Waiter: I apologize for the inconvenience, Miss Kane. I'll let you know when your table's ready.
Erica: Fine, thank you.

Bianca: I thought you never had to wait.
Erica: Well, I don't mind at all, really. I mean, I'm just so happy we have this chance to talk.
Bianca: About what, I wonder. Let's see. The party?
Erica: You know something, Bianca? Planning a party can actually be very exciting.
Bianca: Mom, what more do we have to plan? The color toilet paper in the bathrooms?
Erica: Oh, Honey, come on. You don't have to be --

David: Right here. Thanks. Hey.
Dixie: Hello.

Bianca: David didn't see you, Mom. He would have stopped if he had.

David: Thanks for meeting me here. I need to get to the airport, but I wanted to go over this grant proposal before I leave. The deadline is next week, so I need you to keep working on it while I'm out of town.
Dixie: I didn't know you were going on a trip.
David: Yeah, it just came up all of a sudden. There's a cardiology conference in Manhattan, and somebody's supposed to speak. They had to cancel. They asked me to replace him. I shouldn't be gone for more than a day or two -- oh, here it is. Good. All right, look. These are my suggestions for the proposal, ok?
Dixie: We could go over it on the plane if I can get a ticket.
David: You -- you want to go to New York with me?

Marian: You know, Frederick said he couldn't find you on the other side, and I wish I'd listened to him right away. Oh. Oh, I wish I'd listened.
Stuart: I wanted to come back sooner, but I couldn't leave the cafe because it was called the Queen of -- Queen of Hearts. And I knew that was important.
Marian: I was looking for some childhood things up here to give to Frederick. That's what I was doing up here.
Stuart: Yeah. Yeah, I was -- when I painted your picture and I knew it was you and I knew you were my Queen of Heart, then I saw -- I saw a tear. It looked like she'd been crying.
Marian: Oh, Stuart, I cried every day. I missed you so terribly.
Stuart: I missed you, too. I missed you so, even though I didn't know who you were or why my heart felt so empty without you. I just knew I had to get home, wherever home was.
Marian: Here, Darling, here, with me.
Stuart: I know that now. Home is with my beautiful Queen of Hearts.
Marian: Oh, my Darling. I love you so very much.
Stuart: I love you, too. Marian. Such a beautiful name.
Marian: Especially when you say it. Please, Stuart, say it again, please.
Stuart: Marian. Marian. Marian. Marian.

Arlene: Vanessa, everything is under control. Stuart won't starve if, well, he doesn't eat for a day or two. No, I dismissed the servants for the week. Vanessa, would you stop being so negative? I mean -- look, I have Adam here all to myself in New York. What can go wrong?

[Door opens]

Arlene: Ooh, got to go. You know, this brochure has a bunch of stuff we could do here. Like how about a Broadway show, huh? Oh, I can't believe it. "Cats" is closing.
Adam: Only for the last year.
Arlene: Oh, darn it. I want to see that. Oh, well. Well, how about a jazz club? Or if you want to stay inside, I'm sure we could think of something pleasurable to do.
Adam: There's not a sound. Where the hell are they?
Arlene: Well, maybe Tad and Liza decided to stay someplace else.
Adam: No. No, no. Chandler Enterprises has an account here. And the desk clerk confirmed their reservations, and I made it worth his while to ensure they'd be our neighbors.
Arlene: Well, it's too bad you didn't have enough time to have their room bugged or put a spy cam in.
Adam: If this is too boring for you, perhaps you'd like to just go back to Pine Valley.
Arlene: Oh, would you just stop being such a poop? I'm in on this all the way. I mean, thanks to me, I saw Frank's potential. And now he's put himself into a position where he can handle all the problems of the Col-Mar tower.
Adam: Don't be too quick to pat yourself on the back. The project hasn't failed yet.
Arlene: Hey. It's just a question of time. And you can relax just for an evening, can't you?
Adam: Get that out of my face.
Arlene: Jeez, Adam, I wish I hadn't mentioned that Tad and Liza were staying here.

[Noise]

Adam: Shh. They're coming in.

