Bianca: You know,
nothing happened tonight between
me and Frankie, but that doesn't
even matter to you because
whatever I do will be wrong.
I can't take it.
I don't want to live here
anymore.
Mateo: I'm getting sucked
in deeper and deeper.
What if Proteus makes his move
before I can get out?
Tad: Leslie's back in line.
Jesse: And you are a fool.
Tad: I know she's a little
bit of a nut, but I can handle
her.
TODAY'S - - - ALL MY CHILDREN
Mateo: Hey.
Simone: Hey.
Mateo: You got my message,
huh?
Thanks for coming in early.
Simone: Oh, no problem.
Mateo: We alone?
Simone: Yeah, no customers.
Yeah, what's up?
Mateo: Someone left a package
at my door last night addressed
to my kid.
Check it out.
[Mateo shows Simone the large piggy bank sent to Lorenzo]
Simone: Oh, wow.
Hmm.
Any note?
Mateo: That's the note --
that they can get to my family
anytime they want.
Simone: Your wife see this?
Mateo: Of course not.
Who would I tell her it's from,
our friendly neighborhood
drug lord?
Why me?
Why -- why me?
You know this guy.
Why did he pick me?
They could've forced anybody
to sell their stuff for them.
Simone: You know why, Mateo.
You're -- not everyone loves
their family the way you do.
Mateo: And now they're
messing with my kid?
They're sending stuff to my kid?
As if I'd let my wife or kid
anywhere near something --
[Mateo throws the bank and it breaks]
Simone: Ok.
Well, at least we know it's not
loaded.
Wait a minute.
What's this?
It's more instructions, Mateo.
Addressed to you.
[Brooke's office at Tempo]
[Phone rings]
Phoebe: Yes?
Please hold for ms. English.
And be patient.
It may be a while.
Thank you.
Brooke: Fred, what are all
these things doing out here?
And why are these lines lit up
like Christmas?
Fred: Mrs. Wallingford can
explain.
Brooke: Aunt Phoebe.
What are you doing here?
Phoebe: Covering your desk.
And, Darling, you do need more
help.
And you have a few calls.
Brooke: A few?
They're all --
Hello?
Hello?
Hello?
Hello.
Phoebe: What is an
eight-letter word for "pain
in the behind"?
Brooke: Relative?
Phoebe: Wrong number
of letters, and not funny.
Brooke: Uh-huh.
Ahem.
You know, Aunt Phoebe, I --
it's very sweet of you
to volunteer your time.
I really appreciate it.
Phoebe: Who's volunteering?
I was hired.
Brooke: You were hired?
As what?
Phoebe: As your official
secretary.
Now, about what you're
wearing --
Brooke: Oh, my official
secretary and my wardrobe
consultant.
Are you on medication?
Phoebe: Didn't you get
the e-mail?
Brooke: What e-mail?
Edmund: Mine.
[Erica and Chris talk at her house]
Chris: Wow.
Erica: Well --
the thing is we've had our share
of fights, but it never felt
like so much was at stake
before.
Thank you for staying over last
night.
Chris: You're welcome.
Erica: Were you comfortable
on the couch?
Chris: Very.
Look, I usually snore like
a buzz saw, so --
Erica: But it was very
comforting knowing that -- that
you were here in the house.
Chris: You were awake?
Erica: Yeah.
I just kept hearing Bianca's
words in my head all night,
just every hateful,
defiant thing that she said.
Chris: You said that you were
going to expose Frankie, Erica.
Erica: Yes, I am.
I just haven't figured out how
yet.
Chris: I could use a cup
of coffee.
How about you?
Erica: I'd love that,
thank you.
Chris: Ok, I'll get it.
Erica: Ok.
[Doorbell rings]
Erica: Opal, hi.
Is Bianca with you?
Opal: Um -- well, no.
She's -- she's still back
at my place.
Erica: Oh, Opal.
Please tell me that she stayed
up all night talking to you.
Opal: Well, I can't tell
you that, honey.
It would be a lie.
Erica: Where did she sleep?
Opal: In Frankie's room.
[Meanwhile, in Frankie's room at Opal's]
Bianca: Can I wear this
today?
