?
Jake: You had a dream.
Gillian: Yeah.
Jake: Do you remember it?
Gillian: No, no.
No.
Jake: Hmm.
Well, you said something about
some secret you couldn't
tell me.
Gillian: Oh.
No, no.
It was nothing.
Jake: It wasn't nothing.
It scared you.
Why don't you tell me about it?
You remember it?
Maybe it'll help if you talk
about it.
Gillian: Uh --
we were getting married
at your parents' house.
It was beautiful.
Grandmama was there.
Everything was perfect.
And then, um, the minister asked
if anyone knew why we shouldn't
be wed, and then somebody all
the way in the back got up
and said that I had a secret,
and if you knew the secret,
you wouldn't marry me.
Jake: Then you woke up.
Gillian: Yeah, I told
you it was stupid.
Jake: Well, that's all right.
I mean, I'm no Freud, but pretty
obvious to me what your dream
means.
[Colby cries]
Liza: It's ok!
Mama's coming!
Liza: She's with --
she's with Jake.
Adam: Liza?
I heard you cry out.
Are you all right?
Liza: No.
I miss my daughter.
Liza: I'm -- I'm coming apart
at the seams.
I'm hearing baby cries
in the middle of the night.
She's away from me for one
night.
Adam: Well, that's easily
solved.
No more nights away from Colby.
Liza: No, I -- I can't afford
to antagonize Jake right now.
Adam: No, you don't have
to do anything.
The judge in the custody suit
will see reason.
Liza: Oh, you're not going
to buy off another custody
judge, are you?
Adam: No. No.
I've learned my lesson.
Liza: Well, there's a first.
Adam: Yes, well,
there's no need.
There's no need to do any
of this.
Liza, you're obviously
the better parent for Colby.
Liza: I just can't help
but think of Jake waltzing
into that custody hearing
with this beautiful bride
Gillian on his arm.
Adam: Oh, big deal. Big deal.
You --
you're going to walk in there
with a solid marriage.
And it's going to be obvious
to every one of them that
Mr. And Mrs. Adam Chandler can
provide the best environment
for Colby.
Liza: I -- I appreciate
you putting off the divorce
proceedings, Adam -- I do --
but after the custody hearing,
the divorce is going
to continue.
You do understand that,
don't you?
Adam: Yes.
I know this reconciliation is
for Colby.
But I have behaved myself
the last few days, haven't I?
Liza: Yes, you have.
How did you hear me cry out?
Gillian: Oh, this wasn't
a dream about Ryan or anyone,
you know?
A person can't help what
she dreams about.
Jake: No. I know, I know.
But, hey, it wouldn't bother me
if it was him.
Gillian: Jake, I'm not
dreaming about anyone, ok?
This is just about something
else.
There are things that you don't
know about me.
Jake: Honey, there are things
that you don't know about me.
You know, if we knew everything
about each other, that'd be
boring.
Gillian: Yeah, but --
Jake: Look, look, look --
I'm going to spend the next
40 or 50 years figuring you out.
And nothing,
real or imagined,
is going to stop our wedding.
All right?
Gillian: Why are you always
so good to me?
Jake: Because I know that
you love me --
no matter what your dreams
tell you.
Gillian: But what
if you found out something about
me and you stopped loving me?
Jake: What could possibly do
that?
[Salsa plays]
Hayley: Why are you so sure
it's sinister?
Maybe she just doesn't want
a long engagement.
Ry: No, that is not it,
Hayley.
I'm telling you, I know Gillian.
She's keeping something from me.
Hayley: What?
Ryan: I don't know!
I don't know, but I've lived
with her long enough to know
that it's something big.
She's got herself into something
that she cannot get out of.
Hayley: Well, you know what,
Ryan?
Maybe you should let her figure
it out on her own.
Ryan: Hayley, I can't do
that.
There's no time for that.
Tina: Hey, have you been
holed up in the back all this
time?
Adrian: Yeah, actually.
I was doing a favor
for Rae Cummings.
Have you seen her?
Tina: Dr. Rae,
the talk show host?
Adrian: Yeah, I'm supposed
to meet her.
Look, let me know if you --
Tina: Wait -- are you going
to be a guest star on
"The Dr. Rae Show"?
Oh, wait, wait.
I can hear it now.
