Dixie: Oh. Honey, it's freezing in here.
Tad: Hey. You forgot to put whipped cream in my cocoa. Where's my whipped cream?
Dixie: I'm sorry. You know, if the heat is up too high, would you turn it down?
Tad: Why are you yelling at me? I'm not the one that left the door open.
Dixie: I'm not yelling at you. What are you working on?
Tad: I'm just trying to figure out the best way to utilize Chandler Mansion after Stuart turns it over to charity.
Dixie: That's a noble idea. You know, it's not exactly Stuart's to give.
Tad: A minor detail, my darling. A minor detail. Besides, think about all those homeless kids and battered women who'd appreciate a little luxury.
Dixie: Think about Liza. I mean, she's got Colby. Have you run this wonderful idea by her?
Tad: What about Colby? Chandler mansion is as soulless as the jerk that owns it. Jake doesn't want Colby anywhere near that place.
Dixie: Jake. What about if Jake and Liza bought houses next to each other?
Tad: Well, it would make sharing custody a lot easier. However, I think Gillian's going to have a lot to say about the living arrangements from now on.
Dixie: No way. You think Jake's ready for that?
Tad: Oh, please. Stick a fork in him. He's done. So is she, by the look of things. You saw them at the Crystal Ball.
Dixie: Christmas Eve.
Tad: I rest my case.
Dixie: Hmm. They're such a cute couple. We're a cute couple, too. Ooh. How nice. What do you say? You want to come upstairs and help keep me warm? Hmm?
Tad: Hmm.
Dixie: There's a "Three Stooges" marathon on TV.

Tad: [Imitates Curly] Oh, wise guy, eh?
Dixie: [Imitates Curly] yeah!
Tad: Nyuk, nyuk.
[Normal voice] what about the boys?
Dixie: [Normal voice] the boys are in video game heaven. Stop, stop. Come on. We'll go upstairs, watch TV. Huh? Have some real fun? Nyuk, nyuk, nyuk?
Tad and Dixie: Woo, woo, woo!
Tad: Le yum.
Dixie: Come on, come on. Close the door, close the door.
Tad: Ok!
Dixie: Yes, yes. Take it off! Take it all off!
Tad: Don't get warm without me.

Tad: Whoa. Stuart, what are you doing? You nearly scared me half to death.
Adam: If only it were that easy.
Tad: Adam.
Adam: Where's my wife?

Jake: Marian, it's Jake. Please give me any information you might have about Liza. I don't know -- a phone number, a location, anything. I want to know how Colby's doing. So call me or page me. You have all the numbers. Thanks.
Gillian: No luck with Marian?
Jake: I think she's avoiding me.
Gillian: Why would she do that?
Jake: I don't know.
Gillian: Come on, Jake. Liza hasn't even been gone that long.
Jake: Well, every minute Colby's away from me, I feel like I'm missing a part of her life.
Gillian: You're probably going to feel that way for the rest of your life.
Jake: Well, I guess that's what being a parent means.
Gillian: You know, Monaco is a beautiful, civilized country.
Jake: I wouldn't know.
Gillian: I do. Ok? So don't worry. You know, Liza and Colby are probably really enjoying their time alone, just like we are.
Jake: Am I making this a miserable night?
Gillian: Impossible.

Ryan: Excuse me. Hey.
Adrian: Hey.
Ryan: I see the band's all set up.
Adrian: I see you got a bum leg.
Ryan: Yeah, yeah. Sprained it playing ball.
Adrian: Listen, Hayley's on her way over.
Ryan: Yeah? So?
Adrian: Well, Mateo's here, so maybe you shouldn't be.
Ryan: I hear you, man. I'm not going to cause any problems, I swear.
Adrian: All right. Cool. But you get my point, right?
Ryan: I get your point. I get your point.
Adrian: All right.
Ryan: Things get tense, I'm out of here.
Adrian: Cool.
Ryan: All right.

