Rain: Shh.
Did you hear something?
Bianca: Yeah, my stomach
growling "feed me."
Rain: Are you sure it's cool
to be doing this?
Bianca: Coral's,
like, the best cook.
She makes chicken wings
you won't believe.
Rain: What if your mom wakes
up?
Bianca: It's not going
to happen, Rain.
She sleeps with, like,
an eyeshade and earplugs.
It's catching beauty Zs
the Erica Kane way.
Rain: Well, if she finds out
I'm crashing here, you know,
she'll have a meltdown.
Bianca: I promise you,
Rain, my mom is so wrapped up
in her so-called life,
she'll never know you're here.
Rain: You're taking a real
risk for me, Bianca.
I mean, I'd be out on
the highway hitching,
freezing my tushy off if it
wasn't for you.
Bianca: Rain, Rain,
I'm glad you're here.
I want you here, ok?
Come on.
Erica: That girl.
Under my roof?
Under my nose?
Bianca, how could you do that?
Hayley: Here we are.
Home sweet home.
Come on in.
Set your carcass down
for a while.
Man: This is your place?
Hayley: Mm-hmm.
What's the matter?
Don't you like it?
Man: No, it's -- it's real
nice.
Hayley: Mm-hmm.
Oh, what, you can't feature
a broad like me in a classy dump
like this?
Man: When you picked me up
down at the docks --
Hayley: What, you thought
I was a hooker?
No, Sweetie.
I don't have anything against
the working girl, but you don't
have to pay for my favors.
Everything here is on the house.
This place actually used
to belong to my kid, my little
girl Hayley.
She was always real fond
of these ferny things.
Man: She doesn't live
here now?
Hayley: Uh-uh.
She moved on, so I'm moving in.
I'm going to redecorate
the whole place in leopard
and black leather.
Hang some of those really
pretty, sparkly beads
in the doorways.
It'll be real, real pretty
when I get done with it.
Hayley: Everything goes
except for this.
This stays,
in memory of my little girl.
Man: Oh, jeez.
She passed on?
Hayley: Yep.
Just like the song says,
"Only the good die young."
Except Hayley --
well, Hayley was not a good
girl.
She needed to be punished.
You know,
unfortunately, it hurt her more
than it hurt me, if you know
what I mean.
Enough with the chitchat.
Why don't we
have a little Drink,
a toast to my daughter's timely
demise?
Man: If you don't mind me
getting personal --
Hayley: No, that's what
I'm counting on, Sugar.
Man: What happened
to your kid?
Hayley: Well, I killed her.
Man: No, come on, really.
Hayley: I killed her.
Oh, don't -- don't look at me
like that.
I mean, it wasn't like I did it
on purpose.
It was strictly self-defense.
It was her or me.
And I won.
[Cork pops]
Hayley: Whoo!
Adam: Damn it.
Liza: You weren't able to get
a hold of Derek?
Adam: He was in my face all
night and now he's unreachable.
Mateo: I just talked to him.
Adam: Has he found Hayley?
Mateo: No, no, he put out
an APB on Arlene and Hayley
and he's got all the men he can
spare working on the case.
Liza: I don't understand
what's happening.
Why would Arlene shoot Vanessa?
Mateo: Yeah, well, we don't
know that's what happened
for sure.
Liza: Well, who else would
have done it?
Adam: We won't know anything
for sure until Vanessa regains
consciousness.
Mateo: She's still out?
Liza: They've just taken
her into surgery.
They don't know that she's going
to make it.
Palmer's upstairs in the waiting
room.
Adam: She's going to make it
and she's going to tell us what
Arlene did with Hayley.
Mateo: Well, Hayley's gone.
But I'm not sure she was
kidnapped.
Leo: David --
our mother has one chance
at survival.
You're it.
You have to operate.
David: No, Leo.
I can't be the one to operate
on our mother.
Leo: You want her to die,
that's why.
If she does, I swear to God,
I will come after you!
Jake: Leo, Leo.
Leo: I will kill
you with my bare hands!
Leo: David, I don't give
a damn what Vanessa's done
to you or to me.
None of it matters now.
She's our mother.
She gave us life.
You cannot let her die, please.
Dixie: Leo, let him go.
Leo: No! No!
Promise me, David, please.
Joe: Son, you're not going
to accomplish anything this way.
Leo: Save her.
Please.
Save her.
Promise me.
