ALL MY CHILDREN

FEBRUARY 8, 2000



Edmund: "Geoffrey Ashford, access denied"? We'll see about that.
Edmund: Here we go.

[Computer beeps]

Edmund: Again?

Karen: Don't se me back. You can't. I won't go. I won't.
Alex: You're not going anywhere. I promise you, I'm going to keep you here at the hospital for as long as I possibly can. But look, you're talking again. That means you're getting so much better. Maybe you could help us now, Karen. The person who told you not to tell anyone -- who is it?
Karen: He said don't tell. Don't tell!
Alex: I know, but he was wrong, sweetheart, because little girls should always tell if someone hurts them or if they're scared by anything. You have to let it come out, darling. Everything will be so much better if you do.

[Salsa plays]

Leo: Who we looking for?
Greenlee: I wanted to make sure I wouldn't run into Kenny and his no-neck friend.
Leo: Oh, those are two certified idiots, but I doubt that Ken is even stupid enough to risk arrest for attempted rape and assault.
Greenlee: Is your cut all right?
Leo: It's healing nicely, though I am hoping for a romantic scar.
Greenlee: To impress whom? Becca?
Leo: Mm-hmm.
Greenlee: Well, you'd better start doing something. So far that girl immune to your charms.
Leo: Becca is like a thoroughbred she requires subtle handling and patience.
Greenlee: You know, when I challenged you to make a conquest of Miss Virginity, I had in mind that it would happen in this decade.

Tina: I've never seen Mateo happier than he's been with you. You know, it always you he wanted. I mean, any fool could have seen that.
Hayley: Thank you, Tina.
Mateo: Hey, hey.
Hayley: Hey.
Tina: Oh. I think they need another drink. Excuse me.
Mateo: What was that all about?
Hayley: Nothing. She seems sweet. Is she sweet?
Mateo: She's sweet.
Hayley: You know who else is sweet? Adrian.
Mateo: Yeah.
Hayley: What do you think? Maybe, you know --
Mateo: Why don't you let them figure that out by themselves, ok?
Hayley: Always a good plan.
Mateo: Yeah. So, you thinking about what I've been thinking about?
Hayley: You mean the upcoming New Hampshire primary? Mm-hmm.
Mateo: I think we should have a big, long, discussion about that tonight, my place.
Hayley: Hmm.
Mateo: Hmm.
Hayley: Hmm.
Mateo: Yeah? Yeah? I don't think it's going to take too long fore to close this place up, so how about a sleepover?
Hayley: Well, you know, since Brooke is staying with Janet, I'd say absolutely.
Mateo: Yeah? Well, then in that case, I am closing up early.
Hayley: No, don't you dare!
Mateo: Mm-hmm.
Hayley: You're only in the place half, you know. You've got to maximize profits.
Mateo: Listen, the place is doing fine. I don't have a care in the world. Well, you know, I'm not -- of course, I'm worried about your Uncle Trevor.
Hayley: Yeah, that and I'm really concerned about Gillian. I feel really bad about setting her up to meet Ryan. I just hope that everything works out for the best.
Mateo: And we want Gillian and Ryan back together. Is that right?
Hayley: Whatever is meant to be is meant to be.

Gillian: What happened?
Jake: You had a dream.
Gillian: Yeah.
Jake: Do you remember it?
Gillian: No, no. No.
Jake: Hmm. Well, you said something about some secret you couldn't tell me.
Gillian: Oh. No, no. It was nothing.
Jake: It wasn't nothing. It scared you. Why don't you tell me about it? You remember it? Maybe it'll help if you talk about it.
Gillian: Uh -- we were getting married at your parents' house. It was beautiful. Grandmama was there. Everything was perfect. And then, um, the minister asked if anyone knew why we shouldn't be wed, and then somebody all the way in the back got up and said that I had a secret, and if you knew the secret, you wouldn't marry me.
Jake: Then you woke up.
Gillian: Yeah, I told you it was stupid.
Jake: Well, that's all right. I mean, I'm no Freud, but pretty obvious to me what your dream means.