"Tonight on 'Dr. Rae' -- the spy
who loved me."
Adrian: Yeah, like I haven't
heard that one before.
I look like the kind of guy that
would kiss and tell?
Tina: You look like the kind
of guy who would take
his secrets to the grave.
Rae: Hi.
Tina: Oh, Dr. Rae.
Rae: I'm sorry.
Yes, hi.
Tina: Hi.
Rae: Sorry to interrupt.
I need to talk to him
for a minute.
Tina: Sure.
Adrian: Thank you for meeting
me here.
Rae: Yeah, sure.
Adrian: Excuse us.
Tina: Excuse me.
Rae: Uh-huh.
So, you said you had something
for me?
Adrian: Yeah, actually, I --
I got access to Lyle Wedgewood's
financial records.
Rae: Great.
Adrian: And it seems that
about only last fall that
Daniel Faulkner paid him
$10,000.
Rae: Did the record --
did the records indicate at all
what the money was used for?
Adrian: No, nothing specific.
Rae: Did it say my name,
"Rae"?
Or it could be
Gretel Rae Cummings.
Adrian: No, no, nothing
came up.
Rae: Well, he has to know
something about my daughter
or Daniel would not have paid
him that kind of money.
I just have to find out
what it is.
Adrian: Well, how do
you suppose we do that?
Rae: I think it's time I made
a little visit to
Mr. Wedgewood's office.
What do you think?
[Salsa plays]
Adrian: Rae, besides being
dangerous, a break-in would be
a waste of time.
Do you think-
do you think this man's going
to leave illegal records laying
around an office?
Forget the idea about
the computers as well,
all right?
No one was even using them when
your child was sold.
Rae: So what do you think
I should be doing?
Adrian: I think we should
wait until tomorrow.
I'll face him down.
I'm pretty intimidating.
We can get a lot more out of him
than he realizes.
Rae: Ok.
Ok, fine.
We'll wait till tomorrow.
Adrian: Good.
I'm glad you see it my way.
Why don't you sit back and relax
and have a drink on the house?
Rae: No, I can't.
I -- I think what I need is
a good night's sleep.
Adrian, thank you.
I'll talk to you tomorrow.
Ok?
Edmund: Come on.
Come on.
[Computer beeps]
[Beep]
Alex: Are you still at it?
Edmund: Don't ask.
Uh --
how's the little girl?
Alex: Yeah.
She's with Dr. Dunn,
the child psychologist.
Edmund: Any progress?
Alex: Enough to know that
she'd been abused by her father.
Yeah.
I almost knew what she was going
to say before she said it.
It's really eerie.
Edmund: What do you mean?
Alex: He told me not to tell
anyone.
I mean, I could immediately hear
Geoffrey saying the same thing
to me.
Ooh.
I can hear him now.
Edmund: Alex, any more
memories come back to you?
Alex: Isn't it enough that
I remember I killed a man?
Adam: I was in the nursery.
Liza: In the nursery?
Adam: Yeah, I was just --
just sitting there.
I feel closer to Colby when
I'm there.
Liza: Even when she isn't?
Adam: Ever since I got out
of the safe room, I've spent
part of every night
in the nursery.
I think my corrupting influence
on her is minimal when she's
sleeping.
Good night.
Liza: Adam?
Would you please stay?
[Salsa plays]
Mateo: Hello .
Leo: Hey.
Greenlee: Hey.
Is Ryan ok?
Mateo: I don't know.
Here you go.
Greenlee: You know, I work
with him, but I just -- I was
wondering if something's
happened or something.
Mateo: Yeah.
Well, why don't you ask him?
Leo: Why don't you just hang
it up, Greenlee?
There are scads of buff young
men in this town.
Like me, for example.
Greenlee: But I like that
buff young man.
Gillian: Jake, um,
I don't know if you really want
to know what I have to tell you.
Jake: Then don't tell me.
There's nothing that's
going to --
nothing that's going to stop me
from loving you.
Gillian: Yeah, but you don't
know what it is.
Jake: We're both adults.
We've done things we're not
proud of.
I can remember a time in --
in Montreal on St. Lawrence
street where --
um --
actually, I really don't
remember too much about that
time.
Gillian: Y ou got a little
tipsy?
Jake: "Tipsy."