Joe: David, won't
you reconsider your decision not
to operate on Vanessa?
Jake: David, Heinemann is
willing to perform this
procedure, but this surgery is
your area of expertise, it's not
his.
Joe: And you took an oath
when you became a surgeon.
David: That's right,
Joe, that's right, I took
an oath --
"first do no harm."
Dixie: Can we talk
in private?
Jake: Dixie, I don't think
that's such a good idea.
Dixie: Wasn't asking you,
Jake.
Joe: All right.
Jake, Jake -- let it go.
Jake: Dad, she has
no business being alone
with Hayward.
Joe: Well, she might be able
to get through to him, get him
to change his mind about
performing the surgery.
Jake: How?
How's she going to do it, Dad?
How, by using her influence?
Do you know where they were when
I tried to contact the two
of them?
They were at the Sleepy Hollow
Inn.
Doesn't take much of
an imagination to figure out
what was going on there.
Joe: We can't get into that
now, Jake.
We just can't.
Jake: Dad, Dad, Dixie's Tad's
wife.
We owe him that respect.
Joe: Look, Jake, you can't
fight Tad's fight. If he wants to preserve
his marriage, he's going to have
to do it himself, he's going
to have to do it in his own way.
Please, you stay out of it.
Dixie: I don't understand.
Why won't you operate
on Vanessa?
David: It's not that I won't,
Dixie.
I can't.
Dixie: Why?
What's stopping you?
David: My father's finger
on the trigger of the gun when
Vanessa goaded him into killing
himself.
My scalpel slicing through
Vanessa's heart.
Palmer's right.
I hate my mother too much
to want to save her.
Dixie: I don't believe that.
David: I'm dedicated
to saving lives, but I have this
fear that when they roll
my mother into that OR and
I see her and I start to operate
that all these -- these
feelings, these memories will
come back and they'll guide
my hands.
And all this pain that's been
stored up, these wounds --
they'll be reopened again
with every slice that I make.
Because she shattered my life
when I was too young to defend
myself.
That boy and I have never
forgiven her.
And he's going to be there,
Dixie, right there at my side
at that operating table,
begging me to even the score,
for us,
for my father.
I mean, this is the chance that
we've been waiting for.
But, Dixie, god help me,
I can't take that chance.
Adam: Wait a minute,
Mateo, wait a minute.
For months now you've been
making a case for Arlene coming
back and taking revenge
on Hayley, and now that
she's succeeded, you've decided
she's not the culprit?
Mateo: Listen, I -- I don't
have the answers.
I have no clue where my wife is,
if she's with Arlene,
or if Arlene's even back
in town.
Liza: Vanessa saw her.
She said her name.
Adam: And what about all
the calling cards Arlene left?
Your trashed apartment,
the broken doll?
Mateo: Don't you think that
Arlene left a lot of clues?
Too many?
Liza: What do you mean?
Mateo: Just thinking out loud
here, all right?
Now, how did Arlene get Hayley
off that boat?
How did she do it without
anybody seeing her?
There was cops all over
the place, right?
And we know Hayley.
She would have screamed,
she would have yelled, she would
have fought like hell to get
free.
Adam: Not if Arlene had a gun
to her head.
Mateo: Whoa, Arlene wants
Hayley to confess.
Why would she want to kidnap
her?
Liza: Maybe she was going
to make her sign a confession
and give it to the police.
Mateo: The police were
on the boat.
They were right there.
And we know Arlene, all right?
She likes to make a scene.
The bigger, the more public,
the better.
And now l of a sudden she's
slipping in and out of places
without anybody seeing her?
She's keeping a low profile?
It doesn't make sense.
Liza: Vanessa has
the answers.
When she comes to, she can tell
us what she witnessed.
Adam: I'm going to go check
on her condition.
[Telephone rings]
Mateo: That's probably Derek.
Liza: Oh, you know,
you probably shouldn't take that
in here because of the ER.
Mateo: Oh, right, right. Ok.
Mateo: Hey, hold on one second.
Hello?
Tina: Mateo, it's Tina.
Mateo: Hey. What's up?
Tina: I just got home
from work and I heard some
noises coming from your place.
I know you and Hayley are
staying at Adam's, so I think
someone must have broken
in again.
I'm afraid to check it out
myself.
Mateo: Yeah, just sit tight
and lock your door,
and I'm on my way, ok?
Man: That stuff about
you offing your kid -- you were
just pulling my leg, right?