[Colby cries]

Liza: It's ok! Mama's coming!
Liza: She's with -- she's with Jake.
Adam: Liza? I heard you cry out. Are you all right?
Liza: No. I miss my daughter.
Liza: I'm -- I'm coming apart at the seams. I'm hearing baby cries in the middle of the night. She's away from me for one night.
Adam: Well, that's easily solved. No more nights away from Colby.
Liza: No, I -- I can't afford to antagonize Jake right now.
Adam: No, you don't have to do anything. The judge in the custody suit will see reason.
Liza: Oh, you're not going to buy off another custody judge, are you?
Adam: No. No. I've learned my lesson.
Liza: Well, there's a first.
Adam: Yes, well, there's no need. There's no need to do any of this. Liza, you're obviously the better parent for Colby.
Liza: I just can't help but think of Jake waltzing into that custody hearing with this beautiful bride Gillian on his arm.
Adam: Oh, big deal. Big deal. You -- you're going to walk in there with a solid marriage. And it's going to be obvious to every one of them that Mr. And Mrs. Adam Chandler can provide the best environment for Colby.
Liza: I -- I appreciate you putting off the divorce proceedings, Adam -- I do -- but after the custody hearing, the divorce is going to continue. You do understand that, don't you?
Adam: Yes. I know this reconciliation is for Colby. But I have behaved myself the last few days, haven't I?
Liza: Yes, you have. How did you hear me cry out?

Gillian: Oh, this wasn't a dream about Ryan or anyone, you know? A person can't help what she dreams about.
Jake: No. I know, I know. But, hey, it wouldn't bother me if it was him.
Gillian: Jake, I'm not dreaming about anyone, ok? This is just about something else. There are things that you don't know about me.
Jake: Honey, there are things that you don't know about me. You know, if we knew everything about each other, that'd be boring.
Gillian: Yeah, but --
Jake: Look, look, look -- I'm going to spend the next 40 or 50 years figuring you out. And nothing, real or imagined, is going to stop our wedding. All right?
Gillian: Why are you always so good to me?
Jake: Because I know that you love me -- no matter what your dreams tell you.
Gillian: But what if you found out something about me and you stopped loving me? Jake: What could possibly do that?

[Salsa plays]

Hayley: Why are you so sure it's sinister? Maybe she just doesn't want a long engagement.
Ry: No, that is not it, Hayley. I'm telling you, I know Gillian. She's keeping something from me.
Hayley: What?
Ryan: I don't know! I don't know, but I've lived with her long enough to know that it's something big. She's got herself into something that she cannot get out of.
Hayley: Well, you know what, Ryan? Maybe you should let her figure it out on her own.
Ryan: Hayley, I can't do that. There's no time for that.

Tina: Hey, have you been holed up in the back all this time?
Adrian: Yeah, actually. I was doing a favor for Rae Cummings. Have you seen her?
Tina: Dr. Rae, the talk show host?
Adrian: Yeah, I'm supposed to meet her. Look, let me know if you --
Tina: Wait -- are you going to be a guest star on "The Dr. Rae Show"? Oh, wait, wait. I can hear it now. "Tonight on 'Dr. Rae' -- the spy who loved me."
Adrian: Yeah, like I haven't heard that one before. I look like the kind of guy that would kiss and tell?
Tina: You look like the kind of guy who would take his secrets to the grave.

Rae: Hi.
Tina: Oh, Dr. Rae.
Rae: I'm sorry. Yes, hi.
Tina: Hi.
Rae: Sorry to interrupt. I need to talk to him for a minute.
Tina: Sure.
Adrian: Thank you for meeting me here.
Rae: Yeah, sure.
Adrian: Excuse us.
Tina: Excuse me.

Rae: Uh-huh. So, you said you had something for me?
Adrian: Yeah, actually, I -- I got access to Lyle Wedgewood's financial records.
Rae: Great.
Adrian: And it seems that about only last fall that Daniel Faulkner paid him $10,000.
Rae: Did the record -- did the records indicate at all what the money was used for?
Adrian: No, nothing specific.
Rae: Did it say my name, "Rae"? Or it could be Gretel Rae Cummings.
Adrian: No, no, nothing came up.
Rae: Well, he has to know something about my daughter or Daniel would not have paid him that kind of money. I just have to find out what it is.
Adrian: Well, how do you suppose we do that?
Rae: I think it's time I made a little visit to Mr. Wedgewood's office. What do you think?

[Salsa plays]

Adrian: Rae, besides being dangerous, a break-in would be a waste of time. Do you think- do you think this man's going to leave illegal records laying around an office? Forget the idea about the computers as well, all right? No one was even using them when your child was sold.
Rae: So what do you think I should be doing?
Adrian: I think we should wait until tomorrow. I'll face him down. I'm pretty intimidating. We can get a lot more out of him than he realizes.
Rae: Ok. Ok, fine. We'll wait till tomorrow.
Adrian: Good. I'm glad you see it my way. Why don't you sit back and relax and have a drink on the house?
Rae: No, I can't. I -- I think what I need is a good night's sleep.
Adrian, thank you. I'll talk to you tomorrow. Ok?