Yeah, tipsy.
It's -- I understand if you've
done something, you t tipsy,
and then got naked and played
around in a fountain in Paris
or something.
I understand that.
Gillian: It was Monte Carlo.
How did you know?
Jake: You serious?
You got naked in a fountain
in Monte Carlo?
Yeah?
Gillian: Yeah.
Jake: What happened?
Gillian: I was at the casino
and I got a little drunk.
And I was betting, you know,
at the roulette tables.
I was betting the Hungarian
crown jewels and --
Jake: Ooh.
Gillian: They escorted me
out, and I decided to not go out
in silence, so I --
Jake: So you showed them
a thing or two. Dancing naked in a fountain.
I wish I was there. Huh.
But your Grandmom, Eugenia,
lives in Monte Carlo a lot.
Did she know about this?
What did she think of this?
Gillian: Well, the management
wrote her a strong-worded
letter, so --
Jake: Oh.
Gillian: I just kept
my distance for a little while
until she got over her fury.
Jake: Little cooling-off
period for her.
That's very smart.
Gillian: Yeah.
Jake: Well, see?
The past is the past.
I wouldn't even worry about
those things.
We're going to be spending a lot
of time together.
And what's important is --
is what we share from now on.
[Colby cries]
Jake: Just as important
as Colby.
All right, I'm going to go look
at the little munchkin.
You ok?
Gillian: I have to be honest
with Jake.
I have to tell him the truth.
But I can't tell him.
It's going to break his heart.
Maybe --
maybe if I tell him the truth
and he'd forgive me,
then -- then we really are meant
to be together, no matter what
Ryan says.
But it's going to break
his heart.
Cooling-off period.
Alex: Thank you.
Dr. Dunn agrees with me.
Edmund: Well, that's
one piece of good news.
Alex: Yeah.
Karen won't released back
to that family.
Edmund: You going to go talk
to her and tell her?
Alex: I will in a bit.
She's asleep right now.
Edmund: That's a good idea
for you.
Get some sleep.
Alex: Oh, why didn't I think
of that?
Edmund: Because you haven't
slept.
Alex: Did you find out
anything about Geoffrey Ashford?
Edmund: Yeah.
Well, a little bit.
Got a partial bio, and then all
of a sudden that computer said
"access denied."
Alex: How weird.
Like with my medical records?
Edmund: Yeah. Exactly.
There's got to be some kind
of connection.
Anyway, this is what I got
so far --
"Geoffrey Ashford, diplomat,
married, two kids -- boy
and a girl."
And the boy's --
Alex: Did Geoffrey --
is he still alive?
Edmund: He disappeared
a number of years ago and was
eventually declared dead.
Alex: I just thought maybe
I might have imagined
everything --
the party, pushing him down
the stairs.
But why would they cover
it all up?
Edmund: I don't know, Alex.
I don't know.
But I'm going to find out,
if I have to hack into that
thing.
Alex: What kind of person
am I?
I killed another human being.
Tina: Hey.
Is your meeting with Dr. Rae
over already?
Adrian: Yeah.
She had to rush off to do
something.
Something really asinine.
Look, tell Mateo I'll try
and get back before closing,
all right?
Tina: Ok.
Leo: So Ryan told you that
he's in love with another woman.
And that didn't give you a clue
to exit, stage left?
Greenlee: I'd only have
to come back stage center when
the woman he's in love
with marries her friendly
neighborhood doctor.
Leo: The Hungarian princess.
Greenlee: That's right.
And once Jake and Gillian get
married, Ryan will need
compassion.
Leo: Well, the
damsel-in-distress gambit didn't
work, but this one seems
a little safer.
Greenlee: I've never been
more humiliated in my life than
I was with Ken.
God, why didn't you stop me?
Leo: Hey, I tried.
And if you remember, I did
manage to stop Ken.
Greenlee: And I haven't
thanked you properly.
Leo: Uh --
I never realized how stimulating
a peck on the cheek could be,
Greenlee.
But if this is a ploy to get me
to enlist in another one
of your Ryan-a-thons,
you can count me out.
Greenlee: I can't get
anything past you, can I?
Leo: None of this is about
Ryan, anyway.
It's about you not wanting
to get dumped.
I know what'll happen
to the poor sap once he gets
back into your clutches.