Hey, that's you.
Hayley: No, this is my little
girl and her husband
on their wedding day.
Man: Man, she could be
your twin.
Hayley: We're nothing alike.
We're worlds apart.
Man: Sure do look alike.
Hayley: I told you,
we're nothing alike.
Hayley's had everything.
Had a great life,
great job,
great husband all wrapped up
in a pretty pink ribbon.
And what have I got?
Life has given me the shaft.
Man: So you've had a few bad
breaks.
Hayley: Is that what you call
it when your kid puts her hands
around your throat and tries
to choke the life out of you?
She would have gotten away
with it, too.
The guilt started eating
her alive.
Eating her alive, just like
the sharks were supposed to eat
me alive.
I tell you what --
now I have Hayley's life
and she has the life that she
deserves.
Man: Look,
it's been fun, but I got to get
back to the ship.
You take care, ok?
Mateo's voice: In the name
of God, I, Mateo, take you,
Hayley, to be my wife,
to have and to hold
from this day forward,
for better, for worse,
for richer, for poorer,
in sickness and in health,
to love and to cherish
till death do us part.
This is my solemn vow.
Hayley: Please
help me, Mateo.
Bianca: We can eat in my room
and watch a DVD.
Rain: Oh, cool.
Bianca: And then we can paint
our toenails.
I have this wicked new polish.
Erica: Bianca,
tell your friend to collect
her things and leave.
Bianca: Ok, she will --
in the morning.
Erica: No, now.
Bianca: Mom, it's practically
the middle of the night.
She needs a place to crash.
It's just for one night.
Rain: Bianca, it's ok.
It's your mom's house.
Bianca: No, it's my house,
too, and I want you to stay.
Rain: Look, it's not worth
getting in a hassle.
Bianca: Rain, where you going
to go?
It's freezing outside.
You can't sleep on the street.
Rain: I'll go back
to the shelter.
Bianca: But you hate it
there.
Rain: Ok, I can maintain,
ok, really.
Bianca: Look, Mom,
I'm sorry for sneaking Rain
in the house, but she had
nowhere to go.
She --
her stuff was stolen
at the shelter and it's freezing
outside.
Erica: I told you never to go
near that girl again.
Bianca: No, you ordered me.
Erica: Yes, I ordered
you and you disobeyed.
Bianca, Rain is a terrible
influence on you.
She has you skipping school
and staying out all night
and begging in the streets
and -- and God knows what else.
Bianca: Mom,
what if it were me out
on the street?
Wouldn't you want someone
to take me in and reach out
to me and help me out?
Why can't we do that for Rain?
Erica: I have no desire
to reach out to Rain,
and I don't want you reaching
out to Rain.
And I don't want Rain under
my roof, and I certainly don't
want her sleeping in your bed!
Bianca: Oh, my God.
You think I'm sleeping
with Rain.
Leo: People think my mother's
a barracuda, but that's only
partly true.
She's also very naive.
She has a bad habit of getting
mixed up with the wrong people.
Laura: Like Arlene Vaughan?
Leo: Arlene, Paolo.
The list goes back to when I was
a kid and I thought she hung
the moon.
Do you know that I spent
my 10th birthday bailing her out
of a Parisian jail?
Laura: What happened?
Leo: A friend of a friend
told my mom that she could get
a better exchange on
her American currency,
and she was between lovers
at the time, so we were broke.
As luck would have it,
the French francs turned out
to be counterfeit.
Laura: Well, if you were
broke, how'd you post bail?
Leo: I'd like to think that
the desk sergeant felt sorry
for me, but it's more likely
my mother made a private
arrangement to pay for
her freedom.
After hours, of course.
Laura: Oh.
Leo: Every year she messed up
again was the year that I was
going to walk away.
But I always came back
to hold her hand and dry
her tears and tell her
everything was going to be
brighter tomorrow.
Until she let me take the rap
for murder,
let me sit in that jail cell.
That's when I crossed her off
my list.
I threw her out of my life.
Good riddance.
Laura: But you're here
because you love her
and you need her like you did
when you were 10 years old.
I know, Leo, because I've been
there.
Leo: I don't want to lose
my mother, Laura.
But there's nothing that I can
do to save her.
Only David can do that,
and he doesn't give a damn.
Adam: Here's Palmer.
Maybe Vanessa's awake.
Liza: No, no, he looks like
he's upset.