Edmund: Come on. Come on.

[Computer beeps]

[Beep]

Alex: Are you still at it?
Edmund: Don't ask. Uh -- how's the little girl?
Alex: Yeah. She's with Dr. Dunn, the child psychologist.
Edmund: Any progress?
Alex: Enough to know that she'd been abused by her father. Yeah. I almost knew what she was going to say before she said it. It's really eerie.
Edmund: What do you mean?
Alex: He told me not to tell anyone. I mean, I could immediately hear Geoffrey saying the same thing to me. Ooh. I can hear him now.
Edmund: Alex, any more memories come back to you?
Alex: Isn't it enough that I remember I killed a man?

Adam: I was in the nursery.
Liza: In the nursery?
Adam: Yeah, I was just -- just sitting there. I feel closer to Colby when I'm there.
Liza: Even when she isn't?
Adam: Ever since I got out of the safe room, I've spent part of every night in the nursery. I think my corrupting influence on her is minimal when she's sleeping. Good night.
Liza: Adam? Would you please stay?

[Salsa plays]

Mateo: Hello
. Leo: Hey.
Greenlee: Hey. Is Ryan ok?
Mateo: I don't know. Here you go.
Greenlee: You know, I work with him, but I just -- I was wondering if something's happened or something.
Mateo: Yeah. Well, why don't you ask him?
Leo: Why don't you just hang it up, Greenlee? There are scads of buff young men in this town. Like me, for example.
Greenlee: But I like that buff young man.

Gillian: Jake, um, I don't know if you really want to know what I have to tell you.
Jake: Then don't tell me. There's nothing that's going to -- nothing that's going to stop me from loving you.
Gillian: Yeah, but you don't know what it is.
Jake: We're both adults. We've done things we're not proud of. I can remember a time in -- in Montreal on St. Lawrence street where -- um -- actually, I really don't remember too much about that time. Gillian: Y
ou got a little tipsy?
Jake: "Tipsy." Yeah, tipsy. It's -- I understand if you've done something, you t tipsy, and then got naked and played around in a fountain in Paris or something. I understand that.
Gillian: It was Monte Carlo. How did you know?
Jake: You serious? You got naked in a fountain in Monte Carlo? Yeah?
Gillian: Yeah.
Jake: What happened?
Gillian: I was at the casino and I got a little drunk. And I was betting, you know, at the roulette tables. I was betting the Hungarian crown jewels and --
Jake: Ooh.
Gillian: They escorted me out, and I decided to not go out in silence, so I --
Jake: So you showed them a thing or two. Dancing naked in a fountain. I wish I was there. Huh. But your Grandmom, Eugenia, lives in Monte Carlo a lot. Did she know about this? What did she think of this?
Gillian: Well, the management wrote her a strong-worded letter, so --
Jake: Oh.
Gillian: I just kept my distance for a little while until she got over her fury. Jake: Little cooling-off period for her. That's very smart.
Gillian: Yeah.
Jake: Well, see? The past is the past. I wouldn't even worry about those things. We're going to be spending a lot of time together. And what's important is -- is what we share from now on.

[Colby cries]

Jake: Just as important as Colby. All right, I'm going to go look at the little munchkin. You ok?

Gillian: I have to be honest with Jake. I have to tell him the truth. But I can't tell him. It's going to break his heart. Maybe -- maybe if I tell him the truth and he'd forgive me, then -- then we really are meant to be together, no matter what Ryan says. But it's going to break his heart. Cooling-off period.

Alex: Thank you. Dr. Dunn agrees with me.
Edmund: Well, that's one piece of good news.
Alex: Yeah. Karen won't released back to that family.
Edmund: You going to go talk to her and tell her?
Alex: I will in a bit. She's asleep right now.
Edmund: That's a good idea for you. Get some sleep.
Alex: Oh, why didn't I think of that?
Edmund: Because you haven't slept.
Alex: Did you find out anything about Geoffrey Ashford?
Edmund: Yeah. Well, a little bit. Got a partial bio, and then all of a sudden that computer said "access denied."
Alex: How weird. Like with my medical records?
Edmund: Yeah. Exactly. There's got to be some kind of connection. Anyway, this is what I got so far -- "Geoffrey Ashford, diplomat, married, two kids -- boy and a girl." And the boy's --
Alex: Did Geoffrey -- is he still alive?
Edmund: He disappeared a number of years ago and was eventually declared dead.
Alex: I just thought maybe I might have imagined everything -- the party, pushing him down the stairs. But why would they cover it all up?
Edmund: I don't know, Alex. I don't know. But I'm going to find out, if I have to hack into that thing.
Alex: What kind of person am I? I killed another human being.