Frankie: I don't think
your mother will like it.
Bianca: Even better.
Frankie: Is that why you're
here?
Bianca: I'm here
because you called me.
You said that you were
alone and scared, and
I thought you needed company.
Frankie: I did.
Bianca: Well, so did I.
Isn't it amazing the way
we connected last night?
I mean, all night I've just felt
so close to you, like this is
home.
And when I woke up today,
it's --
I can't even describe it.
It's like anything is possible,
you know?
Frankie: No.
God, Bianca, I feel more trapped
than ever.
[Dixie dreams Leslie is attacking her]
[Dixie screams]
[Dixie screams]
Tad: Whoa. Whoa, Honey.
It's ok, it's ok.
Hey, it's just me. It's me.
Everything's all right.
Dixie: No, she was here.
She was here. She hit you.
Tad: No, no, Baby,
listen to me --
Dixie: She was here.
Tad: Dixie, Dixie, you were
dreaming, baby.
You were dreaming, ok?
It's just a nightmare.
There's no one here.
Dixie: Oh, God, that was
really real.
Tad: Who knocked me out?
What are you -- who hit me?
What -- you remember what
you were dreaming?
Dixie: Leslie Coulson.
Tad: Leslie Coulson?
Honey, where'd that come from?
Dixie: I don't know.
I haven't thought about
her in ages.
I mean, why would I think about
her now?
Erica: You let Bianca sleep
in the same room with that
guttersnipe, under your own
roof, Opal?
Opal: Erica, Honey,
believe me, if I had known that
that girl was related to Vanessa
the vicious --
Erica: Well, you know now,
and you still haven't kicked
her out?
Opal: She is leaving today.
I wasn't going to toss
her into the street
in the middle of the night.
That's why she was there.
And then Bianca showed up.
Erica: We had a terrible
fight.
Opal: Yeah, I could tell.
I mean, she was miserable.
Erica: Why didn't you just
send her home?
Opal: Well, I suggested that,
but she insisted on staying,
saying that she needed time
to simmer down.
Erica: And you have how many
bedrooms in your house
and you couldn't give Bianca one
of her own?
Opal: She wanted to be
with her friend, Honey.
Erica: And you didn't
forbid it?
Opal: "Forbid it"?
What was I supposed to do?
What, put them in straitjackets,
lock them up?
I mean, they were determined
to be together.
Erica: Why?
Why?
I mean, this just doesn't make
any sense.
Opal: Well, I'm afraid
the only one who can help
you there is Bianca.
Erica: Yeah, and she isn't
here.
[Chris comes into the room carry two cups of coffee]
Chris: Morning, Opal.
Everything ok?
Erica: Actually, I am so very
glad that you're here.
[Phone rings]
Chris: Sorry.
Excuse me.
Stamp.
Ok.
No, no, no, no, no.
No, that's big.
Ok, later on.
Chris: I've got to go.
I hate to leave you in the lurch
like this --
Erica: No, really,
that's fine.
You've really done enough
already.
I'm very grateful.
Just go and do whatever you have
to do.
Chris: I'll check in later.
Bye, Opal.
Opal: Mr. Stamp.
Opal: So, did I miss
something?
Breakfast with your bodyguard?
Isn't that how it started
for Patty Hearst?
Erica: Oh, Opal,
please, don't start with me.
Opal: Well, how does this
look to Bianca?
Erica: If what?
I am not sleeping with Chris.
Opal: Oh, "Chris"?
Erica: Yes, he did stay over
last night, but he slept
on the couch.
Opal: Well, whatever you say.
Erica: Opal, I was so upset
about Bianca that it just -- it
felt nice to have somebody here
with me in the house,
somebody who cared.
Opal: Well, maybe that's all
Bianca wants from Frankie.
Or maybe not.
But, you know, even if there's
more going on, Honey,
you're going to have to make
peace with it.
Erica: Are you serious?
You expect me to just sit back
and do nothing when I know very
well that my daughter's about
to be terribly hurt?
Bianca: Tell me what
you meant when you said that
you felt trapped.
Frankie: I don't know.
Just forget it, ok?
