Barry: Good evening, Adam.
Adam: Barry.
Barry: You're not surprised to see me.
Adam: Should I be?
Barry: You were the talk of the New York shuttle this morning -- you and your bar. Everyone thinks you've lost your mind.
Adam: Well, that should be some vindication for you. You were quite instrumental in helping Liza commit me to that padded room at Oak Haven.
Barry: Well, I trust you understand that was strictly business.
Adam: Of course I do. She found your price and met it.
Barry: Ooh, and then some.
Adam: What can I get you?
Barry: I don't think you stock my brand. Now, listen -- don't you want to hear how things are going over at Chandler Enterprises?
Adam: I'm a bartender. You can tell me all your troubles.
Barry: No troubles. It's -- fact is, Adam, I -- I miss working for you.
Adam: Oh. Then it's nostalgia that brings you here. I'm glad it's not the fact that I have those files under lock and key that could put you in prison for several years.
Barry: Now, now, now -- that's a matter of opinion, you know.
Adam: As long as I'm mentally incompetent, then you were free and clear. But now, well, you're wondering, when is Adam going to get his revenge?
Barry: No, no, no. I know you won't. I'm more useful to you out of prison.
Adam: No, I don't think so. I'm a barkeep now. I have no use for an overpriced shyster with a creative way around the legal code.
Barry: Adam, we go back too far. There's only one reason you haven't crushed me. You've got a job you can only trust to me because you own me. Come on, you can tell me. What plan are you hatching now?
Adam: Ah! Two brewskies, coming up.

Arlene: Can we talk privately somewhere?

Marilyn: Stuart? I forgot to go get the potatoes from downstairs in the cellar. Will you go get those before my dad comes up and has a cow about it?
Stuart: Oh, sure. Sure. I don't want your dad to have a cow.

Marilyn: I am dying for him to find his family.
Arlene: You're fond of him, aren't you?
Marilyn: I've never met anyone like him. And he really saw that I'm a complex person with really deep feelings. And he's very supportive about me being an actress in Hollywood, even though he doesn't think I should make the move yet --
Arlene: Yeah, he's very perceptive. Do you think he's happy here?
Marilyn: Yeah, well, he's always in a good mood. And he's always talking about how he wants to find out who he --
Arlene: Oh, I'm so glad to hear that. I can't even tell you, Marilyn. It is such a blessing to know that Stuart and Esther have found this place, a place where they can be safe and where he doesn't have to suffer anymore.
Marilyn: Suffer?
Arlene: At last, finally, he's free.
Marilyn: What happened to him?
Arlene: Oh, Marilyn. What happened to him is not only sad, but criminal.

Grace: Well, another movie night at the community center is history.
Tina: Yes, and we have the popcorn in our hair to prove it.
Eliot: You know, Tina, I really have to thank you. You have put in a lot of hours.
Tina: Oh, well, you and Grace shouldn't have to do all this work yourselves.
Eliot: Well, you know, not a lot of people your age have your commitment to the less fortunate.
Tina: Oh, well, when I was a kid, I knew that no matter how bad off I had it, there was always someone else who had it worse. And going from one foster home to another, I learned how to adapt.
Grace: That's because you were a very smart and brave little girl.
Tina: I'm going to go read to Lamont. I promised him I'd read him the story of King Arthur. He thinks it's the story of his grandfather because they have the same name.
Eliot: Aha.
Tina: Excuse me.

Adrian: Tina, you got a minute? I need to talk to you. Tina: Yeah.
Eliot: Excuse me. I still have a lot to do tonight.
Grace: And I'm going to make sure everything's locked up outside.
Tina: Thank you. What's wrong?
Adrian: Tad's brother Jake is missing.
Tina: What? You mean in Chechnya?
Adrian: Yeah, he was in a helicopter that never reached its destination.
Tina: How are his parents? And Gillian -- is she ok?
Adrian: They're trying to be strong, but they're extremely frustrated right now because there's nothing they can do to help Jake.
Tina: Right. Adrian: So I have to do what I can.
Tina: Yeah.
Adrian: I'm taking a flight out in the morning.
Tina: You're leaving. Have a great flight, and call me when you get back. You remember Lamont, right? I promised him I'd read him the story of King Arthur. It's, you know, about knights in shining armor.
Adrian: Tina, wait a minute. What's going on here?
Tina: Well, you just told me. You're leaving in the morning.
Adrian: Yeah, but it's not like I'm going to the Quickie-Mart to get some milk.
Tina: I know. It's dangerous, and you might not come back. I'll say a prayer for you.