Tad: It's so good to see you.
Man: I hope your stay with us will be enjoyable as usual.
Liza: Oh, I'm sure it will be.
Man: There you go, Sir.
Tad: Thank you very much.
Man: The executive meeting room is stocked and ready when you are. Is there anything else I can do for you?
Tad: Yeah, as a matter of fact there is. Think you could put together a last-minute teleconference?
Man: I'm sorry?
Liza: Oh, it's just that the gentlemen that we're meeting are experiencing some delays in Chicago.
Man: The people from Alliance Elevators? I wasn't aware they hadn't arrived. Regrettable, but these things do happen. I'll have a complimentary bottle of champagne sent up while you wait.

Tad: "Regrettable" -- that's a prize-winning understatement. It's one thing I know with these clowns -- ever since we contracted them for Col-Mar, I'm beginning to wonder whether or not they want our business or not.
Liza: Well, it's like the manager says. I mean, these things do happen.
Tad: Yeah, but every other blessed moment we turn around? Think about it. It's always some unforgotten detail, you know, some near-catastrophe averted. Doesn't exactly inspire confidence, does it? I don't know about you, but I'm beginning to wonder that this whole damn project is just stuck between floors.

[Telephone rings]

Tad: Strange. Excuse me. Hello?

Manager: I could have a light supper sent up as well. The fruit may not be enough.
Liza: No. We can call if we need something to eat. And thank you for the lovely basket.
Manager: Oh, well, I try to ensure that my special guests are well taken care of. Mr. Martin has a basket in his room, and your other party, of course, has one, too. Perhaps you'll like to dine together while you're waiting.
Liza: Um -- the other party that you're talking about -- what -- I don't know what you're --
Manager: Mr. Chandler and his wife.
Liza: Adam is here?
Manager: I assumed that you were here together. That's why we put you next to each other. My apologies if that's not the case.
Liza: Does -- does -- does Adam know that we're here?
Manager: I'm not sure. I was away from my office when he arrived.
Liza: Does Adam know that we know that he's here?
Manager: I don't think so, but, again, I was away from my desk.
Liza: Ok. You know what? Actually, why don't we just keep it that way. You know, no -- no talking about it or anything.
Manager: Oh. As you like, Ms. Colby.
Liza: Thank you.
Manager: Thank you very much. If there's anything you need at all --
Liza: Oh, I'll --
Manager: Just give me a shout.
Liza: Pick up the phone. Thank you. Thanks again.
Manager: Bye-bye. Enjoy yourself.
Liza: Bye-bye. Ok.

Tad: Let me know if it changes. Well, it's official. O'Hara is fogged in, meaning there's no way they'll make it out tonight and no telling when they'll arrive tomorrow. So I say there's no reason we shouldn't just turn right around and fly back to Pine Valley.
Liza: Not on your life. We're not going anywhere.

[Music plays]

[Pounding on door]

[Doorbell rings]

Greenlee: Leo! Leo, open up!
Leo: What is it? What is it?
Greenlee: Leo, hurry, open the door!
Leo -- Leo --
Leo: What are you doing?
Greenlee: Are these the only locks? The security system -- we have to activate it. We have to keep him out! Come on, hurry!
Leo: Greenlee, hold on. Who are you talking about?
Greenlee: Oh, God. Forget it, forget it. He's going to find me anyway. I'm a dead woman.

Bianca: A diet cola's fine. Thank you for letting us eat here. Mom? Mom.
Erica: Oh, yes. Excuse me. Mineral water with lime, please.
Waiter: Right away.
Erica: Thank you.
Bianca: I'm sorry about that, Mom.
Erica: About what? Oh, David? Oh, please.
Bianca: We don't have to stay here if you don't want to.
Erica: Honey, look, we broke up, and we left each other on good terms. I mean, yes, I did break it off with him, so he may be hurting right now. But I want you to know that I worked very hard to try to work things out. I just think that in the end it was his -- his egotism, his secretiveness that really did us in.
Bianca: Look, Mom, you don't have to do this.
Erica: Do what?
Bianca: Put on a front. You know you can always be real with me.
Erica: Well, it is awkward seeing David.
Bianca: Having him not notice you had to be totally weird.
Erica: No, no, no. Not at all.
Bianca: Mom, come on. I know how that is.

