Leo: Can I come in?
Greenlee: Um, now is not
a good time.
Leo: My heavy coat --
I forgot it here.
Greenlee: Leo, please,
can't you come back later?
Leo: I could, but I'm here
already.
What's with the parole board
outfit, Greenlee?
Greenlee: I have a meeting.
Get your coat.
Leo: All right, I'm going.
Greenlee: Did you find it?
Leo: These are mine, too.
Greenlee: Fine. Good-bye.
Leo: What is it, your legal
problems?
Is this about your meeting,
what?
Greenlee: No, it's not.
Can you go now?
Leo: Oh, I forgot the --
Greenlee: Leo, come on.
Get out of here.
Leo: What's the matter
with you?
Greenlee: Nothing.
I just don't want you here,
all right?
Leo: All right.
All right.
Leo: Greenlee, what's
going on?
Adam: Stuart, that's --
that's absurd.
You don't know what you're
talking about.
Stuart: Well, yes, I do.
Arlene is back in Pine alley.
I wanted you to be the first one
to know because when we talked
to her over at the motel we were
both so excited because
we thought we had both felt that
she was kind of -- kind of close
by, kind of -- you know,
just in spirit, maybe.
But she was here the whole time.
She was back from Amsterdam all
along.
Marian: Stuart, did you see
Arlene?
Stuart: Oh, no.
But Naomi did.
Adam: Who is Naomi?
Stuart: Oh, Naomi.
She's my new part-time girl --
part-time lady --
employee.
Adam: Stuart.
Stuart: She works for me
at the gallery, and she told me
this lady came in and,
well, she sure sounded a lot
like Arlene to me.
You know, very pretty face
and long blond hair and tight
clothes and very strong perfume.
Adam: What is so unique about
that?
Stuart: Well, it wasn't.
It was Arlene.
Marian: Stuart, did the woman
say anything?
Stuart: Well, no, not much.
But she said enough.
When Naomi asked if she could
help her, she said,
"Sweetie, I'm fine."
Liza: "Sweetie"?
Stuart: And then she left.
Junior: Does this mean that
the wedding's going to be
canceled?
Liza: I should speak
to the judge and apologize.
Adam: Yes, thank him for me.
Hayley: Stuart is right.
Mateo: We don't know that.
Hayley: No, no, no -- about
what I said to him at
the Pine Cone.
It was as if my mother was
there.
The smell of her perfume was
so fresh and strong, it was like
she'd just left the room.
So what if -- what if he's
right?
What if she's back from --
Mateo: Honey, she was never
in Amsterdam.
Hayley: I wasn't going to say
Amsterdam.
Mateo: Let's go sit down
for a little bit, ok?
Hayley: No, no.
You don't understand.
No, I can't stay here!
Mateo: Where are you going?
Hayley: If my mother is
alive, that means I didn't kill
her, and that means I have
to find her.
Tad: Where the hell is
my ring?
I'm sure I was standing right
here and put it --
Dixie?
Baby, have you seen my ring?
Dixie?
Dixie, are you down there?
Tad: Now I've lost my wedding
ring and my wife.
[Leslie hums "Bridal March"]
David: Dixie.
Dixie: Oh, you scared me.
David.
David: What are you doing
here?
Dixie: I'm going to see
Leslie Coulson.
David: Here?
Dixie: Yes, yes.
I have a few things that I have
to say to her, and she is
in there.
David: Wait a minute.
What is this about?
Dixie: Tad told me what
happened.
David: About what?
Dixie: Leslie apparently has
been after him, and he has tried
to stop it, but she won't listen
to him.
She keeps calling.
She called when we were in bed
together last night.
She's, like, totally out
of control and I won't put up
with it, so she's just going
to have to deal with me, ok?
David: Dixie,
don't.
David: Have you given this
any thought?
Do you know what you're doing?
Dixie: I know exactly what
I'm doing.
David: Does Tad know that
you're here?
Dixie: No.
David: Well, what do
you think he would say
if he found out that you came?
Dixie: It doesn't matter, ok?
This is my marriage.
She can't call me when I'm
in bed with my husband.
David: Dixie, take a deep
breath.
It's obvious that you rushed
over here to confront Leslie
without knowing all the facts.