Adam: Palmer, is Vanessa
conscious?
Palmer: No, and just leave me
alone.
Palmer: Joe?
Why haven't you found someone
to help Heinemann do
the operation?
Joe: We're working on it,
Palmer.
Palmer: Vanessa is dying,
for heaven's sakes.
Why don't you -- what are
you waiting for?
Joe: David Hayward is
the only man we have who's
qualified to perform
the surgery.
Far, he refuses to cooperate.
Dixie: Look, I --
I understand how you feel about
Vanessa, ok, and I know why
you're afraid -- I do --
but you can't let your feelings
stop you from doing what
you know is right.
David: I'm just not as sure
about this as you are, Dixie.
Dixie: Look, you have never
let the character or
the morality of your patients
stop you in the past.
Because it's life.
Every life is sacred, and that's
your job -- to preserve life
the way you preserved mine.
David: Yeah, but
the difference is, Dixie,
I love you.
Dixie: And you love
your mother.
David: No. No.
Dixie: You may not know it,
but you do.
Please, use your gift
to save her.
I believe in you, David.
I believe in you with all
my heart.
Tad: Hello?
Jake: Tad, it's me.
Tad: Jake?
What's up?
Jake: Just hold on a second.
Palmer: David?
Joe tells me that you still
refuse to operate
on your mother.
If it's because of my indictment
earlier,
I apologize.
Joe says you're my only hope, so
would you please
save my -- my wife?
David: I won't promise
anything.
But I'll do what I can.
Jake: Listen, I hate to ask
you to cut the ski trip short
with the boys, but you have
to come back to Pine Valley
ASAP.
Tad: Why?
What's the emergency?
Jake: It's Dixie.
She needs you.
Dixie: I was so lonely.
How you doing?
Adam: So the great God
David Hayward is condescending
to operate on his mother.
Where's Mateo?
Liza: Oh, he went to take
a phone call.
He never came back.
Tina: Look.
Someone did break in.
Mateo: Stay here.
Tina: Mateo?
Mateo: This held our wedding
photo.
It's missing.
What the hell happened
to the picture?
Tina: This jacket --
it's so tacky.
It must be Arlene's.
It's like she lives to terrorize
Hayley.
Thank God Hayley's at her dad's
house.
Mateo, she is safe, isn't she?
Mateo: She disappeared
tonight.
Tina: What happened?
Mateo: The theory is that
she was kidnapped.
I don't --
Tina: You're not sure?
Mateo: Arlene sent us all
notes.
She invited us to Ryan's yacht,
a whole bunch of --
look, a lot happened.
Vanessa Cortlandt was shot.
She --
Hayley vanished. She's gone.
Tina: But why would Arlene
kidnap her own daughter?
Mateo: She --
she has her reasons.
Mateo: It's Hayley's perfume.
Tina: Are you sure?
Mateo: Yeah, I gave it
to her for Christmas.
Huh.
Tina: What?
Mateo: Look at this.
Tina: Oh, my God.
Mateo: Hayley's rings.
She would never take these
things off, not willingly.
Tina: There's something
written on the back.
Mateo: "The guilty cannot
love.
The guilty cannot exist."
Tina: It's just more Arlene
madness.
Mateo: No, this isn't
her handwriting.
Hayley wrote this.
Leo: Hey, Dr. Jake, how long
before we hear anything?
Jake: Well, the surgery could
take several hours, Leo.
Leo: Several hours?
God, I'm going to crawl out
of my skin.
Laura: Hey, hey, we didn't
get dinner in New York.
Maybe we should hit
the cafeteria for the dinner --
Leo: I can't eat,
I can't eat.
Laura: Well, a bowl of soup?
Make you feel better, I promise.
Leo: All right.
Greenlee: Hey, I'm going
home.
Will you tell Leo that --
actually,
never mind.
Palmer: I should run home
and get some of Vanessa's
things.
You know how she hates to be
seen without her makeup.
Dixie: Look, I'll go
to the Valley Inn and I'll pack
a bag.
Don't you worry about
Vanessa, ok?
David's going to take very good
care of her.
Palmer: You promise me that,
Dixie?
This woman's a match for me.
I don't want to lose her.
Dixie: Excuse me a minute?
Palmer: Mm-hmm.
Dixie: Yeah? Ok.
Jake?
Jake?
Hey.
Jake: Listen, I got work
to do.