David: You want to fly to New York with me?
Dixie: Well, yes, if we can get a ticket.
David: I'm sure we can. I'll pay for it, of course.
Dixie: Oh, no, there's no need. You don't need to do that.
David: No, no, don't be ridiculous. I mean, it's a business expense. We can get a lot of work done on the way to New York. And on the trip back, if -- you know, if you're planning on staying the whole time, we could --
Dixie: Oh, that's -- I don't know when I'll be coming back.
David: Really?
Dixie: You see, work is not the only reason that I'm going. Tad's in New York, and I thought maybe it would be nice if I could surprise him. We could spend the day -- the next day -- in New York, together.
David: Oh, I see.
Dixie: Junior and Jamie are staying with Brooke, so I'm being spontaneous. I'm sure I'll get the proposal done. I'll work on it while Tad's in his meeting tonight.
David: No, I'm not -- I'm not worried. I'm sure you'll get it done.
Dixie: So, what time's the flight?
David: Well, actually, we have less than an hour.
Dixie: Oh. Well, we better make tracks, then, right?
David: Yeah, no kidding. Ok. Ahem.

Bianca: Do you want to go say hi?
Erica: No, no. Besides, I think that his administrative assistant is really keeping him very busy.

Tad: I'm not going to be ridiculous about this. There's a flight home in an hour. We can argue about it on the way to the airport.
Liza: I'm not leaving.
Tad: Ok, fine. You have it your way. I'm going to see how fast Mr. Anything-you-want can pull a cab out --
Liza: No, you're not leaving, either.
Tad: Au contraire. Unless you've got a gun, I'm not here anymore.
Liza: We just can't pack up and leave.
Tad: Why not? Huh? Beats the hell out of sitting around waiting. Personally, I'd rather be at home with my incredibly bodacious wife. Hell, I'd rather be in the office. Either way, we're here now, ok? We made the effort. Let's let our friends at alliance make the effort next time.
Liza: It's late. And we can stay and get up and leave in the morning. Because if they get a red-eye, then they'll be here, and they'll be tired, and we'll be rested, and we'll have the advantage in the negotiations.
Tad: What negotiations? There are no negotiations. They're not here. I'm ready to go with another company.
Liza: Oh, oh, that makes sense. Let's just start all over. That'll just add more time. That's exactly what we need.
Tad: God, I hate it when you're right. Ok. I see your point. Can't blame a guy for trying. Dixie and I don't get to spend enough time together as it is.
Liza: I'll make it up to you, I promise.
Tad: Huh.
Liza: Starting tonight. I'll take you to dinner at my favorite restaurant in Tribeca.
Tad: Why the hell not. Might as well make the best of it.
Liza: All righty, then.

[Arlene hums]

Adam: Shh, shh.

[Humming]

Adam: Will you shut up? I can't hear a word they're saying.
Arlene: Room service? This is Mrs. Adam Chandler.

Tad: You know, as long as you're making it up to me, I might as well get you to spring for theater tickets. Personally, I can't decide between "Peter and the Wolf" performed entirely by sock puppets or the Yiddish folk music festival at Lincoln Center. How do you feel about seeing "Cats"?
Liza: I think it's closing. This time for good -- I think.
Tad: Shows you what I know.
Liza: Well, you know I always take care of you, Tad. And I promise you, tonight I will give you entertainment that you can reach out and pet.

Leo: Greenlee, calm down. Relax. Tell me what's going on. Just take a few deep breaths and tell me what's going on.
Greenlee: Listen. Wade was at the Valley Inn.
Leo: I know. That is the point of the whole Palmer/Vanessa --
Greenlee: No, no, no, he came back! He's onto us, Leo.
Leo: Hold on, hold on. How much does he actually know?
Greenlee: Everything. He knows -- he knows about the whole scam. He grabbed my wrists. He threatened me. I'm dead!
Leo: Ok, ok. It looks bad, but maybe you're overreacting. Wade acts like a tough guy, but the bottom line is it's all about the money.
Greenlee: And I owe him over $3 million.
Leo: Right. So, you know, he can't get the money back if you're sitting at the bottom of willow lake, right? So just relax. Just relax. We'll figure something out.
Greenlee: Right. Right. I'm just overreacting.