Bianca: Do I make you feel
that way?
Frankie: Look, we're just
hanging out.
Don't make a big deal out of it.
Bianca: It is a big deal --
to me.
I -- you know, I've never stood
up to my mother like this
before.
Frankie: I had nothing to do
with that.
That was all you.
I just happened to be around
when it all happened.
Bianca: No, it's more than
that.
It's like --
I love my mother.
Frankie: I got that.
Bianca: And I -- I keep
expecting her to accept me
for who I am.
And then you come along --
Frankie: She freaks.
Bianca: And -- and I realize
that this is going to keep
happening, even though she loves
me, too.
I'm going to meet somebody,
and I'm going to like them,
and that's going to set her off
over and over and over and over
again, and it's got to stop.
And you made me see that.
That's why I feel like I owe
you.
Frankie: I didn't do
anything.
Listen, if anyone owes anyone
anything, I owe you.
I needed you last night,
and you were here like that.
No one would ever do anything
like that for me.
Bianca: I'm not like most
people.
Frankie: I'm beginning to see
that.
Bianca: Neither are you.
Frankie: Want to bet?
Bianca: Most people,
if they were lonely or scared,
they would've just run away
from that.
But you didn't.
You called me.
And I came over, and we made
a real connection.
Frankie: I guess.
Bianca: Ok.
Maybe I just imagined it
because I've been lonely
and scared myself.
Frankie: No.
I felt a connection, too.
It's just --
it's more complicated.
Bianca: What you're feeling?
Frankie: Everything.
I mean, what you did
with your mom -- I mean,
that was major.
Bianca: Well, I told her that
I couldn't live there anymore,
and I'm not going to back down
from that.
Frankie: She'll fight you.
Bianca: I'm ready.
Are you?
Frankie: What do you mean?
Bianca: I mean I have to live
my own life.
So, do I do it alone or do I do
it with you?
Simone: What does it say?
Do they want you to be
a middleman for another shipment
of drugs?
Mateo: No.
I did such a great job the first
time, now they want to give me
a promotion.
Simone: To what?
Mateo: I got to open up
a laundromat for the dirty
money.
Simone: At do you mean,
like, through the club
Mateo: Yeah.
Full-service operation here.
Money laundering, drug running.
I mean, why didn't I think
of it?
This is the perfect place.
There's plenty of traffic
in and out of this place,
deliveries every day.
It's a cash business.
They know that.
Simone: I hope you're not
thinking that this is all
your fault.
All right, Mateo, there's
nothing that you could've done
to prevent this.
Mateo: Oh, yeah?
I didn't even fight it.
What do you mean, there's
nothing I could've done?
Simone: Keep your voice down.
Mateo: Why? Why?
Simone: Customers are
coming in.
Mateo: I don't care.
You think I care about
the customers, huh?
Simone: Look, you can't give
up now, all right?
Just have to figure out what
your next move is.
Mateo: Ah, I'm way ahead
of you, lady.
There's only one thing for me
to do.
[Mateo pours more vodka into his glass - but it's really water]
Simone: You don't want to get
loaded.
Mateo: Hmm.
Yes, I do.
I'm ok.
Simone: You've been knocking
them back.
Mateo: It's water.
Simone: You rigged
the bottle.
Mateo: Yeah.
It's an act.
If he thinks I'm losing it,
then --
Simone: You think Proteus is
buying it?
Mateo: Mm-hmm.
I think so.
I mean, we found the little note
in this present, didn't I?
Simone: Like Proteus was
expecting you to freak out.
Mateo: Yeah.
Simone: Got it.
Mateo: And if he thinks I'm
coming apart at the seams,
then maybe he'll drop his guard.
Simone: You think Proteus is
watching us now?
Mateo: Don't you think
he could bribe anybody here?
The staff?
Simone: In that case --
you know, it just doesn't look
good, you hitting the bottle
this early.
Mateo: Don't you have work
to do?
As a matter of fact, I want
you to deliver this to "Tempo."
Simone: Uh-huh.
Mateo: And hurry up before it
gets cold.
Phoebe: Just think about it,
my dear.
Who better than I to be
your assistant?