Grace: Let me guess. You told Tina, "the road is calling," you've "got to be free."
Adrian: You know, Grace, I really don't think any of this concerns you.
Grace: Oh, you better believe it does. Tina has had too much hurt in her life.
Adrian: You think I don't know that?
Grace: And still you're walking out on her?
Adrian: Who said anything about walking out on her? I'm not leaving her. Grace, I love Tina.

Alex: I'd always had this feeling that my mother didn't want me or love me. That was true. I mean, she wasn't my mother. Some woman who stole m from my real family. Oh, it's so sordid, but it's true.
Edmund: Yeah, it's true.
Alex: Dimitri didn't drown.
Edmund: Come here.
Alex: Charlotte kidnapped him and killed him. It's so horrible.
Edmund: Alex, you got to stop dwelling on the past.
Alex: I know. I know. But in spite of everything, I still have you here by my side. I'm a lucky woman.
Edmund: Yeah, you are.
Alex: I don't have to be afraid anymore because you're here. I hope you'll always love me.

Dimitri: Let me get this straight. I am destined to live on as the subject of a medical article written by you.
David: Why should I pretend you're anything more? I wasn't a very big fan of yours before you died the first time.
Dimitri: You know, you are one deceitful human being. If I agree, you'll tell Edmund I've disappeared and leave Alex out of it?
David: I'll tell Edmund whatever you want as long as you let me track the course of your illness.
Dimitri: All right. You get him over here now. You tell him I've gone, end of story.

[Telephone rings]

Edmund: Don't look.
Alex: Sure.

Edmund: Hello?
David: Edmund, it's David. I need to see you right away, in my office.
Edmund: I understand. Yes, I'm on my way.

Alex: Where are you going?
Edmund: The magazine. There's a problem.
Alex: Oh, can't you delegate
Edmund: Not this time.
Alex: You're too good.
Edmund: Yeah, that's what they say. I'll try not to be too long.
Alex: Try hard.
Edmund: Ok. Oh --

Eugenia: Ah, the children saw you come home and insisted upon a visit.
Alex: Hello!
Edmund: Oh, my gosh! Well, looks like you have company.
Alex: Quick, on the bed! There's crocodiles!
Eugenia: Crocodiles?
Alex: Yes! Look at them. Careful. Whoo!

Edmund: Do me a favor?
Eugenia: What?
Edmund: Take care of Alex while I'm gone.
Eugenia: Yes, of course I shall.
Edmund: Ok.
Alex: Can you see the crocodiles? Can you see them? Careful. Wave bye-bye. Bye.
Maddie: Bye.

Grace: Do you really love Tina, or are you saying that for my benefit?
Adrian: No, I am not saying anything for your benefit. Tina and I have been through -- over these last few days we've gone through a lot. I have finally gotten a chance to really start to understand what type of person she really is.
Grace: Oh, and has she gotten a chance to understand what kind of person you really are?
Adrian: All right, Grace, why don't you say what's really on your mind because evidently this conversation is not about Tina. It's about Belinda, isn't it?
Grace: It's about both of them. I don't want you to do to this girl what you did to my niece.
Adrian: I've never done anything to Belinda. I never told her I loved her. I was going through a very difficult time in my life when we were together, and she understands that now.
Grace: Oh, she does?
Adrian: Yes. We've talked. As a matter of fact, she told me she has never been as happy as she is right now.
Grace: That's because she's marrying the man she was meant to marry. I never had any doubt that she would land on her feet, but I can't say the same thing about Tina. She is not as strong or as grounded.
Adrian: I think you would be extremely surprised how strong Tina is.
Grace: And that gives you license to play with her feelings?
Adrian: No, Grace, that's not what I'm saying at all. I would never do anything to hurt Tina.
Grace: I heard the tail end of your conversation. You're going off somewhere and you may not come back.
Adrian: Yes, you are absolutely correct. I have a job to do.
Grace: Oh, to save the world, I suppose.
Adrian: No, to save one person. Jake Martin.
Grace: Dr. Jake? He used to volunteer here at the center. He went off to volunteer in Chechnya. He -- what happened?
Adrian: His helicopter went down. He's MIA. I have a few contacts in the former Soviet Union. They're going to get me on the ground over there, and I will bring him back if he's still alive.
Grace: Do you think you can?
Adrian: All I can do is try.
Grace: But you'd be risking your life.
Adrian: Yeah. Jake's a good man. He's also my family.
Grace: I owe you an apology.