Mateo: Hi.
Ryan: Hey.
Mateo: You here for the band?
Ryan: Yeah. Yeah, I am. Look, I just spoke with Adrian, and I hear Hayley's coming by here.
Mateo: Is that a problem?
Ryan: No, man, not for me. No.
Mateo: Not for me, either. What are you having?
Ryan: Uh, draft. Yes, I could use one.
Mateo: All right, look, I'll have Tina set you up a tab. You can settle when you're done, ok?
Ryan: Actually, I wouldn't mind settling things right now, man. I -- I was happy to see you and Hayley -- very happy.
Mateo: Yeah, all right. Let's just stop, all right? Listen, the past is what you make it. Right? And whatever happened between me and you is -- let's just move on.
Ryan: Sounds good to me.

Sophie: You wanted to off me, huh? Set a little trap to knock my brains out? Who you say we c change those plans and I kick your butt! Should have done this in the beginning!

[Janet screams]

Trevor: Janet!
Trevor: Take it easy, baby. Take it easy. It's ok. It's ok.
Janet: I killed her.
Trevor: It's all right. Let me check. Is this --
Janet: Sophie Malinowski. I was just trying to --
Trevor: She was on you, baby. Are you ok? You ok?
Janet: No, I'm not ok. I'll never be ok ever again, not now.
Trevor: Are you hurt? You did the right thing. You made the right choice.
Janet: With a crowbar?
Trevor: Was this a setup -- the sandbags, the tripwire, that stuff?
Janet: I was just trying to stop her.
Trevor: You? We got to get you out of here. Come on.
Janet: No. No, no. I -- I can't go. I've got -- I've got to clean this all up.
Trevor: No, no, no. Listen to me, listen to me -- leaving it just the way it is is what we're talking about here. You understand?
Janet: Trevor, what are you talking --
Trevor: Did anybody see you when you came in?
Janet: I don't think so.
Trevor: All right. You just get in your car. You drive home. You take it real slow, avoid people, and when you get home, don't use the phone, ok?
Janet: Well, what about you?
Trevor: No, no, forget about that. Don't ask any questions about that. We're just going to get you through this. Now, just calm down, ok?
Janet: I can't believe this is happening to me!
Trevor: Baby, take it easy. Just do what I'm telling you to do. You're going to be ok, all right? Ok, sweetie? Huh? Yeah, you'll be ok. Ok. Go. Let's go home. You'll be ok?
Janet: Ok.
Trevor: I'll be right behind you.

[Noise]

Ryan: There was a time when we used to get along, and I just -- I don't know if you ever want to get back to that point.
Mateo: I'll have Tina bring your drink over.
Ryan: Thank you.
Ryan: Hey, guys. How you doing?
Gillian: Hey, what happened?
Jake: Yeah, what happened?
Ryan: Oh, I sprained my ankle. It's no big deal. Listen, I wanted to come over. I'm sure I'm not the first person to say this, but congratulations.
Jake: Well, thank you.
Ryan: Yeah.
Jake: Thank you.
Ryan: Have fun.
Jake: Take care.
Ryan: All right.

Jake: You told Ryan. I -- I haven't even told my parents yet, Gillian.
Gillian: Jake, I'm sorry if --
Jake: Well, I just thought we were going to keep it to ourselves for now.
Gillian: Well, I just -- I just felt like I owed it to him to tell him.
Jake: You don't owe him anything. Why would you feel that?
Gillian: It's complicated.
Jake : Simplify it for me. I'm lost. Does he hope that you two are going to get back together or something?