After all, I do know you inside out.
Brooke: Hmm, that's what I'm
afraid of.
Phoebe: Well, now, I hope
you'll forgive me, but I do have
a few odds and ends that I have
to clear up.
Brooke: Oh, leaving so soon?
You just got here.
Phoebe: Don't worry.
I shall return.
Till then, ta-ta.
Brooke: Don't trip.
Brooke: Truthfully,
I've missed her edge.
You can be a prince sometimes.
Edmund: And the other times?
Brooke: I'm getting to that.
Edmund: What'd I do now?
Brooke: You are stonewalling
me about Proteus, and I want
you to name your source.
Edmund: Not until
the investigation's over.
And when the story breaks,
the law takes over.
Brooke: Are you making this
decision for both of us?
Edmund: I guess I am.
Brooke: That's amazing.
One minute a prince, the next
a chauvinist pig.
Frankie: I'm not really used
to this, but I'm kind of scared.
Bianca: You're scared of me?
Frankie: Not exactly.
You're one of the most together
people I've ever met.
Bianca: I wish thought
that.
Frankie: You know, and
when I'm around you, I feel good
about myself.
Bianca: Hey.
Frankie: Problem is,
well, Opal kicked me out,
so we need to find a place
to crash.
Bianca: That sounded good --
"we" find a place.
Frankie: Well, are you ready
to rough it?
Bianca: Yeah, I'm ready!
Bianca: I just need to take
care of one thing.
Frankie: What's that?
Bianca: My mother.
Frankie: Good luck.
Dixie: I don't get it.
I thought I was doing so much
better with that.
Tad: Baby, you are doing
better.
Dixie: Then why -- why would
I dream about Leslie
stalking me?
Tad: I don't know.
Dixie: And you.
Tad: You don't have to worry,
ok?
Listen, you remember I told
you that I hired some private
investigators?
Dixie: Yeah.
Tad: Well --
trust me.
If Leslie comes out of hiding
long enough to show her face
anywhere in this half
of the country, our guys are
going to let us know.
Ok?
Dixie: Ok.
Tad: Ok. Here.
Maybe this'll wake you up.
Dixie: Ok.
I'm going to go wash my face.
Tad: Ok. All right.
Dixie: Shake it off.
Tad: Ok.
Dixie: Ok. Thanks.
Tad: You stink.
How low can you go?
Jesse: Excuse me?
Tad: Don't deny it.
You sent Dixie that nightmare.
It had to be you.
Jesse: Yeah, well, I tried
to send it to you, but
you weren't accepting delivery.
Tad: Great, so you torture
my wife with visions of a woman
who nearly killed her?
Jesse: Hey, it was a woman
that you recruited for some
shady, underhanded business.
[Tad dials the phone]
[Phone rings]
Pam: Hello?
Tad: Hey, Pam, it's Tad
Martin.
Pam: Tad.
Tad: Yeah, listen.
I'm -- I'm sorry about the call.
I just want to check
on something, ok?
Is Leslie still there with you?
Pam: Yeah, she's making
breakfast.
Tad, what is this about?
Tad: Uh -- well, you know,
I'm just curious.
You know, she making any
progress?
Pam: Well, she's stable,
at least.
She's taking her medication.
She's seeing a therapist.
Tad: Good.
Good.
I'm glad.
Listen, I got to run, but I'm
going to check in with you every
once in a while, ok?
Pam: Ok.
Tad, I'm not going to tell
her that you called.
Tad: Yeah, it's just as well.
She'd probably just be upset
about it.
Thanks, Pam.
Tad: Listen, Casper.
I don't care what kind
of mission you think you're on.
Do not mess with Dixie's dreams
again.
Jesse: Watch your step, Tad.
Next time might not be a dream.
Tad: There's not going to be
a next time.
All I need to do is scratch up
a little dirt on David Hayward.
That's all.
[Doorbell rings]
Tad: Hey.
Chris: Glad you're home.
You got a minute?
Tad: For you, always.
Come on.
Chris: Thanks.
Dixie around?
Tad: Yeah.
Is that a problem?
Chris: No, no. No problem.
But I do need to speak
to you both.