Dixie: I know plenty, ok?
I have a few things I have
to say to her, and she is just
going to have to listen to me.
David: Dixie, I'm worried
about you.
Dixie: Why?
I can certainly face Leslie.
David: It's what you're not
facing that concerns me.
[Telephone rings]
Tad: Yeah, hello?
Leslie: Did you sic Dixie
on me?
Tad: Leslie, what are
you talking about?
Leslie: Well, she's outside
of my room at the Valley Inn.
She's having a big argument
with somebody.
I don't know what's going on,
but it sounds like she's looking
for trouble.
Mateo: Come on.
Where are you going to go?
Hayley: I'm going to get
in the car and I'm going
to drive to the Pine Cone.
And if she's not there,
I'm going to drive around some
more and look around, and I'll
talk to that woman at
the gallery and get some more
information.
Mateo: Hayley, come on.
It can't be true.
Hayley: Why? Why?
I mean, what if it is true?
What if my prayers have been
answered?
My God.
I mean, if Uncle Stuart is right
and she's not --
Junior: Why is everyone
making such a big deal about
Arlene coming back to town?
Mateo: She's -- she's not.
We don't know if she is yet.
Junior: But Dad and Liza
postponed the wedding.
Hayley: Well,
that's because --
you know, we all got to talking
about the possibility of Arlene
being back in town, and that
judge had to go.
I mean, he was in a hurry.
You heard him say that, right?
So anyway, it's not the first
time he's had to go, right?
Junior: I guess.
I mean, Dad and Liza have to get
married one of these days,
right?
Hayley: Oh, of course.
Junior: Hayley, I'm sorry.
I know she's your mom and all.
But everyone was happy that
Arlene went to Europe, you know?
Hayley: Well, I don't want
you to worry about that,
Junior, because if Arlene is
back for good this time,
things are going to be
different.
She's -- we're just going
to forget about the past
and start all over -- you know,
a whole new, fresh start,
a new beginning.
Liza: Are you ok?
Junior: Yeah. Sure.
Liza: I know that we're not
having the wedding, but we can
still have the cake.
We can cut the cake, we can give
some to Colby, and it might be
a nice story for when
you grow up.
Junior: I have a lot of those
already, thanks.
Liza: Well, we'll have
the wedding.
Promise.
Junior: I'll go check
on Colby.
Adam: You sent the judge
away?
Liza: I made my apologies.
Adam: I'm sorry.
Liza: No, we can't have
the wedding today.
Adam: No, not today.
Liza: No.
Every time we try, every time --
something like this happens,
something to do with Arlene.
Now this.
Adam: You can't actually
believe Stuart is right.
Liza: You know what?
I don't know what to believe.
I really don't.
I've been afraid that Arlene's
body was going to wash up
onto shore and everything that
you did was going to come
to light, but if she's alive --
well, she's going to want
everybody to know everything
that happened.
She's going to want to see
you and Hayley behind bars.
You can't actually believe this
experience has made Arlene
a better person.
Adam: Well, we can't really
discuss this, not with Stuart
and Junior in the house.
Liza: No, I understand that.
So maybe you should send them
home because I don't think I can
be quiet.
I mean, what's going to happen?
Alive or dead, how are we ever
going to rid ourselves
of Arlene?
Marian: Stuart, a lot
of women, you know, wear cheap
perfume and tight skirts.
And some of them even have blond
hair and call people Sweetie.
Stuart: But all at once?
What are the chances?
It'd be freaky if it wasn't
Arlene.
Marian: Stuart, Arlene is
in Europe.
Stuart: Well, I know,
but there must be six to a half
dozen flights a day coming
from Amsterdam.
Why should Arlene stay away just
because she said she would?
Marian: Well, because
the police are looking for her.
I mean, she would be a fool
to come back here to
Pine Valley.
Stuart: That's it.
She's coming back to return
the stolen necklace.
Marian: Oh, Stuart.
Come on.
Does that sound like Arlene
to you?
Adam: We -- we sent the judge
away.
I'm sure you understand.
Marian: Oh, of course,
of course.
Stuart: I don't.
Why aren't you getting married
today?
You're divorced, aren't you,
Adam?
You told me -- you came back
from Amsterdam with a signed
divorce agreement.