You'll tell him to tell
his story walking, he'll be
completely humbled, and somehow
the universe will make more
sense.
Greenlee: It's as
if you could read my mind.
Tina: Hey. Excuse me.
Here you go.
These are on the house.
Actually, they're on me.
I heard that you saved some girl
from being raped?
That's just incredible.
Leo: Well --
Tina: God, you're like
a hero.
Leo: It wasn't nearly that
dramatic.
But I always like it when
a beautiful woman buys me
drinks, so thank you.
Tina: Thank you.
Leo: Thanks.
Bye.
Greenlee: Incredible.
You're reaping all the rewards
from my unspeakable tragedy.
Leo: If you want
your 15 minutes, Greenlee,
I'll be more than happy to tell
everybody that you were
the helpless victim.
Greenlee: Don't you dare.
You can't tell anyone,
especially Ryan.
Ryan: Jake and Liza had
the perfect setup.
He'd go by WRCW, pick up Colby,
he'd drop her off.
Hayley: It's the one sane
thing in Liza's life.
Ryan: And now he's determined
to take Colby away from Liza,
and he's willing to rush
into marriage to do it?
Hayley: No.
I don't know why Jake is doing
what he's doing, but it's not
to get the baby away from Liza.
It's Adam.
He wants to take Colby away
from Adam.
Adam: You want me to stay
and keep you company?
Liza: Oh, well, now,
don't get the wrong idea.
It's just I have this
uncontrollable urge and I'd love
for you to stay with me and wait
till it passes
Adam: An urge to do what?
Liza: Grab my car keys,
get in my car, and run over
to Jake's and knock on the door,
and I don't think me knocking
on Myrtle's door at this hour
and asking to see my daughter --
I mean, everybody would think
I was nuts and Jake would just
use it against me in the custody
hearing, so --
Adam: It would look like
you love your daughter very
much.
Liza: I have --
I have never missed anyone
so much in my whole life.
Adam: A year ago she wasn't
even born, and I can't imagine
a day without her.
Liza: You know, I was
dressing her and I was thinking
how sad for you that you never
knew Hayley and Skye when
they were babies.
Adam: No.
Liza: How that might --
that might've made you
a different person.
Because having Colby in my life,
it has changed me.
Adam: Yeah.
Too late for me, I suppose.
Liza: Yeah, I suppose.
Adam: But I don't want
you to miss out on a moment
with Colby.
There's --
time just goes too quickly.
Liza: There's all those
little things you cherish.
She's not going to be a baby
soon anymore.
I want so much for her to grow
up to be a happy and healthy
person.
And if Jake wants
the custody suit, I think she's
just got trouble ahead of her.
Adam: No, no.
That is not going to happen.
I promise you.
I won't let it go that far.
Gillian's voice:
"My wonderful Jake, I am going
to tell you the secret
in my dream.
I'm putting in a letter
because I thought maybe
you would want to be alone when
you know what it is.
But no, it's mostly
because I want you to have
a little time to realize that
I never meant to keep this
from you.
I only wanted to spare you pain.
On the night of my car accident,
I learned that Colby's
Adam Chandler's biological
daughter.
Adam knew this all along.
Liza found out just after I did.
They can explain how this
horrible thing is true.
Liza was destroyed by the news
and asked me not to tell you.
I agreed because we both know
that you are the best father
for Colby.
I love you, Jake,
and I'm sure that now your heart
is breaking.
Please let me be with
you to help you.
I want to be your wife,
and I hope you will want
that, too."
Jake: Hey.
What you looking at?
Gillian: Oh, it's just, umm--
some wedding ideas.
Jake: Oh.
Gillian: Is she sleeping?
Jake: Oh, she's sleeping.
I was telling her a few wedding
ideas of my own, put her
right out.
But she's very excited.
Gillian: Well, that makes
two of us.
Jake: Oh, makes three of us.
I was thinking --
were you --
I was just wondering about
your last name.
I don't care.
I'm just curious if you know
what you're going to do.
Gillian: I don't know.
I thought I would use both,
if that's ok.
Jake: Oh.
Gillian Andrassy-Martin.
Gillian: Doesn't that sound
beautiful?
Jake: It actually flows
pretty well.
I like that.
I think I'll change mine
to that.
Gillian: Really?