Dixie: Hi, Chris.
Chris: Hey.
Dixie: Thought I heard
voices.
Chris: How you doing, Dix?
Sorry to barge in like this --
Dixie: It's all right.
Chris: But I just got back
the results of Sweeney's autopsy
report.
Dixie: Oh.
Tad: Tell me I'm still
in the clear.
Chris: You're still
in the clear.
Tad: That's good news.
Dixie: Well, what happened?
I mean, I know they struggled
and the gun went off and Sweeney
collapsed, but --
I mean, that's what -- right?
Chris: That's it, that's it.
Tad: So, what killed him?
Chris: Heart failure.
But the coroner found
a needle prick on his body.
Dixie: What does that mean?
Does that mean he was drugged?
Chris: Looks that way.
Tad: Well, what did they find
in his system?
Chris: Nothing they could
trace.
Dixie: I don't get it.
Tad: I do.
He's saying that Sweeney was
a dead man before he ever broke
into our hotel suite.
Chris: Any sign of that?
Tad: Well, not that I could
see.
Chris: Did he say anything
to you?
Tad: Besides the fact that
he wanted to kill me?
Chris: Yeah.
Tad: He didn't get around
to it.
Chris: You think there's
a possibility there might've
been someone else with him?
Tad: How would we know?
You're the one that told us that
you thought he was on a plane.
Chris: Ok, ok.
Let's just forget about Sweeney
for right now.
I need info on someone else.
Tad: Who?
Chris: David Hayward.
Opal: You know, Honey,
I really do know how you're
feeling right now,
and it's no fun, but
you're being such a Mama Hen
that Bianca can hardly breathe.
Erica: You know what, Opal?
I don't need your advice
on mothering right now.
Opal: Excuse me?
Erica: I know what kind
of a mother you were to Jenny,
your daughter, when she was
Bianca's age.
Opal: Yeah, and I didn't get
a second chance with Jenny.
And you know what I would do
to hold her in my arms again
just -- just for a second, even.
[Keys jingle]
[Bianca comes in the front door]
Opal: Uh -- I'll
see you two later.
Erica: Bianca,
I'm so glad you're home.
Bianca: Oh, no. I'm sorry.
This isn't my home anymore.
Erica: Bianca, this will
always be your home.
Bianca: Well, it doesn't feel
that way.
I just came by to get some stuff
and then I'm going.
Erica: Look, I know that
we had a big fight last night
and -- and we both said some
very harsh things to each other,
but you know that I would never
hurt you on purpose, just like
I know that you would never
hurt me.
So, please, can we just -- can
we sit down and talk about this
please?
Bianca: What do you want
to talk about first, Mom?
The sleeping arrangements
at Opal's?
Erica: Bianca --
Bianca: Isn't that why
she came over here?
To tell you?
To fill you in?
Erica: Opal wanted me to know
that you were safe.
Bianca: So you're saying that
you didn't ask her where
I slept?
Erica: You don't know --
you don't understand why I want
to know.
Bianca: I understand, Mom.
I understand perfectly.
You don't want to see me
get hurt.
Erica: Yes, that's true.
Bianca: And your solution
would be to lock me up
for the rest of my life.
Erica: Oh, no, Honey,
of course not.
Bianca: Well, that's good,
Mom, because I'm not happy here
and that's not going to change.
Erica: Where would
you be happy?
Bianca: With Frankie.
And you can't stop me.
Chris: So you haven't been
to Hayward's lab?
Dixie: No, not in months.
But I know he uses the
hospital's facilities.
Tad: You still haven't
answered the question.
Why do you think that Hayward's
involved in your investigation?
Chris: He was -- he knew
Sweeney's dead kid, right?
Tad: Chris, you know he did.
Get to the point.
How is Hayward connected?
Chris: Suppose I ask
the questions, Tad.
Tad: You going to jerk
me around?
I had a gun stuck in my ribs not
too long ago, remember?
Chris: Oh, I remember that
you made a bad situation a hell
of a lot worse, and I had
to bail you out a number
of times, ok?
So you owe me.
Tad: Ok, I owe you.
I owe you.
I admit it, all right?