Stuart: Yes, yes, I did.
I came back from Amsterdam
with signed divorce papers.
We'll -- we'll be married
someday soon.
Junior: Colby's asleep.
Liza: Oh, Junior, thanks.
Would you mind taking Junior
home?
Stuart: No.
Marian: Oh, wouldn't you like
me to stay here with
you and Adam, and we could
figure out another date
for your wedding?
Liza: No.
Adam: The fewer people who
discuss the wedding, the better.
Do you understand?
Stuart: No.
I don't -- I don't understand,
but I think I'm going to leave
anyway because you people are
getting a little weird.
Liza, I'm really sorry
if I ruined your wedding.
I mean, if I thought talking
about Arlene would spook
everybody so much, I would have
waited till after.
Liza: Stuart, you didn't do
anything wrong.
Stuart: Ok, well --
yeah.
Here we go, Junior.
Adam: You, too.
Take Stuart to a movie
or something.
Stuart: Bye-bye, Hayley.
Are you sure you're ok?
Hayley: Oh, yeah.
Yes.
And thank you for the news about
Arlene.
Stuart: Yeah.
Well, you tell Arlene that --
well, if she needs anything,
anything at all, just to let me
know
Hayley: Ok.
Stuart: And tell her I'm
really sorry I missed
her at the gallery,
and if she should come back some
other time and I'm not there,
tell her to leave a number where
I can reach her.
Hayley: I will.
Stuart: And I'll tell Naomi
to be on the lookout
for her, ok?
Marian: Come on, Darling.
Come on, we'd better get going.
Stuart: Ok.
Marian: Oh, it's
freezing out.
Stuart: You should have
brought your coat, silly.
You left it in --
Mateo: What the hell are
you doing?
Adam: What are you talking
about?
Mateo: This reeks of you.
You setting up fake Arlene
sightings again?
Is that what you're doing?
Adam: Are you insane?
This is my wedding.
Mateo: Like that really
matters to you.
Adam: Back off, Mateo.
Liza: No, Adam didn't do
this.
Mateo: So what are
you saying?
It's true that Arlene was
in the gallery?
Adam: I'm saying Arlene
wasn't in the gallery
because Arlene is dead, and it
is preposterous and perhaps
cruel to consider anything else.
Mateo: Well, what's Stuart
talking about?
Adam: Stuart doesn't know
what happened at the yacht party
that night.
We do.
He doesn't know she died
by strangulation, and if that
didn't work --
Hayley: No, no, no --
Adam: She was frozen to death
in --
Hayley: Please, no!
Stop! Stop it!
Just stop it!
Please, stop!
Leo: Why are you so nervous,
Greenlee?
You expecting someone?
Greenlee: No.
Leo: Yes, you are.
Who is it?
Greenlee: No one.
You just don't live here
anymore.
You can't come by anytime
you want.
Now go, please.
Leo: Oh, I get it.
You have a date who's obviously
into plain Janes.
Greenlee: No.
What do you care anyway?
Leo: I don't.
But I'd better get going before
you threaten to jump out
the window.
Greenlee: Good.
[Knock on door]
Greenlee: Leo, wait,
wait, wait.
Go out the back door.
Leo: Why?
Greenlee: Just do it.
Leo: Are you kidding me?
Greenlee: Leo.
Leo, don't.
Leo, don't --
Leo: Who is that guy?
He looks familiar.
Greenlee: You don't know him.
Leo: He looks rich.
Greenlee: Come on, get out
of here.
[Knock]
Greenlee: It's not what
you think.
Leo: Do you think that I care
who you entertain in your own
home?
Greenlee: Well, then why
aren't you leaving?
Leo: I am leaving.
Have fun.
Greenlee: That way.
Greenlee: Hello.
Greenlee: I am so glad
you came.
Man: We don't have much time.
Greenlee: I know.
Man: Well, you're looking
more beautiful than ever.
But then you've always been
beautiful.
And thank God for that,
because if you didn't have
looks, I don't know what would
become of you.
Greenlee: How do you like
my new apartment?
Man: It's very cozy.
But if you don't mind, I'm not
up for the tour just now.
I don't appreciate being
summoned across the ocean
by your irate grandfather.
Greenlee: Granddaddy made
you come?