Tina: Hey. Is your meeting with Dr. Rae over already?
Adrian: Yeah. She had to rush off to do something. Something really asinine. Look, tell Mateo I'll try and get back before closing, all right?
Tina: Ok.

Leo: So Ryan told you that he's in love with another woman. And that didn't give you a clue to exit, stage left?
Greenlee: I'd only have to come back stage center when the woman he's in love with marries her friendly neighborhood doctor.
Leo: The Hungarian princess.
Greenlee: That's right. And once Jake and Gillian get married, Ryan will need compassion. Leo: Well, the damsel-in-distress gambit didn't work, but this one seems a little safer.
Greenlee: I've never been more humiliated in my life than I was with Ken. God, why didn't you stop me?
Leo: Hey, I tried. And if you remember, I did manage to stop Ken.
Greenlee: And I haven't thanked you properly.
Leo: Uh -- I never realized how stimulating a peck on the cheek could be, Greenlee. But if this is a ploy to get me to enlist in another one of your Ryan-a-thons, you can count me out.
Greenlee: I can't get anything past you, can I?
Leo: None of this is about Ryan, anyway. It's about you not wanting to get dumped. I know what'll happen to the poor sap once he gets back into your clutches. You'll tell him to tell his story walking, he'll be completely humbled, and somehow the universe will make more sense.
Greenlee: It's as if you could read my mind.

Tina: Hey. Excuse me. Here you go. These are on the house. Actually, they're on me. I heard that you saved some girl from being raped? That's just incredible.
Leo: Well --
Tina: God, you're like a hero.
Leo: It wasn't nearly that dramatic. But I always like it when a beautiful woman buys me drinks, so thank you.
Tina: Thank you.
Leo: Thanks. Bye.

Greenlee: Incredible. You're reaping all the rewards from my unspeakable tragedy.
Leo: If you want your 15 minutes, Greenlee, I'll be more than happy to tell everybody that you were the helpless victim.
Greenlee: Don't you dare. You can't tell anyone, especially Ryan.

Ryan: Jake and Liza had the perfect setup. He'd go by WRCW, pick up Colby, he'd drop her off.
Hayley: It's the one sane thing in Liza's life.
Ryan: And now he's determined to take Colby away from Liza, and he's willing to rush into marriage to do it?
Hayley: No. I don't know why Jake is doing what he's doing, but it's not to get the baby away from Liza. It's Adam. He wants to take Colby away from Adam.

Adam: You want me to stay and keep you company?
Liza: Oh, well, now, don't get the wrong idea. It's just I have this uncontrollable urge and I'd love for you to stay with me and wait till it passes
Adam: An urge to do what?
Liza: Grab my car keys, get in my car, and run over to Jake's and knock on the door, and I don't think me knocking on Myrtle's door at this hour and asking to see my daughter -- I mean, everybody would think I was nuts and Jake would just use it against me in the custody hearing, so --
Adam: It would look like you love your daughter very much.
Liza: I have -- I have never missed anyone so much in my whole life.
Adam: A year ago she wasn't even born, and I can't imagine a day without her.
Liza: You know, I was dressing her and I was thinking how sad for you that you never knew Hayley and Skye when they were babies.
Adam: No.
Liza: How that might -- that might've made you a different person. Because having Colby in my life, it has changed me.
Adam: Yeah. Too late for me, I suppose.
Liza: Yeah, I suppose.
Adam: But I don't want you to miss out on a moment with Colby. There's -- time just goes too quickly.
Liza: There's all those little things you cherish. She's not going to be a baby soon anymore. I want so much for her to grow up to be a happy and healthy person. And if Jake wants the custody suit, I think she's just got trouble ahead of her.
Adam: No, no. That is not going to happen. I promise you. I won't let it go that far.

Gillian's voice: "My wonderful Jake, I am going to tell you the secret in my dream. I'm putting in a letter because I thought maybe you would want to be alone when you know what it is. But no, it's mostly because I want you to have a little time to realize that I never meant to keep this from you. I only wanted to spare you pain. On the night of my car accident, I learned that Colby's Adam Chandler's biological daughter. Adam knew this all along. Liza found out just after I did. They can explain how this horrible thing is true. Liza was destroyed by the news and asked me not to tell you. I agreed because we both know that you are the best father for Colby. I love you, Jake, and I'm sure that now your heart is breaking. Please let me be with you to help you. I want to be your wife, and I hope you will want that, too."