I just want to say,
for the record, that
if you think David's in any way
connected to this thing, I'll do
anything I can to get you what
you need to put him away
for the rest of his life.
Chris: Good.
Tad: Ok, good.
Now, can we move on?
Just answer the question -- is
Hayward a suspect in your drug
investigation?
Chris: He's on the list.
Dixie: As what?
Chris: Have you ever heard
of the name "Proteus"?
Dixie: No.
What is that?
Chris: Proteus is the God
of disguises and that's what
the drug lord is calling himself
right now.
Tad: Twisted.
Chris: Definitely.
Tad: So wait a minute.
We're talking about the head
of this whole organization,
right?
Chris: Yeah.
Dixie: You really think that
could be David?
Chris: Well, we're still
gathering information,
but he definitely fits
the profile.
Dixie: How?
Chris: He's established,
he's connected to
pharmaceuticals, and he's got
enough money to move
around freely.
Tad: And -- and he's got
the medical expertise to be able
to give Sweeney some kind
of untraceable injection.
Chris: That, too.
Dixie: Why would he do that?
Chris: Officer. Sweeney was
a loose cannon who got out
of control, and obviously
he wasn't supposed to die until
after he killed Tad.
Tad: And Hayward hates
my guts, so framing me for that
kid's murder would be
a total bonus.
Chris: I'll have to admit
that thought crossed
my mind, too.
Tad: Dixie, this is starting
to make sense.
Hayward could be the one.
Dixie: No, I just don't think
that's possible.
Tad: Why not?
Dixie: I know you don't want
to hear me say this, but I don't
think that Hayward could
be Proteus.
Brooke: Would you like
to know what makes Proteus tick?
Edmund: I'm working on it.
Brooke: You're working
on getting the facts, I could
give you a face to go with them.
It's what I do best.
Ahem.
And I could give you more,
Edmund, if you put me
in the loop.
Edmund: If I did that,
you'd figure out where I'm
getting my leads.
[Knock on door]
Brooke: Yeah, come in.
Simone: Someone here ordered
takeout from S.O.S.?
Brooke: Oh, you must have
the wrong office.
Edmund: No, I -- that's --
that's me.
I didn't have breakfast.
That about cover it?
Simone: Yeah. Thanks.
And don't worry, I put the extra
ketchup inside just the way
you ordered it.
Edmund: Great.
Brooke: Since when do
you like extra ketchup?
Edmund: I always -- you never
noticed that?
Brooke: If you're hungry,
how come you're not eating?
Edmund: Brooke, stop.
Brooke: What is in
the S.O.S. bag that you're
hiding from me?
Edmund: I'm not hiding
anything.
Brooke: Mateo.
I'm right.
It's Mateo, isn't it?
Mateo is your source.
Edmund, you have to tell me.
Has Proteus targeted Mateo?
[Phone rings]
Mateo: S.O.S.
Man: [Distorted voice]
Mr. Santos?
Mateo: Hey, do I know you?
I'm just kidding.
Hey, listen, about that message
you left me --
Man: Then you got it?
Mateo: Yeah.
Now, did you think that
was funny?
I mean, you sent it to my kid.
Now, I told you not to do
that, ok?
Man: Mr. Santos, we give
the orders, not you.
Just deal with the money we're
sending you and nobody has
to get hurt.
Mateo: Ok.
Yeah, I'll -- I'll clean it
for you.
Now, do you want it fluffed
and folded?
Man: Are you drinking,
Mr. Santos?
Mateo: Hey, man --
Man: This early in
the morning?
Mateo: My -- my life's gone
to hell.
I -- I've got to kill the pain.
What can I say?
Man: You can do that
on your own time, after
you finished the jobs we've
given you.
You don't want to mess this up.
The punishment will be quick
and very messy.
Simone: You ok?
Mateo: Yeah.
Did you make the delivery?
Simone: Yeah.
Even got a decent tip.
Tad: Don't tell me you're
actually going to stand there
and defend David Hayward.
Dixie: Oh, believe me,
that's the last thing that
I want to do.
Tad: Well, then don't.
Dixie: I'm just saying,
I know he has done selfish
and even immoral things,
but he respects the medical oath
that he took.