Man: Watch out, Greenlee.
The kindest, most patient of all
men is this close to washing
his hands of you.
Greenlee: I know he's angry,
but --
Man: What?
You'll wrap him around
your finger like you always do?
How long do you think you can
behave in this childish,
irresponsible manner
and continue to get away
with it?
Greenlee: This was different.
Man: Yes.
This was criminal behavior.
You pushed a young lady off
a yacht.
You almost killed her.
Greenlee: But it's not
my fault.
Man: No.
It never is, is it?
When you were a child,
your psychiatrist was certain
that you would outgrow these
cries for attention.
Obviously, you haven't.
Greenlee: I'm sorry.
I didn't mean to upset you.
Man: Well, you have.
Now, pack your bags.
I'm taking you back to Europe
with me.
Greenlee: No, Daddy, please.
Mateo: I'm sorry I went off
on your dad.
Hayley: Why can't it be
Arlene?
Why?
She knows how to swim.
Adam: This is a disaster.
Everything I've done since
Arlene's death has been
to protect Hayley.
Look at her.
Liza: I don't know why
we thought that lies would
do it.
You did everything you could
to conceal it from Hayley,
and Hayley found out that
she killed her mother.
And if Arlene isn't dead --
Adam: She is dead.
Of course she's dead.
What do we have here?
A description by somebody who
never met Arlene.
Liza: Stuart is convinced.
Adam: Stuart -- you heard
what he said.
He met her over at the motel.
He picked up on her sadness.
It was wishful thinking
on his part.
Liza: Before Stuart arrived,
I was feeling apprehensive.
Adam: I think the word is
"guilty."
Sweetheart, we were ready
to start a new life together.
We were happy.
I don't think it's entirely out
of character for you to feel
a pang of guilt over what we had
to do.
Believe me, I feel it, too.
Liza: I don't.
Adam: Well, I think about
Arlene all the time.
And I truly regret what
happened, but it did happen.
It's over.
And I promised you that Arlene
would never come between us
again.
And she won't.
She can't.
Not if we don't let her.
Liza: You're right.
Stuart was probably not sure
of what he was saying,
and he wanted Hayley to feel
better.
Adam: Yeah.
Liza: Yeah.
Adam: And we're going to be
married someday very soon.
Hayley will get over this.
What we have to do is hang
together as a family, and we'll
make it.
Winifred: Mr. Chandler,
I am so sorry, but something
awful happened in the kitchen.
Liza: What's wrong?
Winifred: I don't know who
or how this happened, but --
Hayley: Oh, my God.
The cake --
she smashed it, just like
at our wedding.
Liza: Arlene.
Tad: Where is she?
Where's Dixie?
Leslie, what have you done?
Leslie: Please let go of me.
I didn't do anything to Dixie.
After I got off the phone
with you, she wasn't out here.
She was gone.
Tad: What do you mean she was
gone?
I don't understand.
Leslie: Well, I don't either.
And frankly, I don't care.
I'm in the middle of a business
meeting.
Tad: In there?
Leslie: Yes, a very important
client.
Tad: At the Valley Inn?
What are you doing with a hotel
room?
Leslie: Well, I rented
my house, and the tenant needed
it right away, so I moved
in here until I leave
for Singapore.
Tad: You just got the job
this afternoon.
Leslie: Well, you know me.
I'm results-oriented.
Now, if you don't mind, I'd like
to get back to my client.
Tad: I do mind.
If Dixie tracked you down,
then how did she find you?
And if she came to see you,
then why didn't she?
Leslie: Well, you'll have
to ask her that yourself.
I'm sure that she will surface
eventually.
Tad: No, there's something
going on.
There's something you're not
telling me.
Leslie: Listen, I have a very
nervous client in there, ok?
He's very upset that I'm
deserting him for this new job.
I have to soothe him as best
I can.
Now, I hope you don't mind.
Tad: No, no problem.
Let me give you a hand.
I'm coming in.
Leslie: Excuse me?
Tad: Get out of my way,
Leslie.
Greenlee: I can't leave
the country.
I'm --
Mr. Smythe: You're under
indictment for attempted murder.
Do you have any idea how painful
it is for a father to have
to say that about his own
daughter?
Greenlee: I'm sorry.