Tad: You broke into my house?
Adam: For good reason. Where is Liza? Where's my daughter?
Tad: She's not your daughter. How many times do I have to tell you she's Jake's child, Adam? Any feelings you've got about the situation are clearly misplaced.
Adam: Where is she, Tad?
Tad: Well, Liza is in Monaco at the World Television Conference. And where have you been, hmm? Liza, Marian, Stuart -- they all seemed to know something, but they wouldn't spill the beans.
Adam: That doesn't concern you.
Tad: Maybe not, but the world certainly was a nicer place for a while there. Come on, you can tell me. What'd they do, lock you in the wine cellar, huh? Chuck you a piece of raw meat every now and then?
Adam: Where's Liza?
Tad: I told you.
Adam: She's not in Monaco, damn it.
Dixie: Adam? What are you doing here?
Tad: Apparently, he's misplaced his wife.
Adam: I'm trying to find her. Liza could be in trouble, in danger. Colby could be ill.
Dixie: She left you, didn't she?
Adam: No. Are you hiding her?
Dixie: Oh, come on. Don't be ridiculous.
Tad: Now, that's enough. Why don't you just say bye-bye on your way out, ok?
Adam: This had better not be one of your ploys, Tad.
Tad: It's the truth.
Adam: You'd better be telling me the truth.
Tad: Or what? What exactly are you going to do, Adam? You seem to forget -- except for your son, there's nobody in this house who's afraid of you.
Adam: Well, maybe you just --
Dixie: Whoa! Adam, Adam!
Tad: Go ahead, go ahead. Do it. You go right ahead and you take your best shot. Come on, Adam. I'll give you one for free. But you better make damn sure you put me down because I guarantee you won't like it if I get back up again.
Tad: Go ahead, Adam. Do it.
Dixie: Oh, come on. Would you stop it? Stop it. The boys are upstairs. I don't want them coming down and seeing two grown men fighting.
Adam: You made a fool out of me and you made a fool out of my brother. I have spent a life building a financial empire.
Tad: Yeah, and apparently I'm better at it than you are. You check your approval ratings lately? They're through the roof. Hell, even your own son's proud of you.
Adam: You tricked Stuart into behaving like a fool.
Tad: I don't think he'd agree with you. I don't think your board of directors would, either face it, Adam. I've turned you into a hero, a world-class Robin Hood, and the public loves it. At least everybody around town can say your name without getting nauseous.
Adam: You knew Stuart was pretending to be me. You knew he had no authority to do with my money what he did. You're an accomplice.
Dixie: Now, wait a minute. Ok? This all happened because you lied to Stuart. You cheated him out of his part of WRCW. And why? To get back at Tad. To get back at him so you could fire him because he's a better father to Junior than you are.
Adam: Will you people never take responsibility for the chaos that you create? You've turned my son against me. You've questioned my authority with Colby. And now you've defrauded me of millions of dollars.
Tad: Wait a minute. You want to talk about responsibility? You've got nobody but yourself to blame.
Adam: For what? What have I done? What I've done is love my wife and my children.
Tad: Love? That's what you call love? Adam, that's a life sentence without the possibility of parole.
Adam: Yeah, you've already weighed in on that one, haven't you? Christmas eve, I believe it was. "If there were any justice, Adam Chandler will die a lonely, miserable old man."
Tad: You heard about that one, huh?
Adam: No, I heard it. I was there. You thought I was Stuart.
Dixie: That was you at Joe and Ruth's?
Adam: A nice bit of love and compassion to say in front of the children during the holiday season? Well, you may feel you come from a very lofty moral place, my friend. But I am capable of far more than you could ever imagine.
Tad: So what are you going to do this time, Adam? You going to buy the bank that owns my mortgage? You going to throw the two of us out on the street?
Adam: It's a good idea. Unfortunately, I can't give you what you deserve because Liza's tied my hands. She's made me swear I wouldn't retaliate.
Tad: Or what?
Dixie: Or he'll never see her again. And what's more, he'll never see Colby again. Am I right?
Adam: You're very perceptive, Dixie.
Dixie: Well, it's not hard to see what's important to you, Adam.
Adam: No, it isn't. I can't give you what you deserve because I'm not willing to risk losing Liza to do it.

Jake: Why would you owe Ryan an explanation about our engagement?
Gillian: It's not because he was assuming we'd get back together again.
Jake: I know. I don't know how he could.
Gillian: Jake, I just didn't want him to find out from somebody else.
Jake: Ok. But what difference does it make how he finds out?
Gillian: You know, when you've -- when you've been married to somebody, you love that person with everything you are, everything you can give. And then things don't work out, you move on -- you know, you separate, go on with your life. But there's always a little part that you leave behind with that person.
Jake: And you have to respect that.
Gillian: Only to tell that person that you've found somebody else that you love very much and that you wish them the same.
Jake: I think that's why I love you so very much.