[Gunshot]

[Greenlee screams]

Greenlee: Look out!

Arlene: I ordered us some goodies. But that doesn't mean we have to wait to start having some fun, you know?
Adam: What is that? What does -- what -- what does she mean when Liza said she always takes care of him? Doesn't sound like they're planning a business meeting to me.

[Telephone rings]

Arlene: Yeah? Oh, hi. Yeah. How'd you manage that? Ok, well, you did good. I'll talk to you later. Bye. That was Frank. He got to the guys at Alliance Elevators. They're not going to show. There's no meeting. Sorry, Tad. Sorry, Liza.
Adam: So they're not coming. You know what that means, don't you?
Arlene: Col-Mar Towers, going down.
Adam: Nope. Liza and Tad are going to be in that room alone together for the entire evening, for the entire night, uninterrupted, alone, together, in that room.
Arlene: Yeah. So, what do you care?
Adam: I don't.
Arlene: Good, because you have much better things to think about.
Tad: You're not on some kind of medication, are you?
Liza: No. I just thought that if we don't get to see "Cats," we'll go see "The Lion King." We'll keep with the feline theme.
Tad: Oh, yeah, that follows. I can't do "The Lion King." I promised Dixie and the boys I'd take them to see it over the holidays. They'd kill me if I saw it without them.
Liza: No problem. We'll think of something.
Tad: Fine. You do the thinking. I'm going to call the ball and chain, tell her what's going on.
Liza: You know, I'm going to go down to the lobby. I'm going to go to the concierge and see if they have any suggestions and work my magic getting our table.
Tad: Ok.
Liza: Ok.
Tad: Ok.

[Elevator bell rings]

Man: Room service.
Arlene: Ooh. Prompt service. I love it. Did you get everything I requested?
Man: Oh, champagne, caviar, smoked oysters, chocolate-dipped strawberries, and the item from the gift shop.
Arlene: Hmm. So between the food and -- uh -- this, do you think my husband's appetite will be satisfied?
Man: Yes, ma'am.
Arlene: Very good answer. Come on in.

Liza: Oh!
Tad: That's funny. Dixie's not at home. She doesn't answer her cellular, either. What's wrong with you?
Liza: Some drunk convention guy bumped into me in the hallway and -- will you go down to the concierge? Will you get a paper? And I'm going to change for dinner.
Tad: Yeah, sure. No problem. Probably end up hanging out with the Shriners anyway.
Liza: Ugh.
Tad: Having a hell of a lot more fun than we are. Go to a strip club, go trolling down at --

[Liza groans]

Liza: Damn you, Arlene. Oh. Damn you, Adam.
Liza: I think it's time I made love to Tad.

Leo: Ok, stay -- stay down. Stay down.
Greenlee: No, wait, you can' go out there! You're going to be shot!
[Gunshot]
[Greenlee screams]
Greenlee: Oh, my God, he's got an army of hit men out there!
Leo: I'm calling the cops. This is ridiculous.
Greenlee: No! No, wait. He'll go after Gramps -- if I survive, that is.
Leo: Greenlee, you're going to survive. You're going to survive. I won't let that happen to you.
Greenlee: Oh, God, you never do. You always come to my rescue, and this time is the worst. I am so sorry I got you involved in this. If anything happened to you, Leo, I would die. I love you.
Leo: I haven't done any more than you've done for me, Greenlee. I don't know how this happened, but we're in it together, ok? Now, I have to call the cops. We can't -- we can't go any further with this by ourselves.
Greenlee: Wait. Thanks.

[Doorbell rings]

Greenlee: Oh, my God. Don't answer it!
Leo: Wait. How many hit men do you know ring a doorbell?
Who is it?
Man: Mike, the gardener.
Mike: Hi. Sorry to disturb you folks. I hope my truck didn't make too much noise in the drive. It's been backfiring like crazy lately. Probably the pistons.
Leo: The pistons, yeah. Right.
Mike: I left my hedge clippers in the back yard. I'll just go round them up.
Leo: Yeah, sure thing. And thank you for clearing up that noise thing.