Mr. Smythe: Well,
fortunately, thanks
to your grandfather, all charges
have been dropped.
Apparently, the attorneys were
able to make the case that
you ingested some drug
accidentally, so you're not
responsible for any of this.
Greenlee: But if that's all
over with, then you don't have
anything to worry about.
I'll behave myself.
Mr. Smythe: Your mother
and I would like nothing more
than to trust you, but you've
gin us no evidence that
we can.
Greenlee: I promise I won't
do anything to embarrass
you again.
Mr. Smythe: We simply can't
take that chance.
Your grandparents have had
to put up with your delinquent
behavior, and so now it's
our turn to have to take care
of you even though it disturbs
our plans.
Leo: Excuse me.
I forgot these.
Greenlee: Leo.
Leo: And you're
Greenlee's dad.
I couldn't pass up this
opportunity to meet you,
Mr. Smythe.
You are everything that
I expected.
Adam: Winifred, how could
you let this happen?
Winifred: I -- Sir,
I had nothing --
Adam: Who's been in and out
of that dining room?
Winifred: Just the
staff, sir.
Adam: Just the staff?
All right, fine.
Bring them all in here,
every last one of them.
I will not be vandalized
by people I pay good money to.
Liza: Just a second.
I think we should hear
Winifred's side of the story
before we bring the entire
household staff out here.
Now, when the cake was
delivered, it was fine.
Winifred: I know.
And you saw Harris and --
and Dale.
They put it on the table
in the servants' dining room.
Adam: All right, who went
in there and out of there after
that?
Winifred: Nobody, Sir.
We all went into the kitchen.
We were getting ready
for the wedding.
I would have noticed,
sir, if a member of the staff
had gone back into the dining
room.
Liza: There is another door
in that room that leads
to the garage.
Winifred: That is what I have
been trying to tell you.
Someone came in from
the outside.
Hayley: Someone came
in from the outside.
Adam: Weren't you guarding
the cake?
Man: Guarding the cake, Sir?
Adam: Yes.
Is that not your responsibility?
Man: I was placing out
the silverware.
Woman: I was chilling
the champagne.
Adam: Well, one or both
of you is lying, and so help
me --
Mateo: Oh, will you stop
browbeating them?
You know a member of the staff
is not responsible for this.
You know who smashed this cake.
We all know, and it's not
the first time she's done it.
Adam: Winifred, that'll be
all for now.
We'll have more questions later.
Just -- just go.
No, no!
Come back.
Take that blasted thing out
of here.
Hayley: Why can't you accept
the fact that Arlene is
responsible for this?
It's obvious.
Adam: No, it's impossible.
The servants are covering
for one another.
Believe me, it wouldn't be
the first time.
Hayley: Arlene comes back,
and the first thing she does is
she smashes up your wedding
cake, just like she did to us
before.
It's her sign to us.
Something tells me she doesn't
want to forgive and forget.
Mateo: Let's go home.
Let's go home. Come on.
Hayley: You know what?
I don't care.
I don't care.
She doesn't have to forgive me.
After what I did, I deserve it.
I deserve it.
Adam: Mateo, go ahead.
Take her home, take her home.
Sweetheart, try not to think
about this.
I'm sure it has a very simple
explanation.
Hayley: Oh, oh.
Oh, I know there is.
Adam: Yeah, well, we'll get
to the bottom of it.
I promise.
Mateo: Let's go.
Come on, let's go.
Hayley: I'm tired.
I've got to -- I'm very sorry.
Good night.
Marian: What's happened?
Hayley: The wedding cake.
Marian: Oh, no, thank you,
I couldn't.
Liza: Mother, what are
you doing here?
Marian: Well, what do
you think?
I asked Stuart to take Junior
home by himself.
Now, we have got to think
of a way to get this ridiculous
notion out of Stuart's head
before he tells somebody else.
Liza: Are we sure it's
ridiculous?
Marian: Of course it's
ridiculous, Liza.
You know it is.
Arlene is dead.
I saw her with my own eyes,
and so did Adam.
Liza: Well, Winifred found
our wedding cake, ruined
and smashed.
Marian: What?
Who would have --
oh, my God.
Adam: No, no.
No, it can't be.
We both saw her dead.