Tina: So, listen, I've got two free passes to this movie premiere, and I thought you might want to come --
Mateo: Tina, Tina, Tina, listen. Look, I have to be straight up with you, all right? I'm not going to go to the movies with you. I'm not going to go to concerts with you, ok?
Tina: You know, say no more. Say no more. It's --
Mateo: I think you're great. You've been a great help here. You're a good friend. You're extremely cool.
Tina: Thanks.
Mateo: You're very beautiful. But I'm trying to work things out with Hayley, ok?
Tina: Really?
Mateo: Yeah.
Tina: You know, I thought things between you weren't working out. Things seemed kind of shaky.
Mateo: Well, they are shaky.
Tina: Mm-hmm.
Mateo: And who knows? They might not work out, but I want to try.
Tina: Ok.
Mateo: All right?
Tina: You know, it's -- it's just that, you know, you did so much for me when I got to town. You gave me a place to work, a place to stay.
Mateo: And I'm happy to do that.
Tina: I'd be lying if I said I hadn't thought about our friendship becoming a little bit more than that.
Mateo: I think you're looking in the wrong place.
Tina: Oh, no. He's just trying to keep me from making a complete fool of myself in front of you. That's all.
Mateo: Tina, come on. You know better than that.

Mateo: Pick up, Hayley. Come on. Come on.

[Telephone rings]
[Ring]

Tiffany: "Then he rustled his feathers, curved his slender neck, and from the depths of his heart, joyfully cried, 'I never dreamed of such' --"
Janet: Hi.
Amanda: Mommy, where were you?
Janet: How you doing, baby? Ok? Hi, Tiffany. Did Trevor call you?
Tiffany: Yeah. He must know I have no life, but I'm always ready for some last-minute babysitting.
Amanda: I got so scared. He left so quickly.
Trevor: A love-fest. Good.
Amanda: Daddy, where did you go?
Trev: Hey. I just had a little business I had to take care of.
Tiffany: Are you two all right?
Trevor: Yeah, we're fine and dandy. Tiffany, why don't you take Amanda upstairs, slap in a video for her, would you?
Amanda: Oh, I get it. You have to have some grown-up conversation I can't hear?
Trevor: Yeah. Not for little girls' ears, ok? Go on, run upstairs. And make the volume loud, ok?
Tiffany: Sure. Come on, I'll give you a pedicure while we watch.