[Leo laughs]

Leo: Well, I think we'll live.
Greenlee: For now, at least.
Leo: Yep. We're stuck together. Good thing you love me, huh, Greens?

Stuart: You know, I ought to get in touch with Judd and Marilyn.
Marian: Why, darling?
Stuart: Well, because they -- I want them to know I'm all right. They were really very nice to me.
Marian: And Esther? Is she still in Nevada?
Stuart: I don't know. She may have moved on after I left.
Marian: I can't believe she pretended to be your wife and lied to you all this time. I mean, I know this is going to sound horrible, Stuart, but I would like to run that woman down with her own trailer.
Stuart: Well, at least she was good to me.
Marian: Darling? I hate to ask you this --
Stuart: What?
Marian: But when you were with Esther, did you two -- I mean, you know, trailers are very -- they're very close quarters, and you thought you were married to her, so did you --
Stuart: Oh, no, no. No. We didn't live as husband and wife. Not like that. No. Oh, no. I kissed her twice. But it was more like kissing a good friend. I really felt sorry for her. She was really very sad. She -- well, I didn't love her, and she knew it.
Marian: She did?
Stuart: Oh, sure. Couldn't pretend. Somehow I knew what it really felt like to be in love, to really love someone, even though I wasn't aware that you were the one I had the feelings for.
Marian: Oh, Stuart. I wish I had amnesia, too. Then I wouldn't have thought that I'd lost you forever.
Stuart: Come here. I'm so sorry that you were all so sad. I feel sorry for -- Adam. Oh, I just remembered. Oh, I was so mad at him because he tried to hurt you with that awful man, that Paolo.
Marian: Oh, Stuart, I wish that you would have forgotten about that forever. I really do.
Stuart: I saw Adam at Oak Haven. And I remember telling him that he wasn't my brother anymore. Oh, no. I remember how hurt he looked. That was the last time I ever saw him.
Marian: Stuart, Adam hasn't been the same since. The night that he lost you, he lost himself.

Arlene: Close your eyes and open wide --
Adam: No.
Arlene: And you will get a nice surprise.
Adam: I don't want it.
Arlene: Come on, come on.

[Thumping on wall]

Arlene: Want something to wash it down with?
Adam: What was that?

Liza: Oh, yes, Tad!

[Thumping]

[Liza lays on the bed - kicking the headboard]

[More thumping]

Arlene: My, my, my. I didn't think she had it in her.

Liza: You're an animal. Yes, spank -- oh! Oh, yes! You are the best! Oh, yes. You're an animal. Oh, yes, Tad, yes!
Yes!
Yes!
Yes!
Yes!
Yes!

[Tad walks in and watches Liza]

Tad: Was it as good for you as it was for you?