Marian: This is just some
kind of horrible, ghastly
practical joke.
Unless, of course, it's another
one of your power plays, Adam.
Adam: Or some creation
of yours to keep me
from marrying Liza.
Liza: All right, all right,
all right.
Enough of that. We need level heads if we're
going to figure out what has
happened.
Adam: All right, fine, fine.
But right from the top,
I want it understood that Arlene
is not to be considered alive
because she is dead.
Do you understand?
Marian: I agree with Adam
on that, Liza.
Liza: All right, all right,
fine.
So somebody's walking around
pretending to be Arlene --
Adam: Who?
Liza: For whatever reason.
Adam: Who? Who?
No one knows Arlene was on that
boat except Hayley and Mateo
and the three of us.
Marian: Oh, no.
Liza: What, Mother?
Marian: Oh, my God.
There's someone else that might
suspect.
Adam: What?
Marian: Vanessa Cortlandt.
Adam: Oh.
Tad: That's it, isn't it?
She's in there.
Leslie: I don't believe this.
Tad, I am leaving the country.
I don't have time to ease
your mind about your wife's
whereabouts.
Tad: Well, you better make
time because you're the one who
called me and told me she was
outside your hotel room.
Leslie: Because I thought
you had sent her.
Look, I have finally accepted
the fact that it is over
between us.
I took a job halfway around
the world to make it easier
for everyone, and you think
I have your wife locked inside
my room?
I mean, don't you think that's
a little silly?
Tad: At this point,
I wouldn't put it past you.
Leslie: I would take
objection to that, but I don't
have time.
You want to find your wife?
Go someplace else because
she isn't here.
Dixie: Uh, I should go.
David: Where?
Down the hall to Leslie's room?
Dixie: No.
Thanks for letting me sit here
for a while.
David: I'm sorry you're
upset, Dixie.
I didn't mean to s anything
to hurt you.
Dixie: You said exactly
the right thing.
David: So, what are you going
to do?
Dixie: You're the last person
I should be discussing that
with.
David: I'm the only person
that you can discuss this with.
Dixie: Ok.
Dixie: Tad told me that he --
that Leslie had some sort
of fixation on him and that it
was all one-sided and nobody
wanted it to stop more than
he did, and I had no reason
to doubt him.
David: But now you do.
Dixie: Well, I did
because I just -- I don't
know -- let all my fears come
to the surface.
David: Well, I'm sure that's
because of his history.
Dixie: Well, yeah, he has
cheated on me before.
Who's to say he wouldn't do it
again?
David: And yet maybe
he hasn't.
Dixie: I had to find out.
That's why I went to see Leslie.
Then you came along and --
I don't know.
I think I know what
my problem is.
David: I just thought it was
important for you to be honest
with yourself.
Dixie: Yes.
This really doesn't have
anything to do with Leslie.
Or Tad, really.
There's only one real threat
my marriage, David.
That's my feelings for you.
Adam: You can't be serious.
Liza: Mother, what exactly
did you tell her?
Marian: Well, we had a big
argument at Greenlee's loft,
and I said, "the only friend
that you ever had in this town
was Arlene Vaughn, and no one
has seen her since the night
of the party on the yacht."
And she said, "you mean Arlene
was on the yacht?"
And I said, "no, no,
I didn't say she was
on the yacht."
She said, "but she probably was.
It makes sense.
She probably stole my necklace."
I said, "no, I never said
she was on the yacht."
She said, "I've got to go call
Palmer about this."
And then she went, and I'm
terribly sorry.
I didn't mean to let it slip
out, and --
Adam: I should have known
a blabbermouth like you couldn't
keep a secret for long.
Liza: Adam.
Adam: Could it be Vanessa
pretending to be Arlene?
Liza: Oh, why would she go
to all that trouble?
She just wants her stupid
necklace.
Adam: Well, one thing that
we know for sure --
the secret is out, and we don't
know who knows it.
And we don't know who is out
there, determined to do us harm.
Mateo: I'll tell you what --
we'll just get a good night's
rest, huh?
We'll wake up and --
Mr. Smythe: If you don't
mind, I'm having a private
conversation with my daughter.
Leo: Actually, it really
wasn't all that private.
I've been over there listening
ever since you got here.