Eliot: You can talk to me anytime, you know. Either as a pastor or as a friend.
Tina: Thanks. But I know what my problem is. One day I must have done something so bad --
Eliot: What kind of something bad?
Tina: I don't know. In a previous life or when I was a little girl, I must've done something so bad just to make god not like me.
Eliot: Tina. Tina, come on. That's not how it works.
Tina: No? I've known it all my life. God does not want me to have what other people have. All my life I have asked him why, and he's not telling.

Arlene: For as long as I can remember, Stuart was treated like an embarrassment to the family -- by his parents and by all his close relatives.
Marilyn: And you're his cousin?
Arlene: A distant cousin. But you know, still, my heart was torn apart by the way he was abused.
Marilyn: You mean, really abused?
Arlene: Well, what do you call taunting and jeering? And it didn't stop. I mean, it continued all the way until he was a grownup.
Marilyn: Well, why didn't he just leave them?
Arlene: Well, he couldn't because they locked him up in an institution.
Marilyn: But there's nothing wrong with Stuart! Wait a second. Did he have a lot of money that they wanted to take from him?
Arlene: Well, no. Stuart came from the poor side of the family. They did it out of shame.
Marilyn: How long was he in there?
Arlene: A long time. A very long time.
Marilyn: Well, what about Esther? I mean, he is married to her, isn't he?
Arlene: Oh, yeah. They met at the institution. And from what I hear, they were the only two sane people there and they fell madly in love. Isn't that great?
Marilyn: Are you sure they're really in love? Because, you know, I always thought that -- you really don't recognize the woman in that painting?
Arlene: No. You know, I heard about Stuart and Esther escaping, but I didn't know about Stuart's amnesia. I mean, I guess it's a good thing, right? It means that he doesn't remember any of what I've told you just now.
Marilyn: But Esther does, right?
Arlene: Yeah. But look, don't you mention a word of this. You understand? Because if you do, I mean, she'll think that people are after her, and who knows -- who knows how she'll react?
Marilyn: Sure. I won't.
Arlene: I mean the fact is, is that no one is after them. No one even cares if they live or die, except me. And maybe you.
Marilyn: Oh, yeah, I do.
Arlene: Oh, Marilyn. Marilyn, that just makes me feel so good. It means that I can say this to you and you'll understand. I want to pay you to keep Stuart here for the time being.
Marilyn: But Stuart is so desperate to find out who he is.
Arlene: Well, we don't want to take the chance of him being locked up again, do we?
Marilyn: But that won't happen. We can testify for him. I mean, I've seen insanity hearings on TV.
Arlene: No, no, no, no. Marilyn, he's happy here. And I'll make sure that he's taken care of I'll send you one of these every week. Hmm?
[Arlene hands over a stack of money to Marilyn]

Marilyn: I'm sorry. It has to be his choice.
Arlene: Ok. His fate is in your hands. I've done all I can. I got to get going. I have a meeting in Hollywood.
Marilyn: You -- you have a meeting in Hollywood?
Arlene: Mm-hmm. Well, never mind. Forget what I said.
Marilyn: Are you in the movie business? Who's your meeting with?
Arlene: Herschel Glickman, the super agent.
Marilyn: The -- the super agent, yeah.
Arlene: Yeah, he's looking for a new Julia Roberts.
Marilyn: The new Ju-- that's -- that's me!
Arlene: Oh, are you an actress?
Marilyn: Yeah, you don't remember? I told you how Stuart said that I had real talent.
Arlene: Oh, yeah. I see. Well, it's too bad our business is done here.
Marilyn: No, no, wait, wait, wait. Please.
Arlene: Ok. I don't like using my contacts, but if it's going to help Stuart --
Marilyn: Help Stuart?
Arlene: If you promise to keep Stuart safe and happy here, I'll use my influence to get you a screen test. Now, that's all. Your talent has to do the rest, ok?
Marilyn: It will, it will!
Arlene: Ok. Done. We have a deal, right?
Marilyn: Oh, uh -- if it'll keep Stuart from getting locked up again.
Arlene: Good. It's done. I have to rush. I'll be in touch. And remember, not a word to anyone.