Jake: Hey. What you looking at?
Gillian: Oh, it's just, umm-- some wedding ideas.
Jake: Oh.
Gillian: Is she sleeping?
Jake: Oh, she's sleeping. I was telling her a few wedding ideas of my own, put her right out. But she's very excited.
Gillian: Well, that makes two of us.
Jake: Oh, makes three of us. I was thinking -- were you -- I was just wondering about your last name. I don't care. I'm just curious if you know what you're going to do.
Gillian: I don't know. I thought I would use both, if that's ok.
Jake: Oh. Gillian Andrassy-Martin.
Gillian: Doesn't that sound beautiful?
Jake: It actually flows pretty well. I like that. I think I'll change mine to that.
Gillian: Really?
Jake: Yeah, except for the Gillian part. Would that make me a prince, or can you look into, you know, some kind of title thing there for me?
Gillian: I can look into that, yeah.
Jake: Good.
Gillian: Sure. You tired?
Jake: Mm-hmm.
Gillian: Huh?
Jake: Very tired.
Gillian: So why don't you stretch out --
Jake: Yeah?
Gillian: And get your feet up here --
Jake: Oh.
Gillian: And I'll give you a foot massage.
Jake: Well, you don't have to say that twice.
Jake: Oh. Oh, oh, yeah. Yeah. Once we're married, you're going to do this ever night, right?
Gillian: If you want me to.
Jake: Yeah, I'll get that in the vows, actually. Oh.

Greenlee: Finish your drink.
Leo: Are we leaving?
Greenlee: No, no, no. We're going to go over and say hello to Hayley and Ryan, and then you're going to take Hayley aside and fascinate her with one of your incredible stories so that Ryan and I can share a moment.
Leo: Ah, "a moment." That's cute.
Greenlee: Come on, come on, bottom's up.
Leo: Oh, Greenlee. Why is it that I'm putty in your hands? I know -- you remind me of my mother.
Greenlee: Say that again and you're a dead man.

Greenlee: Hi. Hi. I'm sorry to intrude, but I just had to know if you got my notes on the European club scene?
Hayley: I did. And thorough as it was, I still think it's a bit out of reach for our target audience.
Leo: You're doing a show on the European club scene?
Hayley: Mm-hmm. Well, mostly the music. We were thinking about starting in Amsterdam.
Leo: Amsterdam? No, no, no, that's so 20th century. Barcelona. That's where all the young'uns are hanging out these days.
Hayley: Really?
Leo: Mm-hmm.
Hayley: Well, maybe we should rethink the whole concept. Come. Let me pick you brain. This shouldn't take long.

[Hayley laughs]

Leo: What was that?
Hayley: Nothing.

Greenlee: Ahem. I did that on purpose. I -- I wanted to thank you.
Ryan: For what?
Greenlee: For being honest with me, you know, on the park bench. And I hope that things work out for you and the woman that you're in love with.
Ryan: Thank you.
Greenlee: And, uh -- this is the most embarrassing part, but I hope that we can be friends.
Ryan: We are friends.
Greenlee: Stay friends, then?

Leo: So, whatever you do, stay away from Marseilles.
Hayley: Absolutely. I promise.
Mateo: All right, last call, last call. How you doing?
Leo: Yeah, pretty good. I'd better go round up Greenlee.
Hayley: Ok. Thanks a lot, Leo.
Leo: Anytime.
Hayley: I appreciate it.
Mateo: Bye, Leo.

Hayley: So --
Mateo: Yeah?
Hayley: Need any help cleaning up? I didn't see Adrian around.
Mateo: I told you, u don't work here anymore. You're just a guest. Eat. Have some chips. Relax.
Hayley: I only meant that the sooner we get cleaned up, the sooner we get to go back to your place.
Mateo: Grab an apron.
[Hayley chuckles]