By the way, kudos on beating
the rap, Greenlee.
Greenlee: Leo, please leave.
Mr. Smythe: Never mind.
There's nothing more to talk
about.
Do you have a passport handy?
Greenlee: Daddy, I can't just
up and leave.
Mr. Smythe: Why not?
What do you have to keep
you here?
Greenlee: Nothing, I guess.
This place.
Mr. Smythe: Your grandmother
can send some of her staff
to close it up.
It'll still be here next year
if you really want it.
Greenlee: Next year?
Mr. Smythe: Your mother and I
have made arrangements
for you to take our place
in Geneva while we're off
gallivanting.
Greenlee: So you're just going to dump me
in Geneva.
Mr. Smythe: A companion will keep you
out of trouble, an excellent psychiatrist
for you to see.
It'll give you the time
and the space to rethink your life and get over this
Leo: Well, she may as well just stay, Daddy.
Mr. Smythe: Well, it'll be up
to you, then, won't it?
If you're willing to risk losing
Woodruff's money, don't expect
your mother and me to
support
our plane leaves in two hours.
Pack a small bag.
You can get whatever else
you need when you get there.
I'll see you at the airport
in an hour.
Leo: Why don't you have
a seat, Roger.
Due to unexpected turbulence,
your flight's been delayed.
Dixie: When Tad told me that
there was something going
on between him and Leslie,
I just pounced on it, you know.
I could stop feeling guilty
for what was going on with us.
I could blame Tad, you know
he was being unfaithful,
you know?
He had been before,
so, you know, I was off
the hook.
David: But is there something
going on between Tad and Leslie?
Dixie: Here's my evidence.
Lipstick on Tad's collar.
You know, I had to be pretty
desperate to grab onto that,
and --
I guess I was, you know,
because -- because of what I've
been feeling for you.
David: But you did say that
there were phone calls.
Dixie: Yeah.
Tad told me the truth, and under
ordinary circumstances,
I probably would have
believed him.
But you know, she was trying
to seduce him.
He didn't want to have anything
to do with her.
He's not guilty of anything.
David: And neither are you.
Dixie: Oh, really?
You know, at the new year's
party when Tad was supposedly
having an affair with somebody
else, I was with you.
I was kissing you.
I was ready to make love to you.
David: But you didn't.
Dixie: No.
Because God was good to me
that day.
I got the biggest break
of my life when Tad knocked
on the door.
Now I'm causing trouble when
there isn't any -- you know,
when I've been given another
chance to be happy with
my husband.
David: So now you're going
to forget all about Leslie.
Dixie: Well, she's nothing
to me.
She's leaving town.
I'm just feeling guilty.
There's nothing --
there's nothing going on,
you know?
I just needed to take a step
back and take a breath like
you suggested.
David: I just wanted
you to think clearly before
you spoke to Leslie.
So now you're convinced that Tad
isn't capable of being
unfaithful?
Dixie: Well, he's not
perfect, and neither am I.
I just shouldn't imagine things
that aren't there.
David: Well, then I guess
there's nothing standing between
you and your going back to Tad
and living happily ever after,
right?
Dixie: I should go.
David: Dixie?
Good-bye.
Tad: Leslie, come on!
All right, she's not
in the lobby.
I checked.
Leslie: So she went home.
Tad: I called.
She's not there.
Leslie: Oh for heaven's
sake, Tad.
What is your problem?
Does she not have a name tag
on her underwear?
Tad: Don't joke.
Because I swear to God,
if there's something you're not
telling me --
Leslie: I didn't do anything
to Dixie.
Tad: Did you say anything?
Leslie: No!
Would you just relax, Tad?
If Dixie ever finds out about
us, it won't be from me.
[Dixie hears Tad and Leslie talking]
Mateo: I don't get it.
The money I left on
the nightstand's still there.
Your jewelry's still there.
They didn't take a thing.
Hayley: A flask.
This is Arlene's flask.
ON THE NEXT - - - ALL MY CHILDREN
Leo: This is worse than
you even said, Greenlee.
Tad: Help me find my wife
before I lose it for good.
David: If tad and Leslie are
having an affair, there is
an easy way to find out.
Hayley: She's come back
to kill me, and she wants me
to know it.