Stuart: What happened to Annie Oakley?
Marilyn: She -- she had to go home.
Stuart: Home? Wouldn't it be nice to know where that is?

Barry: Come on, Adam. Your marriage is a fraud. This bar is a front. Your one and only plan is to grind Chandler Enterprises into the ground so you can play with the rubble.
Adam: I have no idea where you get your information.
Barry: Well, I'll tell you that, too. From McNamara. McNamara -- your mole inside the boardroom. He's been filling you in on Tad Martin's every move.
Adam: How the hell did you find -- McNamara, of course. He's the one that you have the incriminating -- the files. Barry, we're all going to have some great handball tournaments in hell!
Barry: So I'm right.
Adam: You're right about everything. The bar and my wife -- all of it.
Barry: It's all a sham?
Adam: It's all a sham. I want everyone to think I'm crazy. That way I can pulverize Tad Martin into oblivion.
Barry: When the dust settles, what'll be left?
Adam: Oh, don't worry, there'll be plenty left to make it worth your while. So what do you say? You want to rejoin the winning team?
Barry: Let's say I never left.
Adam: Barry, I always knew that someday you'd come crawling back.
Barry: Oh, now, wait, I don't remember crawling--
Adam: Barry, you crawled.

Hayley: Well. Hello. So you and Barry are friends again. Does that mean you're returning to Chandler Enterprises where you belong?
Adam: Hayley, I have no use for Chandler Enterprises. This is my new life. I've been trying to convince Barry.
Barry: I couldn't make any headway with him, Hayley. Your father means what he says. Well, I still hope we'll stay in touch, Adam.
Adam: Oh, I suppose we will.
Barry: Good luck. And good-bye. Bye-bye, Hayley.
Hayley: Good-bye.

Adam: Well, I didn't expect to see you again so soon.
Hayley: I told you I want to be supportive of you, dad. Besides, you and I are a lot alike. When I make up my mind to do something, I don't like halfway measures.
Adam: What are you doing?
Hayley: Well, I had this great idea. I'm going to help you run the place. Meet your new barmaid. Excuse me.

Stuart: That call you made to the people to see if anybody knew me -- did they call back yet?
Marilyn: No. That is -- yeah, they did. I'm sorry, Stuart. It was a dead end. They didn't know who you were.
Stuart: Ok. Did you remember to ask them if they knew a beautiful blond lady?
Marilyn: It didn't ring any bells for anybody. I feel really bad, Stuart. I do.
Stuart: No, it's ok. You tried. It's too bad that the Annie Oakley lady left. There was something about her that was really familiar. It was her voice, I think.
Marilyn: Well, maybe she was a country-western singer and you recognized her voice from the radio.
Stuart: Uh-huh.

[Tires screech]

Marilyn: You should not be walking on that foot.
Esther: Oh, I feel better. I need ice.
Marilyn: All right, I'll get it. Just sit, ok? Just relax.
Esther: Sure. Thanks. I feel like a jerk. Our one big, romantic walk, and I go and ruin it. Would you like to sit outside and watch the shooting stars?
Stuart: You never fully explained what happened to me.
Esther: What happened to you?
Stuart: The accident where I lost my memory. How did I get hurt?

Edmund: Is he here?
David: He's gone.
Edmund: What do you mean he's gone? He's ill. He needs treatment.
David: It's too late. The tests confirmed it.
Edmund: What are you -- look, if you can't help him, doctor --
David: If I can't help him, no one can. I'm sorry, Edmund. Your brother will be dead in the next few days.
Edmund: I got to -- I got to find him.
David: Let it go. He wants it that way.
Edmund: I want him to tell me that.
David: He already has. He left this for you.

Edmund's voice [Reading Dimitri's letter]: "I'm sorry to leave without saying good-bye. It's better this way. I think you'll agree, brother."
Edmund and Dimitri's voices: "It seems I've been trying to die for a long time. I want to spare you, Alex --"
Dimitri's voice: "Everyone. So when you read this, I'll be on my way to another country. Don't try to find me. It's the way I want it. Take care of Alex. Never forget that I love you both. Good-bye."

David: Where are you going?
Edmund: I'm going to find my brother. There's no way he's dying alone.

David: You happy now?
Dimitri: By the time Edmund realizes I didn't leave town, I'll already be gone.