Rae: Oh!
Adrian: Shh.
Rae: Oh, God.
Adrian: Shh, shh.
Rae: I didn't hear you.
Adrian: You weren't supposed to. I thought I told you that breaking and entering was a stupid idea.
Rae: Well, then I'm stupid, ok, but I'm going to get into this office.
Adrian: I don't believe you. You're really going to keep this up --
Rae: Yeah.
Adrian: Until some oversized muscled cops come and arrest us. Would you just step aside, please?
Rae: Go ahead. Is it working?
Adrian: Shh.
Rae: Oh, you did it.
Adrian: Shh, shh.
Rae: Ok, ok.
Adrian: Here. Check the files on the computer.
Rae: There aren't any.
Why? Where are they? Adrian: Obviously, the man is smart enough to keep his data elsewhere.
Rae: Well, let's check the desk.
Adrian: Just a bunch of notes.
Rae: Here's a journal. "1999."
Rae: Oh, my God. Adrian?
Adrian: Yeah?
Rae: I found something. Look.
Rae: Here's Daniel's name and mine under it. And then there's a line to "Fannie Battle."
Adrian: Do you know anybody named Fannie Battle?
Rae: Do you think maybe it's my daughter?

[Door opens]

Derek: Keep your hands where I can see them! Mr. Sword. And you're Dr. Rae Cummings from the radio, right?
Rae: Yes, right. I'm Dr. Rae Cummings.
Derek: Well, you're both under arrest for breaking and entering.

Edmund: Alex, the things that you remember about Geoffrey Ashford -- he hurt you. If you did kill him, I think it was self-defense.
Alex: I want so desperately to believe that, but only he and I know why I did it. And he's dead and I don't remember. Oh, I can't make sense of anything anymore.
Edmund: Listen, you're exhausted, ok? Just -- why don't you go home, ok? Get some rest and I'll drive you home.
Alex: No, I'm not going home. I'm going to stay here tonight, in case Cassandra wakes up. I'll tell her that she's not going back to her father.
Edmund: You just said Cassandra.
Alex: I meant Karen.
Edmund: The bio on Geoffrey Ashford -- his daughter was named Cassandra.
Alex: His daughter was Cassandra?
Edmund: Yeah, and I didn't tell you that.
Alex: No. We have to find her.
Edmund: Alex? Alex? She's dead.

Geoffrey: You didn't hear anything, you didn't see anything.

Edmund: Alex? Alex! Alex! Alex?

Liza: I appreciate your confidence, but there's nothing that you can do about the court decision and there's nothing that I want you to do.
Adam: All right, I'll just stay on the sidelines and I'll give you moral support. I'll do as much or as little as you want me to, Liza. I don't have any cards left to play. What if I win some little victory over Jake and lose you? It doesn't get me anything.
Liza: This is her favorite now.
Adam: Her favorite changes daily, of course.
Liza: No, she's -- she's loved this for about a week. She likes to pull on its trunk.
Adam: Imagine how surprised she'll be when she sees her first real elephant, sees how big they are.
Liza: Oh, I think that she'll still pull on its trunk.
Adam: Of course she will. She's my -- uh, she's a brave little girl.
Liza: You know, other than e doll, Ms. Visalia, her favorite animals are the little wild animals.
Adam: You ought to take her to Africa. Let her see the elephants in the wild before they're gone.
Liza: I like that idea.
Adam: Really?
Liza: Yeah.
Adam: I can see Colby in a pith helmet. We ought to rent a private train, go by ourselves, just the three of us, all the way across the whole bloody -- well, I guess you can do the itinerary by yourself.
Liza: You know, I swear, Adam, if I ever took her on a safari and you bought Kenya --
Adam: Thank you. Makes me feel good when you can laugh at the things that I do.
Liza: Well, it gets really exhausting to be sad and angry all the time.
Adam: Oh, yeah.
Liza: You know, even though you and I can have a civil conversation, I don't want you to misunderstand that nothing's changed.
Adam: I know. Nothing's changed. Good night.
Liza: Night.

[Salsa plays]

Leo: Progress?
Greenlee: Oh, yes. We decided we're going to be friends.
Leo: Hmm, and your definition of "friendship" would be?
Greenlee: The first step back to being lovers.

Singer: Got to be with you somehow
Singers: And now that you're gone
Singer: Who am I without you now?
Singers: I can't go on
Singer: I just want to be with you
Singers: And now that you're gone

[Ryan imagines Gillian coming into SOS]

Gillian: Why'd you make me wait so long?
Ryan: Because -- because you're so much better than me.
Gillian: No one's better for me than you, Ryan. You're the love of my life.
Ryan: So you're not marrying Jake?
Gillian: How could I?
Ryan: Princess. You've come back to me.

Singers: And now that you're gone
Singer: I just want to be with you Singers: And I can't go on

Greenlee: Night, Ryan. Sweet dreams.

Singers: Now that you're gone singer: Just want to be with you.





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