Janet: I was trying to hide under the dashboard the whole way home. Someone's going to recognize that car.
Trevor: Babe, babe, babe --
Janet: They're going to know I was out.
Trevor: Shape up. Stay strong. Did anybody see you?
Janet: I don't know. I don't think so.
Trevor: Well, we'll find out soon enough. So what was going on down there? How long has she been coming after you?
Janet: Do you know how much I wanted to tell you the truth? She said she would kill you. She said she would kill Amanda. She kept popping up everywhere.
Trevor: Ok. So your ex-cellmate breaks out of jail, she finds you, and she shakes you down for what?
Janet: $50,000.
Trevor: That's why.
Janet: And I paid her and I begged her to leave me alone.
Trevor: Where'd you get the cash?
Janet: Adam Chandler gave it to me.
Trevor: He what?
Janet: But she still came after me. And she was going to hurt our baby. I couldn't let her do that.
Trevor: So you paid her off. You paid her off and she kept coming after you.
Janet: Yes.
Trevor: I saw the sandbags, the tripwire down there.
Janet: I set a booby trap because I had to stop her. But then -- then she came after me. She tried to kill me. And if I hadn't fought back --
Trevor: Yeah. I'd be identifying your body. Babe? Babe? You did the right thing.
Janet: But you're the only one who's going to believe that. If they find her body, I'll be lucky if they send me back to jail. The state will want to send me to the electric chair.
Trevor: Hey, hey. It ain't going to happen.
Trevor: Come on, come on. Look, it's simple. We just get our story straight, and then I go talk to Derek.
Janet: And tell him what? The crowbar killer's back, only this time she acted in self-defense?
Trevor: Your cellmate broke out of prison. She extorted you for cash. She threatened your family's life. These are the facts.
Janet: So? When someone blackmails you, you turn them in. You don't murder them.
Trevor: Hey, hey, hey.
Janet: Those are the facts!
Trevor: I saw what went down there. It was you or her.
Janet: And you're my husband.
Trevor: Not a good witness, but I'll get around that.
Janet: How you going to get around it, Trevor? The whole warehouse is covered with evidence that will convict me. My fingerprints are all over the crowbar.
Trevor: Yeah, I saw. What if there's no physical evidence?
Janet: What are you talking about?
Trevor: I'm going to go back there.
Janet: No, no. I will not let you go.
Trevor: Hey, I'm not letting some psycho ruin your life, everything that you've worked all these years to build. That's not going to happen. No way.
Janet: I won't let you!
Trevor: You don't have any say over it, babe. I go back there, I get rid of the crowbar, I get rid of the sandbags, the wire, everything.
Janet: And Sophie?
Trevor: Yes, and Sophie. Nobody saw us coming out of there. I don't think anybody saw us going in. Now, just stay low. We stay strong for each other, right?
Janet: Trevor, please --
Trevor: Hey --
Janet: Please don't go!
Trevor: Hey, hey, hey --
Janet: Don't go!
Trevor: I'm not letting us lose our life over this. Sophie ain't going to win. Take care of Amanda.
Janet: No, no --

[door closes]

Hayley: Oh, God.

Adrian: Hey. Hayley's still coming by, right?
Mateo: I called her cell phone. She's not answering, man. I don't know.
Adrian: Oh, relax. She'll be here. Maybe she's just running late. Maybe she left the cell phone in the car.
Mateo: Maybe -- maybe she changed her mind.
Adrian: No. I don't think that's going to happen.

Jake: Well, I'm glad that you can talk to Ryan.

[Pager beeps]

Jake: Marian.
Gillian: Who is it?
Jake: No, it's not important. Ugh! Ugh. I think I'm a little tense.
Gillian: You know what? I have a friend in the department of tourism in Monaco. Why don't I -- why don't I call her?
Jake: Right now? What -- w
hat time is it over there? Gillian: It's morning, but I know you. You're not going to stop worrying, so let me just call her, ok?
Jake: You speak French?

Gillian: Tasha. Hi, hi. It's Gillian. How are you? I'm good. I'm good. Listen, we have a little emergency here. I was hoping you could help me out. I want to know where the conference of world television -- where are the people staying? No. No, no, that's got to be a mistake. Are you sure? Ok. Well, thank you. All right, take care. Bye-bye.

Jake: Don't tell me. Bad news, right? What's going on?
Gillian: There's -- there's no such thing in Monaco happening.
Jake: There isn't?
Gillian: No.
Jake: No?
Gillian: She said that --
Jake: Is she --
Gillian: She's sure. She said there never has been a World Television Conference in Monaco, ever.
Jake: Well, I can't -- well, let's -- I know somebody that's going to know something about this. Let's go.

Tad: This is huge. So, Liza did one last good deed before she dumped you, huh?
Adam: She didn't leave me.
Tad: Ah, but she will. That is, of course, unless you bury that burning desire to get even with me. You've had your stinger plucked, my friend.
Adam: All this means is that you're damn lucky I'm a family man and don't want to lose my wife and child.
Tad: Ah. Well, that's where you're wrong again, see? She's not your child.
Adam: Colby will spend the bulk of her formative years living under my roof. She may carry Jake's name. And no matter what you do to try to convert her to the Martin cult, she's going to be my daughter in every real sense of the word.
Tad: Over my dead body.
Adam: Huh. Yeah.
Tad: Get out. Now. And next time, knock so I'll have the pleasure of slamming the door in your face.
Adam? Just between you and me, you were dying to give me a shot, weren't you? Who knows? Maybe I'll tell Liza you did anyway.