Eugenia: Were you very disappointed when the little girl you remembered, Robin, wasn't your daughter?
Alex: Yeah. Yeah, I was disappointed. But I feel that if I had a daughter, I wouldn't forget, no matter what they had done to me.
Eugenia: You are going to contact her, aren't you? After all, her mother is your twin sister.
Alex: Yeah, I would like to. But then, I mean, imagine what she would think when I told her everything.
Eugenia: Oh, I'm sure the right words will come to you at the proper moment.
Alex: I hope so. I sort of feel like I don't really have a family anymore.
Eugenia: Darling, you do have a family. This is your family, your new family.

Tina: When I was kid, I just could not understand why God did not want me to have what other people had.
Eliot: Which is what?
Tina: For people to love me.
Eliot: That's why you come to the shelter.
Tina: Well, I'd like to think the kids love me, but mostly they're just grateful.
Eliot: There are many kinds of love.
Tina: But I want real love. I haven't settled up until now. I'm not going to settle now.
Eliot: And with Adrian, you think that it might not be the real thing?
Tina: Well, he's leaving. Like everything else in my life, he is just temporary.
Adrian: I mean, I thought she'd be sorry to see me go. But all I got from her was that she would pray for me.

Grace: Adrian, a man with as many academic degrees as you have should be able to spot a coping mechanism.
Adrian: Yeah, but she has to know how much I care about her. I mean, yes, I am going away on a very dangerous mission. But I'll be counting the minutes until I get back to her.
Grace: Have you told Tina that?

Adam: Hayley, why are you doing this?
Hayley: Because for once my life is going really well. I mean, Mateo and I are happy. I love my job. So if you want to start your life over, I am with you --
Adam: Hayley --
Hayley: 1,000%.
Adam: But I'm fine. I'm trying to tell everybody that I don't want or need anybody's help.

Man: Mr. Chandler, the john in the men's room is backed up again.
Adam: My God, have you never heard of a toilet plunger?
Man: Hey, it's not my job. I'm the bouncer.
Hayley: Can I help?
Adam: No. You don't work here.

Mateo: So, how does Adam like his new barmaid?
Hayley: Not much, but I'm not going anywhere. If he wants to take a trip to the lower depths of humanity, then I'm going to be his traveling companion.
Mateo: So you're up to this?
Hayley: I have to be. I'm all he's got.
Eugenia: I didn't wake them on purpose. I wanted you to see this lovely scene.
Edmund: Hey, you little -- hello, sweetheart. Oh, Sammy.
Alex: Oh.
Edmund: Wake up, Sammy. Wake up, Sammy. Time to go to our own bed.
Alex: Come on. Come on.
Edmund: Oh, hi, sweetie.
Alex: Good night, night. Now go.
Eugenia: Come here. Here we go. Here we go to Grandma.
Edmund: Ok. Take your sister.

[Alex yawns]

Alex: What took you so long?
Edmund: The problem's a little more complicated than I expected.
Alex: Oh. Are you all right? Is something bothering you? You look so sad.
Edmund: I'm all right. I'm all right.
Alex: I'm the woman you love, you know. Is something the matter? What's wrong?

Stuart: You got to tell me, Esther. I have to know. It's important.
Esther: You lost your memory when you -- when you fell, Stuart.
Stuart: I fell?
Esther: Well, that night you climbed up on the roof of the trailer to, you know, jiggle the antenna, and it was slippery, and you fell. You hit your head really hard on a big rock.
Stuart: I fell off the roof of the trailer?
Esther: Mm-hmm.
Stuart: Are you sure?
Esther: Well, sure I'm sure, Stuart! But please just don't make me talk about it because I feel -- I feel guilty because I -- I complained about the TV reception.

[Tires screech]

[Crash]

Esther: Why are you looking at me like that?

Hayley: Look, if you're worried about me wanting a drink, the smell of rancid beer in this place is enough to keep any alcoholic sober.
Mateo: I'm not worried about the booze. I'm worried about, you know, how if you're going to stay close to Adam that means you have to stay close to Arlene, and she's --
Hayley: Oh, her. Don't worry about her. This time it's going to be me working a con on Arlene. I'm going to give her what she's always wanted.
Mateo: What, men? Booze? Bigger --
Hayley: No. A relationship with a loving daughter.
Mateo: Look, Hayley -- I mean, she said she's just biding her time so she can get to Adam's money. You know that, right?
Hayley: Yeah, I'm sure she's chewed through several offshore accounts Adam must be living on by now.
Mateo: Thank God Liza's in control of Adam's wealth.
Hayley: I just won't abandon him now, not to Arlene. Not when he's hurting. I'm going to do for him what you did for me. I'm going to prove to him that he's worth saving.
Mateo: I'm so proud of you. Come here. Now, if you need any help fooling your mother, count me in, ok?
[Hayley and Mateo turn around and find Arlene standing behind them]

Hayley: Here we go.