Bianca: You know, I understand that sometimes things just don't work out. It doesn't mean that either one of you is to blame. I mean, I really like David.
Erica: And he really likes you. I was really hoping that after we got engaged that we -- well, never mind that now.
Bianca: But you have to come first. We talked about that, remember? And I totally understand. I just want you to be happy, Mom.
Erica: You're amazing.
Bianca: I'm ok. I've learned a lot about handling tough situations, and --
Erica: And what?
Bianca: I want to know if something is hurting you, Mom, because maybe I can help.
Erica: Oh, Honey. You have already helped me so much by being here with me. It's so funny. I'll tell you something. Your Uncle Jack and I concocted this whole story about my needing you to come here to cheer me up just so your dad will let you stay with me for a little while. And little did I know that it was actually going to turn out to be true. Honey, if I have pushed too hard for you to have this party, I am so sorry. I think that Myrtle may have been right. I think maybe I was using the party as a distraction to try to help me get over David.
Bianca: It's ok.
Erica: No, it's not. I don't have any right to cram this party down your throat. No, I will cancel it.
Bianca: No. No, Mom, let's go through with it.
Erica: Honey, this turnaround of yours -- I mean, I hope this doesn't have anything to do with me because you really made your position very clear.
Bianca: So did you, Mom.
Erica: Point taken.
Bianca: But I'm really ok with it now. Really.
Erica: Ok, cards on the table, Bianca. Why all the objections?
Bianca: Mostly I object to the tabloids. I mean, what if they crash the party and start reporting all kinds of stuff that just isn't true?
Erica: You know something? That is never going to happen because I'm going to make sure that there's extra-tight security there that evening. And I will have the guest list completely checked out. No one who is not on that guest list will be permitted into the Valley Inn. And I'm also going to have them check the staff list. So, what else?
Bianca: You'll think it's stupid.
Erica: No, I won't. Never. What? Tell me.
Bianca: Mom, what if everybody watches me to see if I eat or don't eat?
Erica: Honey, Listen to me. The people who know you know what a remarkable recovery you're making. And the other people -- the people who are curious -- well, I mean, so be it. And maybe you will be a role model for someone who needs one.
Bianca: That's one way of looking at it.
Erica: Yes. Believe me, Bianca, I know what it's like to have every move scrutinized. And you know what? There really is not too much you can do about it except try to have a positive attitude. So, what else?
Bianca: Well, then there's the menu and the music. Look, Mom, I know that you went to a lot of trouble to have the whole thing catered and to hire a band and all that, but I would be happy with corn dogs and canned soda. Oh, and, Mom, there's this killer death metal band that you just have to hear.
Erica: Ok. Ok. So pigs on a stick and a killer band.
Bianca: Mom? I'm kidding.

Leo: You love me. You were saying? Continue.
Greenlee: Leo, I was scared. I thought we were going to die.
Leo: Ah -- a deathbed confession.
Greenlee: Are you making fun of me? I was terrified. I didn't even know what I was saying.
Leo: No, you said you love me. You really, really love me.
Greenlee: Would you give it a rest? You know what it's like when you're under pressure. You say things. Like that night on the island.
Leo: What things?
Greenlee: After you ate all those berries, you told me that you loved me, that was your ideal woman.
Leo: I said that?
Greenlee: Yeah. So?
Leo: So nothing.
Greenlee: All right, then. Let's just forget about it, ok?

Liza: This isn't what it looked like.
Tad: Oh, really? What is it?
Liza: Um -- I was -- I was thinking about that idea that you had for the Col-Mar Tower.
Tad: Uh-huh.
Liza: Thinking, yeah. Tad: Well, I had no idea that you -- you found it so stimulating.
Liza: I think I just fell asleep and I was dreaming, I was talking in my --
Tad: Liza, come on, sweetheart. Come off it. I know what you're going through. Why don't we just be honest about it?
Liza: Honest about what?
Tad: About what you're feeling.
Liza: No --
Tad: Deep, deep down.
Liza: I don't know what you're talking about.
Tad: Oh, yes, you do. And, Liza, trust me, so do I.

Arlene: Forget about Tad and Liza. Once the Col-Mar Tower fails, Chandler Enterprises will kick them out so fast they won't be able to sit down for a week. I'm all you need, Adam. You know that? We'll see how hot they are for each other. Oh, come on. Liza's hopeless. Let her love Tad. They deserve each other.
Adam: Shut up.
Arlene: Adam -- oh.
Adam: Shut up! Shut up! Do you hear me? Liza does not love Tad. Do you hear me? She loves me. She loves only me!

Erica: Oh, it is so good to laugh with you again.
Bianca: Yeah, it is.
Erica: So, can I make any adjustments? Order extra mustard --
Bianca: No. No, Mom, I really think that we can leave everything the way it is. I'm just not sold on dresses yet.
Erica: Ok. Well, then we'll just keep looking. Honey, you are going to make me so proud.