Adam: I'll hear you beg for mercy soon enough.

Tad: Whatever Adam does next is going to be big. You know that.
Dixie: Mm-hmm.
Tad: You ready for whatever he throws at us?
Dixie: I don't know. I just keep feeling like, you know, we're missing something.
Tad: Yeah, well, Liza made it painfully obvious that we'd only hurt her if we push things.
Dixie: What do you think it is that she's not telling us?

[Doorbell rings]

Tad: It can't be. Maybe I should go upstairs and get my shotgun.
Dixie: You don't own a shotgun.
Tad: So I'll go upstairs and get Junior's slingshot.
Jake: Hey.
Tad: Not to worry, honey. Cavalry's here.
Jake: How you doing?
Dixie: Hi.
Tad: Obviously better than you are. What's wrong?
Jake: Well -- well, I'm trying not to lose my mind. I don't want to jump to any conclusions, but Gillian just talked to a friend of hers at the Monaco department of tourism. This friend tells her that this World Television Conference you've heard of -- well, it's not happening. Never has been.
Tad: Is this a reliable source?
Gillian: Yeah. She knows everything that's going on in Monaco, and she's certain.
Jake: Liza's disappeared with Colby, and I have no idea where they are.
Dixie: Wait. Have you called Marian?
Gillian: No. She's not returning his calls.
Jake: Tad, you know her a lot better than I do. You work with her, you share things with her. You've got to know something. Where could they be?

Adam: What took you so long?
Barry: I ran two red lights and a stop sign to get here. What's so urgent?
Adam: Have you found Liza?
Barry: No.
Adam: I don't pay you for "no." My wife and child are missing. What are you doing to find them?
Barry: Everything I can, Adam.
Adam: I'm connected to the entire planet. How hard can it be?
Barry: My honest counsel?
Adam: Choose your words.
Barry: You once confided to me the reason you found Liza so intriguing was because she was as much like you as a woman could be.
Adam: I'm listening. Be blunt.
Barry: I'm sorry, Adam, but I'm afraid your wife is beating you at your own game.

Adrian: Hey. Still no luck?
Mateo: It's not like her, man. She should have -- you know, she should call at least, right?
Adrian: Yeah.
Ryan: I don't know if this helps, but I was just at WRCW and she said she was going to see Janet.
Mateo: Why? Well, I called the house, and she wasn't there.
Ryan: No, no. She mentioned she was going to see her at the warehouse, the old Enchantment warehouse.
Adrian: Wait a minute -- on Hillspoint Road?
Mateo: Why would she be there? I mean, the place is abandoned. There's nothing but squatters there.
Ryan: I have no idea. I offered to go with her. She said no, it was a family matter. I backed off. She said she was all right.
Mateo: And now she's not answering the phone? You got the place?
Adrian: I got you covered. Go ahead.
Mateo: Listen, if she calls, just get me at my cell phone, all right?
Adrian: You got it.
Ryan: I knew I should have insisted to go with her. I said that to her.
Adrian: No, I think you did just fine. I'm sure she'll be all right.
Ryan: I hope so.

[Hayley coughs]

[Hayley groans]

[Hayley groans]

Man: That's the guy!
Derek: Trevor. Go check the building.
Man: That's the guy I saw running out of here before. I saw the whole thing.

Tad: Jake, I swear. I'm sorry. I have -- I have no idea where she is.
Jake: She promised me she was going to tell me where she could be reached before she left. So, what, was she lying to me?
Dixie: Look, maybe she just needed to get away for a little while. I'm sure wherever she is, she's safe, Colby is safe.
Jake: Well, I guess we're going to have to assume that, aren't we? I mean, this isn't right. She left, she took off. I don't know where they are. She's got my daughter.
Dixie: Well, wait a second. I'm sure she didn't kidnap her, Jake.
Jake: Well, close enough, really.
Tad: He's right, you know. She should have called.
Gillian: You know, maybe she thought Adam would tap the line, come after her.
Jake: Well, so every time Liza's afraid of Adam, I'm going to lose my daughter? This has got to stop.
Tad: Jake, I don't want to choose sides here, but maybe you should take it easy on Liza. I mean, there's obviously something big happening between her and Adam.
Jake: How big?
Tad: I don't know. I have no idea. But if it got Colby out of that house and away from Adam, could it be all that bad?
Dixie: Adam told us Liza warned him not to go after Tad because if he does, Liza would just disappear, you know? He'd never see her again.
Jake: Like now. She's disappeared now. Where does that leave me?
Gillian: Jake, you know what? It's late and maybe there's a message at Myrtle's.
Tad: Why don't you go home, try to take it easy. I promise you we'll figure something out.
Jake: If you hear anything --
Tad: I'll call.
Jake: Anything, please.
Tad: I give you my word.
Gillian: Ok. Bye.