Jake: Yeah, except
for the Gillian part.
Would that make me a prince,
or can you look into,
you know, some kind of title
thing there for me?
Gillian: I can look
into that, yeah.
Jake: Good.
Gillian: Sure.
You tired?
Jake: Mm-hmm.
Gillian: Huh?
Jake: Very tired.
Gillian: So why don't
you stretch out --
Jake: Yeah?
Gillian: And get your feet
up here --
Jake: Oh.
Gillian: And I'll give
you a foot massage.
Jake: Well, you don't have
to say that twice.
Jake: Oh.
Oh, oh, yeah. Yeah.
Once we're married,
you're going to do this ever
night, right?
Gillian: If you want me to.
Jake: Yeah, I'll get that
in the vows, actually.
Oh.
Greenlee: Finish your drink.
Leo: Are we leaving?
Greenlee: No, no, no.
We're going to go over and say
hello to Hayley and Ryan,
and then you're going to take
Hayley aside and fascinate
her with one of your incredible
stories so that Ryan and I can
share a moment.
Leo: Ah, "a moment."
That's cute.
Greenlee: Come on,
come on, bottom's up.
Leo: Oh, Greenlee.
Why is it that I'm putty
in your hands?
I know --
you remind me of my mother.
Greenlee: Say that again
and you're a dead man.
Greenlee: Hi. Hi.
I'm sorry to intrude, but I just
had to know if you got my notes
on the European club scene?
Hayley: I did.
And thorough as it was,
I still think it's a bit out
of reach for our target
audience.
Leo: You're doing a show
on the European club scene?
Hayley: Mm-hmm.
Well, mostly the music.
We were thinking about starting
in Amsterdam.
Leo: Amsterdam?
No, no, no, that's so
20th century.
Barcelona.
That's where all the young'uns
are hanging out these days.
Hayley: Really?
Leo: Mm-hmm.
Hayley: Well, maybe we should
rethink the whole concept.
Come.
Let me pick you brain.
This shouldn't take long.
[Hayley laughs]
Leo: What was that?
Hayley: Nothing.
Greenlee: Ahem.
I did that on purpose.
I --
I wanted to thank you.
Ryan: For what?
Greenlee: For being honest
with me, you know, on
the park bench.
And I hope that things work out
for you and the woman that
you're in love with.
Ryan: Thank you.
Greenlee: And, uh --
this is the most embarrassing
part, but I hope that we can be
friends.
Ryan: We are friends.
Greenlee: Stay friends, then?
Leo: So, whatever you do,
stay away from Marseilles.
Hayley: Absolutely.
I promise.
Mateo: All right,
last call, last call.
How you doing?
Leo: Yeah, pretty good.
I'd better go round up Greenlee.
Hayley: Ok.
Thanks a lot, Leo.
Leo: Anytime.
Hayley: I appreciate it.
Mateo: Bye, Leo.
Hayley: So --
Mateo: Yeah?
Hayley: Need any help
cleaning up?
I didn't see Adrian around.
Mateo: I told you,
u don't work here anymore.
You're just a guest.
Eat. Have some chips. Relax.
Hayley: I only meant that
the sooner we get cleaned up,
the sooner we get to go back
to your place.
Mateo: Grab an apron.
[Hayley chuckles]
Rae: Oh!
Adrian: Shh.
Rae: Oh, God.
Adrian: Shh, shh.
Rae: I didn't hear you.
Adrian: You weren't
supposed to.
I thought I told you that
breaking and entering was
a stupid idea.
Rae: Well, then I'm stupid,
ok, but I'm going to get
into this office.
Adrian: I don't believe you.
You're really going to keep
this up --
Rae: Yeah.
Adrian: Until some oversized
muscled cops come and arrest us.
Would you just step aside,
please?
Rae: Go ahead.
Is it working?
Adrian: Shh.
Rae: Oh, you did it.
Adrian: Shh, shh.
Rae: Ok, ok.
Adrian: Here.
Check the files on the computer.
Rae: There aren't any.
Why? Where are they?
Adrian: Obviously, the man is
smart enough to keep his data
elsewhere.
Rae: Well, let's check
the desk.
Adrian: Just a bunch
of notes.
Rae: Here's a journal.
"1999."
Rae: Oh, my God.
Adrian?