Dixie: Come on.
You know why you're avoiding me.
It's because I came here
with David.
Jake: Well, Dix, I'm sorry
to interrupt your cozy country
retreat.
Dixie: Look, I know how hard
this must be for you and Joe.
I do.
But I know how much you love
Tad.
It's --
Jake: You know, this just
isn't about our feelings
for Tad, Dix.
You're part of our family.
We thought you were.
You loved Tad.
You turned his whole life
around.
Now you're with David?
Did you sleep with this guy?
I mean, you run off to Sleepy
Country Cottages with him?
What the hell's happened to you,
Dix?
Liza: I'd love to know
the answer to that one.
Mateo: You know,
when someone's missing, I heard
every second counts, so why
don't you guys go out there
and look for her because
everything's fine here.
And to tell you the truth,
I'm a little freaked out.
I just need a few minutes
to myself.
If you want to come back
in the morning, you can have
the run of the place.
Officer: It's your call.
We'll be back first light.
Mateo: Ok.
Officer: Good night.
Mateo: Good night.
Mateo: Uh --
I think I need some time
to think about some stuff, ok?
Tina: Ok.
I understand.
Just call me if you need me, ok?
Mateo: Thank you.
Tina: Ok.
Mateo: "The guilty cannot
love.
The guilty cannot exist."
What the hell does that mean?
If she was kidnapped,
she wouldn't leave that
for a clue from it.
Mateo: You put your rings
in Arlene's coat?
What the hell does that mean?
And your wedding ring.
I got to figure this out.
Bianca: I am so sorry, Rain.
Rain: It's not your fault.
Bianca: Am I going to see
you again?
Rain: Swing by the community
center.
Bianca: Take care, ok?
Rain: And you, too.
Ok.
Bianca: Thanks.
Bianca: Mom, just
so you know, Rain and I did not
sleep together.
She needed a warm place to stay.
Erica: Well, she's gone now.
It's late.
Just go back to bed.
Bianca: I would never
disrespect you by sneaking
a date into my bedroom.
Erica: Well, that's exactly
what you did do.
Bianca: Rain is my friend.
Erica: Rain is
a troublemaker.
Bianca, do you do these things
on purpose just to punish me?
Bianca: No.
Of course not.
Erica: Well, I don't know how
much more I can take.
Bianca: Mom, what did I do
that's so bad?
Erica: You ignore me.
You disregard my wishes.
You just do whatever you want
to do and my feelings be damned.
Bianca: That is not true
I care what you think.
Erica: Is that why you do
everything in your power
to hurt me?
When all I want to do is
love you?
It's as if you're looking
for trouble just to rub my face
in it.
Bianca: I'm not looking
for trouble.
I'm looking for someone who
won't judge me.
Erica: You turned to Rain,
but you refuse to turn to me.
Bianca: I wish I could turn
to you, Mom.
I hate to see you so unhappy.
Bianca: You know,
I miss you as much as
you miss me.
Erica: Don't do this.
Don't do this. No.
I won't do this.
Falling apart is not an option.
I won't do that.
Erica: If Bianca
can't be strong,
I'll be strong for her.
Erica: I know exactly what
to do.
[Pager beeps]
Jake: Well, I got to go.
I hate to see you lose what
you had with Tad.
Liza: Me, too.
Dixie: Liza, my private life
is not up for grabs.
Liza: That's not what I hear.
In fact, I hear you're cheating
on Tad.
Which means you can't sit
in judgment of me anymore.
Dixie: Go away.
Liza: You know, all these
years you've been calling me
a whore and a home-wrecker.
Think it's time I should be
allowed to throw a few stones.
Dixie: Your opinion means
nothing to me.
Liza: Well, neither does
your husband's, obviously.
You know, Tad is my friend.
I care about him.
When you shared with me that
you kissed David, I thought,
"sure, everybody's allowed
to make a few mistakes."
But now what?
What is this, a full-blown
affair?
Dixie: You don't know
anything about it.
Liza: Are you getting
a divorce?
Dixie: I don't know what's
going to happen.
Liza: Well, I hope you work
it out.
It's simpler that way.
Dixie: You know,
Tad and I have a lot
of problems, starting
with the fact that he slept
with you.
Liza: What, did it take
you 45 seconds to jump back up
on that pedestal?
Dixie you know, I don't need
your advice, Liza, or
your sarcasm.
You were always coming
in between me and Tad.