Dixie: See you later.
Jake: Bye.

Gillian: Jake, I'm so sorry.
Jake: We're going to be together. Are you ready for a family? I mean, you know, are you ready for family problems?
Gillian: What do you mean?
Jake: I meant what I said. I'm going to draw the line. People are going to go crazy around me, and I can't do anything about it. What can I do? I can't predict the future. Yet Colby's welfare and my relationship with her are -- are at stake. So what can I do? Well, I can sue for custody. And I want my wife with me if I do.
Gillian: You want -- you want to sue Liza? Adam?
Jake: I don't care about -- I could give a damn about him. Honey, all I care about is -- is you and Colby. All I care about is the three of us together as a family. And I will fight anyone to make that happen.
Jake: Let's go.

Adam: I don't care how similar Liza's tactics are to mine. I don't lose. I want her found, I want her brought back here, and I want to bring the entire martin clan to its knees. There's no room for failure.
Barry: Have you ever known me to fail you, Adam?
Adam: Go to the gatehouse. Bring Stuart up here on any pretense you need. Marian can lie like breathing, but not my brother.
Barry: Oh, wait a minute. Aren't you forgetting the --
Adam: Oh, well. So he pretended to be someone else for a while.
Barry: Like you.
Adam: Be that as it may, he's still the same honest person he's always been. If he knows where Liza is -- and I'm sure he does -- he'll have to tell me.

Janet: God. Oh, God, I'm so sorry.
Janet: Where are you, Trevor? Please, please, bring him home safe.

Man: I'm telling you, this is the guy I saw running out of the warehouse.
Trevor: What do you mean -- what do you -- take the drunk to the tank and dry him out, Derek. Wait a second. I know you. William Taylor. Billy "Blue" Taylor. We arrested him for money laundering. Now it looks like he needs money to do his laundry, Derek.
Billy: Hey, that doesn't change me seeing you running out of that burning building.
Trevor: Hey, I was driving by in my car. I saw the fire. I went in there to see if anybody was all right.
Officer: Lieutenant, we got a dead body in there, female. Her head's caved in. Somebody whacked her good.
Billy: Is that how you helped?
Derek: How is it in there?
Officer: It's out of control. Forensics won't get anything until we put it out.
Derek: Trevor, you see anybody inside?
Trevor: She was already dead, Derek, and she looked a hell of a lot like that con that busted out of Statesville, that Sophie what's-her-name.
Derek: Malinowski, Trevor. Malinowski was Janet's ex-cellmate. What's with the crowbar?
Derek: A woman's head was crushed, Trevor. Did Janet do this?
Trevor: No, Derek, I did.
Derek: What?
Trevor: I whacked the Malinowski broad, Derek.
Derek: You stay here. You go around front. Fire unit ought to be on its way. I'm going to get a car for you, and I want a statement from you downtown. Come here. Now, we got to get this right, Trevor. I want the truth. The truth.

Officer: Whoa, where you going?
Mateo: Hayley Vaughan. Was she in there?
Officer: No, calm down. That's not her. We already ID'd the victim. It's an escaped prisoner. Now, step back.
Mateo: Are you sure there's nobody else in there?
Officer: The place is empty.
Mateo: Her car's in the parking lot. Let me just check it out.

Mateo: Hayley?
Hayley?
Hayley?