Adrian: Yeah?
Rae: I found something.
Look.
Rae: Here's Daniel's name
and mine under it.
And then there's a line
to "Fannie Battle."
Adrian: Do you know anybody
named Fannie Battle?
Rae: Do you think maybe it's
my daughter?
[Door opens]
Derek: Keep your hands where
I can see them!
Mr. Sword.
And you're Dr. Rae Cummings
from the radio, right?
Rae: Yes, right.
I'm Dr. Rae Cummings.
Derek: Well, you're both
under arrest for breaking
and entering.
Edmund: Alex, the things that
you remember about Geoffrey
Ashford -- he hurt you.
If you did kill him, I think
it was self-defense.
Alex: I want so desperately
to believe that, but only
he and I know why I did it.
And he's dead and I don't
remember.
Oh, I can't make sense
of anything anymore.
Edmund: Listen,
you're exhausted, ok?
Just -- why don't you go
home, ok?
Get some rest and I'll drive
you home.
Alex: No, I'm not going home.
I'm going to stay here tonight,
in case Cassandra wakes up.
I'll tell her that she's not
going back to her father.
Edmund: You just said
Cassandra.
Alex: I meant Karen.
Edmund: The bio
on Geoffrey Ashford --
his daughter was named
Cassandra.
Alex: His daughter was
Cassandra?
Edmund: Yeah, and I didn't
tell you that.
Alex: No.
We have to find her.
Edmund: Alex? Alex?
She's dead.
Geoffrey: You didn't hear
anything, you didn't see
anything.
Edmund: Alex?
Alex! Alex!
Alex?
Liza: I appreciate
your confidence, but there's
nothing that you can do about
the court decision and there's
nothing that I want you to do.
Adam: All right, I'll just
stay on the sidelines
and I'll give you moral support.
I'll do as much or as little
as you want me to, Liza.
I don't have any cards left
to play.
What if I win some little
victory over Jake and lose you?
It doesn't get me anything.
Liza: This is her favorite
now.
Adam: Her favorite changes
daily, of course.
Liza: No, she's --
she's loved this for about
a week.
She likes to pull on its trunk.
Adam: Imagine how surprised
she'll be when she sees
her first real elephant,
sees how big they are.
Liza: Oh, I think that she'll
still pull on its trunk.
Adam: Of course she will.
She's my --
uh, she's a brave little girl.
Liza: You know, other than
e doll, Ms. Visalia,
her favorite animals are
the little wild animals.
Adam: You ought to take
her to Africa.
Let her see the elephants
in the wild before they're gone.
Liza: I like that idea.
Adam: Really?
Liza: Yeah.
Adam: I can see Colby
in a pith helmet.
We ought to rent a private
train, go by ourselves,
just the three of us,
all the way across the whole
bloody --
well, I guess you can do
the itinerary by yourself.
Liza: You know, I swear,
Adam, if I ever took
her on a safari and you bought
Kenya --
Adam: Thank you.
Makes me feel good when you can
laugh at the things that I do.
Liza: Well, it gets really
exhausting to be sad and angry
all the time.
Adam: Oh, yeah.
Liza: You know, even though
you and I can have a civil
conversation, I don't want
you to misunderstand
that nothing's changed.
Adam: I know.
Nothing's changed.
Good night.
Liza: Night.
[Salsa plays]
Leo: Progress?
Greenlee: Oh, yes.
We decided we're going to be
friends.
Leo: Hmm, and your definition
of "friendship" would be?
Greenlee: The first step back
to being lovers.
Singer: Got to be
with you somehow
Singers: And now
that you're gone
Singer: Who am I
without you now?
Singers: I can't go on
Singer: I just
want to be with you
Singers: And now
that you're gone
[Ryan imagines Gillian coming into SOS]
Gillian: Why'd you make me
wait so long?
Ryan: Because --
because you're so much better
than me.
Gillian: No one's better
for me than you, Ryan.
You're the love of my life.
Ryan: So
you're not marrying Jake?
Gillian: How could I?
Ryan: Princess.
You've come back to me.
Singers: And now
that you're gone
Singer: I just
want to be with you
Singers: And
I can't go on
Greenlee: Night, Ryan.
Sweet dreams.
Singers: Now
that you're gone
singer: Just
want to be with you.