Liza: Wait a minute.
Let me understand this.
You trash your wedding vows, all of a sudden
it's my fault?
Funny -- I don't recall pushing
you into David's bed.
Adam: Liza,
Marian just called.
Colby's awake.
She's crying for you.
Liza: I was just leaving.
Adam: I have to wait for word
on Vanessa.
I'll walk you to the car.
Liza: Thank you.
Bud: Yo, Arlene.
Hayley: Hey there, buddy boy.
Did you miss your girl?
Bud: Like crazy.
Hayley: I missed you, too.
Bud: Really?
How much?
Hayley: This much.
And there's plenty more where
that came from.
Bud: Yeah, well, you keep
saying that, but, you know,
you don't make good.
Hayley: Well, I had some
stuff to take care of.
You know, I had to take care
of my daughter.
Bud: Oh, yeah?
Hayley: Mm-hmm.
Bud: Well, how'd that go?
Hayley: I got her to see
things my way.
Now I can focus all my attention
on you.
Bud: Hmm, hmm.
Hayley: Here. Let's party.
Bud: Ooh.
You like champagne, huh?
Hayley: Hmm.
Bud: Oh.
That goes down nice and smooth.
Come on, Sweet Cheeks, you said
you were ready to party.
Hayley: You're right, Babe.
Let's get wet and wild.
Bud: Oh! Oh!
Oh, God!
Mateo: This isn't Hayley's.
What the hell's Arlene's stuff
doing here?
Mateo: Hayley's perfume,
Arlene's jacket.
She's been keeping her stuff
here so she could wear it.
Erica: Rain.
Rain: Ms. Kane.
What are you doing here?
Rain: What's this?
Funny money.
Erica: It's $10,000.
You take this and you leave town
tonight and don't ever contact
my daughter again.
Rain: Hold on.
Erica: Take it.
And not another word.
If you don't take this and leave
tonight, I swear to you,
I promise you, you will be very
sorry.
Palmer: Joe. Joe.
What is taking so long?
Joe: Just try and be patient,
Palmer.
We should be hearing something
shortly.
Laura: Can I bring
you something else, Leo?
Leo: A stomach pump.
Was that soup or brake fluid?
Laura: We can play the candy
machine.
Leo: Nah, I'm ok, thank you.
Laura: Who you looking for?
Leo: Greenlee.
I wanted to apologize about
giving her a hard time earlier
when she called about Vanessa.
Thought she was scamming me
again.
Laura: Well, it looks like
she left.
You can call her later.
Leo: I guess.
Palmer: Well, David.
How is she?
David: I was able to remove
the bullet and repair
the damaged aorta.
Leo: She going to be
all right?
David: It's too soon to make
that call.
The next 48 hours are going
to be critical.
Palmer: I want to see her.
Adam: So do I.
Joe: Family only.
Everyone else is going to have
to wait until she's stronger.
Palmer, Leo, come with me.
I'll walk you to recovery.
Laura: Go on, Leo.
I'll catch up with you later.
Leo: Ok.
Thank you.
Dixie: I knew you could
do it.
David: I could only do it
because of you, Dixie.
I couldn't have made it through
this night without you.
Joe: I'll leave you alone.
Just don't stay too long.
Palmer: Vanessa?
It's Palmer.
Leo: You think she can
hear us?
Adam: She can hear you,
all right.
Vanessa, listen to me --
where is Arlene and what has
she done with Hayley?
Bud: You know, the next time
you give me a bubble bath,
don't forget the tub.
Bartender, let me settle my tab.
Hayley: Hey, what's
your rush?
Bud: Well,
since you're not going to drink
with me,
I thought maybe we could
take this party out to the back
of my van.
After we get through
rocking-and-rolling, we could
head to Sea City.
I'll blow my paycheck
at the craps tables.
Who knows -- maybe we'll get one
of those heart-shaped beds.
Hayley: Well, sounds like
a blast, but I can't get away
tonight.
Bud: Why not?
Hayley: Because I just can't,
that's why.
Bud: You know something,
Arlene?
You're a great-looking chick,
but you're all tease and talk.
I'm out of here.
ON THE NEXT - - - ALL MY CHILDREN
Dixie: I'm sorry you had
to find out like this.
Tad: What exactly
am I finding out?
Bianca: You did something
tonight to Rain, didn't you?
Mateo: I really need to see
Hayley.
You know where I can find her?