Grace: Oh, Reverend. I have some bills I need to show you came today, and they need to be paid right away.
Eliot: Are you saying that so we can leave these two alone, or are there really bills to be paid?
Grace: Both.
Eliot: Hmm.

Adrian: Hey.
Tina: I didn't really mean to sound like I didn't care that you were going off to a war zone.
Adrian: You were just afraid that I wasn't going to come back.
Tina: Well, it's a really dangerous place.
Adrian: So I'm going to make sure nothing happens to me.
Tina: But even if you are safe, that doesn't mean that you're going to come back here.
Adrian: That's the reason nothing's going to happen to me. Because I know you're here, and I'll be thinking about you the whole time.
Tina: Well, you'd better be doubly sure that nothing happens to you because I'm not done with you yet.
Adrian: Good, because I am not done with you, either.

Arlene: Hayley, this is great. You've come to visit your dad?
Hayley: Well, and you, too. But it's not really just a visit. I'm here to help out. I want to use all my free time and make Adam's place a big success.
Mateo: Yeah, this is going to be a regular "Mom, Pop, Daughter, Son-in-Law" operation.
Arlene: Oh. Ok, how did your dad take the idea?
Hayley: Well, I mean, he's resistant, but I think we can convince him. Don't you think?
Arlene: Sure, yeah. Hey.

Adam: Ah. Any luck with the decorator?
Arlene: Well, his work was interesting, but I wasn't interested in his palettes.
Mateo: Well, hey, if you need a decorator, she's really good. You should have seen what she did with the bathroom. Wonderful.
Hayley: Can I help?
Arlene: Well, of course you can. Hayley, you would make me the happiest woman in the world if I could be a real mom to you, and maybe eventually a step mom to little Colby. And who knows, we could be a real --
Adam: Ahem.

Arlene: I said the wrong thing, didn't I?
Mateo: Don't worry about Adam. He'll come around.
Arlene: Hmm.
Mateo: We did.
Arlene: You did -- you came around? What do you mean, accepting me into your lives?
Mateo: Yeah. Listen, you know, I know we didn't at first, and we were wrong not to, and I'm sorry for that. We're family.
Hayley: Now more than ever, I think it's important for us to be a real family. I mean, it's what Uncle Stuart would tell us to do if he could. What's the matter?
Arlene: No, it's nothing. It's just I'm a little overwhelmed. You two being so nice to me, and --
Hayley: Mom, you don't have to say anything else. Let's just start over.
Arlene: Hayley, I -- I promise, I give you my word that things will be different from now on.
Mateo: Group hug.

Edmund: There's nothing wrong, really. I'm just sorry that I woke you.
Alex: Well, I'm wide awake now.
Edmund: No, I mean, I just have to go away again.
Alex: Where?
Edmund: Just downstairs to the study. That "Tempo" story I was working on that I was telling you about -- it's a little more complicated than I expected.
Alex: Ok, ok, ok. Go. Go. You' not going to be thinking about anything else. Go.
Alex: Don't be too long.
Edmund: You probably shouldn't wait up for me.

Dimitri's voice: "Don't try to find me. It's the way I want it."

Dimitri: I'll be in touch, Doc.
David: Where can I reach you? I want to set up a schedule for treatment.
Dimitri: You want me to trust you with that information?
David: Oh, you don't have to worry about that. You want to die alone, that's perfectly fine with me. You can die alone or with Alex and Edmund. I mean, you have to admit, that would be some death scene, huh? The two Marick brothers and the woman they both love.
Dimitri: David, David, I have given you what you want. Do not push me. Because if you do, the day I go I will take you with me.


ON THE NEXT - - - - ALL MY CHILDREN

Tad: What do you want?
Ryan: $11 Million.

Liza: I'm going to shove this down Arlene's throat so far she's going to have to eat through her navel with a straw.

Adam: If you make a stunt like this again, I'm going to throw you out into the street with the rest of the drunks.