Chris: That could be a cover.
Dixie: I don't think so.
Tad: Dixie, if he respects
his oath so much, then how could
he poison an entire boatload
full of people?
Dixie: You know how
he could -- his reasons were
personal.
Chris: Yeah, I heard.
Still risky for a guy who loves
to play hero.
Tad: I agree.
Chris: And no one's been able
to make charges against
him stick.
Tad: Not yet.
Chris: That means he's got
some connections.
Tad: Come on, Dixie, at least
it makes you wonder.
Dixie: I don't know.
I know David, and I -- I just
know there's a line that
he wouldn't cross.
Chris: Oh, Dixie, if I had
a dollar for every time I'd
heard that, I'd be as rich
as Proteus.
Well, I got what I came for.
Tad: Listen, if you hear
anything, you let us know, ok?
Chris: Yeah.
Dixie: Look, I'm not standing
up for David.
I'm just trying to be fair.
Maybe it would be easier
if he was Proteus.
You know, he'd just be out
of our lives forever.
Tad: Yeah.
He would.
I guess I'm just going to have
to make my peace with all of it.
Dixie: I guess so.
Thanks.
Jesse: Just for the record,
Dixie, Tad ain't made peace
with nothing.
Dixie: Did you say something?
Tad: No, not me.
Dixie: Sorry.
Tad: Are you for real?
Jesse: Well, that would
depend on your perspective
of "real," now, wouldn't it?
But your point would be, what?
Tad: That Chris is
an FBI agent, ok?
You heard him.
He thinks that Hayward's guilty.
Jesse: He said "maybe," Tad.
But here's the thing -- I'm
beginning to think that
you might be right.
Tad: Huh?
Jesse: Well, it's either that
or I'm just tired of slamming up
against your hard head.
Whatever.
I'm willing to make you a deal,
even though it means breaking
a few rules.
Opal: Frankie?
Frankie: Don't worry.
I'll be out of here like yesterday.
Opal: Well, I wasn't there checking
up on that.
I thought maybe you and me could
have a -- a little talk.
Frankie: About what?
My Aunt Vanessa and how she's
the wicked witch of Pine Valley?
Opal: Well, for once,
your Auntie Vanessa isn't
the problem.
Frankie: What is?
Opal: Well, what you were
doing with Erica and Bianca.
Frankie: I'm not doing
anything, Opal.
Opal: Well, maybe not
on purpose.
But, you know, those two really
love each other, and ever since
you came on the scene, they just
seem to get pulled further
and further apart.
Frankie: Oh, so it's
my fault?
Opal: Well, I don't know.
You tell me.
Are you badmouthing Erica
to Bianca?
Because that's a sacred bond
they got.
You know, you mess with that,
you are hurting Bianca big time.
Frankie: I'm not trying
to hurt Bianca, ok?
Why don't you all just get off
my back?
Erica: Since you're going
to be living with Frankie,
do you mind if I ask where?
Bianca: Well, if Opal kicks
us out, then -- we'll get a room
at the Pine Cone, at least until
we can get jobs and find
something better.
Erica: Look, that girl is
going to leave you just as soon
as she gets a better offer.
Bianca: Mom, honestly,
would you care if I was being
used as long as it was a man
using me?
Erica: I don't want you to be
used by anyone, Bianca.
I just want you to be happy.
Bianca: I am happy.
Clearly, you can't stand it.
Erica: I thought being happy
meant being true to yourself.
Bianca: Yeah, that's right.
Erica: Well, this isn't you.
The way you're behaving, the way
you look -- this is her.
It's as if the real Bianca has
gone away.
I feel like I'm not even looking
at my daughter anymore.
Bianca: Maybe you're not.
I have an address book somewhere.
Erica: I am still your mother
and you are a minor, and you are
not going anywhere.
Bianca: Yeah, I am.
Erica: You take one more step
and I swear, I will call
the police.
Erica: You can call my bluff,
you can walk right through that
door, Bianca, but I swear
to you, I will call the police.
Bianca: And what are
they going to do?
They going to drag me back
in here?
Erica: If you don't come back
voluntarily.