Greenlee: You know, I should never have come here like that.
Leo: It's all right.
Greenlee: No, I was hysterical, and I just made you crazy for nothing. I'm -- I can handle it from here.
Leo: Whoa. What are you doing? You can't handle Wade by yourself. We have to call the police.
Greenlee: No.
Leo: Greenlee, listen to me. This police ban of yours has got to stop.
Greenlee: I said no, Leo. I don't want my grandfather involved in this, and that's the first person they're going to contact. And they may even start investigating him or have the government auditing him.
Leo: Ok, ok, ok. Calm down. No police, all right? I'm sorry I got you upset again.
Greenlee: I'm fine.
Leo: Why don't you go up to my room and lie down for a little bit. Go on. I'll bring you some cocoa or something.
Greenlee: Maybe I should. You know, I'm not really ready to go out there yet.
Leo: All right.

Leo: Yeah, could I speak with Lt. Derek Frye please? Tell him it's Leo du Pres. Lt. Frye, hello. Thank you for taking my call. No, it's not about me. It's about Greenlee Smythe. She got herself into a little trouble. Yeah, we're going to need you to come down here right away.

Stuart: Adam married Arlene?
Marian: Yes, darling, that's how desperate he's become. I mean, talk about sinking to the lower depths.
Stuart: Annie Oakley.
Marian: Annie Oakley. You want to see "Annie Get Your Gun"? I can get us tickets. It's going to be here on tour.
Stuart: Arlene is Annie Oakley.
Marian: Stuart, darling, I think you'd better sit down. I think this has all been a little too much for you.
Stuart: No, no, no, Arlene came out to the Queen of Hearts cafe, and she was dressed just like Annie Oakley.
Marian: Arlene was at the Queen of Hearts cafe?
Stuart: Yes, yes, she was there. And that was the first time I remembered getting hit by the car -- when I heard her voice. And I -- I'm almost positive that she's the one that hit me.
Marian: Arlene? She knew you were alive all this time?
Stuart: Yeah.
Marian: I'm going to kill her.
Stuart: No, no, no.
Marian: When I get my hands on that woman, I am going to kill her!
Stuart: We got -- we got to warn Adam. We got to keep her away from him. Oh.
Marian: Are you all right, Stuart?
Stuart: No, I'm all right. I'm all right.
Marian: Oh, my God.
Stuart: Arlene brought me up here and locked me in on purpose!
Marian: She what? That low-life, lying, scheming, son of a --
Stuart: We got to get out of here. We got to -- we got to -- we've got to warn him. We've got to stop her.
Marian: Help!
Stuart: Help!
Marian: Let us out of here!

Arlene: Help --

[Arlene coughs]

Adam: I shouldn't have done that. Just shut up!
Arlene: Where are you going? What are you going to do?

Dixie: Adam. What are you doing here?
Adam: Dixie. Do you believe in deja vu, honey? Check out your husband's room. It's right there.

Tad: [French accent] come to me. I screech to you with jungle love.
Liza: Stop it. Get off.
Tad: [Normal voice] what's wrong, sweetheart? Game getting a little too real for you? It's not so much fun when you're the one being played, is it?
Liza: I don't know what you're talking about.
Tad: You know exactly what I'm talking about. I'm talking about this little slap-and-tickle vaudeville routine you go into every time Adam's around. How long are you going to torture the poor sap, anyway? Look, Liza, you know, a hand on the thigh -- that's one thing. A meaningful look is another. But when you involved a concierge in a New York hotel, you start to look ridiculous.
Liza: You know, I don't know what it is that you think you see, but you're wrong --
Tad: Oh, yes, you do, honey. I know -- I know that Adam is right next door. And that's the sole reason for your one-woman orgy, isn't it? Admit it. You wanted Adam to hear the two of us making love.
Liza: Tad. Tad.

David: Hey, you won't believe what's -- Dixie, what? What is it? What's wrong?
Dixie: This can't be happening. He wouldn't do this. He wouldn't do this to me.
David: Who?
Dixie: I got to get out of here.
David: No, no, no, no, no. Wait a minute, wait a minute. Dixie, whoa, wait. Hold on. What? Who are you talking about?
Dixie: Tad and Liza. They're having an affair.


ON THE NEXT - - - ALL MY CHILDREN

Hayley: Did you see Arlene flash that guy?

Leo: I need a huge favor from you. I need you to keep your mother there as long as you can.

Liza: It's not what you think, Dixie. Really.