Bianca: I cannot believe that
you're threatening me.
Erica: No, this is not
a threat, Bianca.
I will do this.
Bianca: Fine, you -- go
ahead.
[Bianca starts to leave - and Erica dials the phone]
Erica: Yes, hello.
This is Erica Kane.
Bianca: You're unbelievable!
Erica: May I speak
with Lt. Frye, please?
Bianca: Mom, stop it!
Erica: Does that mean
you're staying?
Bianca: I'll sleep here until
I'm old enough to move out,
but I'm going to spend all
my time with Frankie
and you cannot stop me.
Erica: Look, Bianca, I know
that you hate me right now,
but if that's how I can get
through to you --
Bianca: How, by being
a bully?
Erica: Yeah
if that's what it takes, I will
do it.
I will do anything to keep
you from being crushed
by that girl.
Bianca: "That girl" is
my friend.
Erica: No, that girl
is poison!
And you are worth so much more
than that.
[Back at SOS]
Mateo: Hey, what can
I get you?
Frankie: That depends.
I heard this was a good place
to party.
Mateo: You got ID?
Frankie: I don't drink.
Mateo: All right.
Good for you.
Frankie: I mean, I'm talking
about something stronger.
Mateo: Like what?
Frankie: I don't know.
Herb, weed.
So, you going to hook me up,
or what?
Brooke: Well, it's obviously
not good news from the
expression on your face.
Edmund: We knew Proteus had
big plans.
They just got bigger.
Brooke: Edmund, then you have
to bring me in on this.
Edmund: No. No.
Absolutely not.
These guys have threatened Mateo
and his family and everybody
close to him.
Brooke, this note was found
on a toy on Mateo's doorstep
with his wife and his baby
sleeping inside.
Brooke: Oh, my God.
Edmund: Yeah.
It's bad, and you're not going
anywhere near it.
Brooke: Look, I --
I appreciate you -- your concern
about that.
Edmund: It's not just
for you, ok?
If you gamble with your life,
you're not the only one
that loses.
Did you ever consider the fact
that maybe I don't want
to lose you?
[Edmund and Brooke kiss]
Tad: I thought you weren't
supposed to mess around
in the lives of mere mortals.
Jesse: Well, not directly.
That's the rule.
Tad: So why are you
so prepared to break the rule?
Jesse: Well, it's the only
way I can think of to derail
this partnership between
you and psychotic Leslie
Tad: Listen, if I don't use
Leslie, then how am I going
to nail David?
Jesse: Well, if we can prove
that he's a drug dealer,
you won't need to use Leslie.
Tad: This is true.
Jesse: Of course it's
true, Tad.
I mean, come on.
Back in the day, there was
a time, you and I, man,
made a pretty good team.
Tad: Yeah, before you died
and became a pain in the neck.
Jesse: Don't make me slap
you, because I will lump you up.
Tad: All right, fine.
We'll do it your way.
Especially if it means getting
rid of you and Hayward.
Jesse: Now you're talking.
So could you, like,
defuse the ticking bomb?
Like yesterday, all right?
[Tad dials the phone]
[Phone rings]
Leslie: Hello?
Tad: Leslie?
Uh -- it's Tad.
Leslie: Tad, it is so nice
to hear your voice.
Tad: Well, listen,
um -- there's been a slight
change in plans, ok?
Leslie: Oh, no.
Please, don't tell me that
David's going to get away
with this.
Tad: No, no, no.
Uh -- it's just that we're --
we're going to go after David,
but we're just going to have
to put it on hold for a while.
Leslie: Oh.
Well, ok.
I mean, as long as we don't put
it off for too long.
Tad: We won't.
Leslie: Because remember,
you and I have very big plans.
ON THE NEXT - - - ALL MY CHILDREN
Leo: Why you defending
Greenlee to me, Edmund?
Edmund: Why you
attacking her?
Laura: I want you to stop
being so mad at me and do me
a favor.
Bianca: What kind of favor?
Simone: You're the best boss
a girl could have.
Hayley: He's a pretty good
husband, too.
Ryan: Liza, I know this
is awkward --
Liza: Awkward?
This is sick.