Adam: I'm trying very hard
to be the man you want me to be,
but it would make it a lot
easier if you could trust me.
Liza: I can't make any
decisions right now.
Chris: In my opinion,
nothing ever is put ahead
of your children.
Erica: Do you have children
of your own, Mr. Stamp?
Bianca: You lost it when
the guy called you "Buddy."
Gillian: If I can find out
what "Buddy" means, I'll have
the key.
Bianca: It's cool.
I love it.
Erica: That's so good.
I'm so glad to hear that.
I didn't want to sign off
on this campaign until I had
your opinion.
Bianca: "Enchant
the Unavailable Man."
It's got to be important to most
of the women in the world.
Congratulations.
Erica: Thank you.
Actually, it was not my idea.
It was Greenlee's.
Bianca: Oh, so I guess
the unavailable man is Leo?
Erica: Oh, I suppose.
Bianca: Gosh, just like
Greenlee to turn
a crash-and-burn into
a moneymaker.
Erica: So you think that it's
really over, then, between Leo
and Greenlee?
Bianca: They say it is.
Erica: Would you be all right
with that?
I mean, it would mean that --
Bianca: That Laura and Leo
would stay married.
Yes.
Yes, Mother, I would be ok
with that.
So ok.
Erica: Well, good.
Good, Honey.
I would hate to think that --
Bianca: That I was pining
away for the unavailable woman?
You can chill.
I'm not.
Erica: That's wonderful.
Bianca: Is that what this is
about, Mom?
Me pining after Laura?
I mean, you could've just come
out and asked me.
Erica: Honey, I just want
to know what's going
on with you, Bianca.
Bianca: Ok, well, now you do.
Can I go?
I mean, you got your chauffeur
downstairs waiting to take me
to school.
Erica: Well, you know,
Mr. Stamp can wait.
That's what I pay him for.
Bianca: Oh, is that why?
Erica: Honey, I just truly
wanted your input on
the campaign.
Bianca: Ok, I thought we just
did that.
Erica: No, what I mean is,
I wanted to go over some copy
with you after school
because you know very well that
these writers don't have a clue
how to talk to real kids.
Bianca: Sorry, Mom.
I'm going to be busy.
Erica: Busy?
Bianca: Um, yeah.
I'm going to the Blue Angel.
Erica: Well, that's not going
to happen.
You're not going back
to that bar.
Chris: Roger Smythe hasn't
been seen since that night.
No, no, no, no.
There's no way he's going
to 86 that sweet setup.
Well, we're just going to have
to work him out, wait till --
excuse me, this is Ms. Kane's
limo, not a car service.
Anna: I know what this is.
And I know who you are.
Chris: You think so?
Anna: Yeah.
I finally figured out why
you seem so familiar to me.
You're a Fed.
We met years ago.
I don't know, maybe
you remember me.
Chris: Oh, I remember you,
Agent Devane.
Correct me if I'm wrong,
but didn't I almost kill
you once?
Mia: Stuart?
Adam: Hmm.
Uh, come in, come in.
Mia: You're Adam.
Adam: Ah, very astute.
Some people get us confused.
Mia: I don't know why.
Aside from your looks,
you're totally different.
Adam: Yeah.
Would you care for some coffee?
Mia: No, I'm here to meet
Marian.
Adam: Marian's message came
from me.
Mia: That's it.
I'm out of here.
Adam: What did you expect me
to do?
You refused to talk to me.
Mia: Yeah, that's right.
And nothing's changed.
Adam: Oh, no, no, don't be
too sure about that.
Something has changed.
$50,000 In cash.
[Adam chuckles]
Mia: I won't work
for you again.
Adam: This is just
for the meeting, you understand.
There will be 50,000 more
if you decide to work for me
again.
Mia: Ryan's my friend.
I'm not going to go behind
his back just to help you.
Adam: If you do help me,
you'll actually be helping Ryan.
Ryan: What now?
Gillian: Oh.
He's here already.
Jesse: You brought him here?
Gillian: I suggested it
to him last night while he was
asleep.
Jesse: What for?
Gillian: Oh, wait.
He's confused.
Ryan, do you remember that night
with a full moon?
There was a band playing
on the yacht next to ours,
and we danced all night until
the sun came up the next
morning.
Do you remember the song
the band kept playing?
Jesse: Pitiful.
It's pitiful.
Gillian: He'll be ok now
for a while.
Hey, isn't it just great how
I can communicate with him?
Jesse: Communicate?
Commun-- you are truly bugging
because you are torturing him.
Gillian: No, I am not!
Jesse: Yes, you are!
Gillian: Come here.
You know, I can't go anywhere
until I've completed my task,
right?
Jesse: Well, yeah.
Gillian: And I'm sure my task
has something to do with Ryan
and this Mr. Stamp guy, and I'm
just so tired of guessing what
it is that I, you know,
decided to take action.
Jesse: Whoa, whoa, whoa.
And just what action have
you decided to take?
Gillian: Well, I, you know,
tried to communicate
with Mr. Stamp last night.
He wasn't receptive.
And you wouldn't believe
the stuff he was dreaming.
Jesse: I wouldn't care.
Gillian: Anyway, so I decided
to go with a sure thing.
And here she is.
Jesse: Oh, you've got to be
kidding.
Ryan: What are you doing
here?
Opal: I don't know.
I just woke up, and here I am.
Ryan: Me, too.
Gillian: Hey, don't worry.
It'll all be clear in a second.
Jesse: Hey, you better not be
thinking of doing what I think
you're thinking of doing
because -- oh, jeez.
[Gillian enters Opal's body]
Gillian: Ryan.
Erica: You are not going to
the Blue Angel, not this
afternoon and not ever.
Bianca: Mom, you're not being
fair.
Erica: And actually,
you know, what you are going
to do on school nights when
you don't have any school
activities, then you just come
right home and do your homework.
Bianca: I'm -- you're
grounding me?
You're grounding me to keep me
from meeting people?
Erica: You know what?
I never want you to meet anyone
in a bar -- gay or straight
or otherwise.
Bianca: Mom, I think that
you're trying to monitor
my social life.
Erica: Ok, I'm the monitor,
and you know what?
It's time for you to go back
to school.
Bianca: Mom, how would
you feel if I monitored
your social life?
Erica: Honey, you're not
responsible for me.
Bianca: Come on,
mom, let's talk about
you and your chauffeur,
how you always flirt with him.
Is this your blue-collar phase?
Erica: Bianca, that's enough.
Bianca: Why?
I guess you had to start looking
elsewhere for Mr. Right.
I mean, I know you're never
going to stop looking, no matter
how much you get hurt.
Erica: Bianca, that is rude.
Bianca: How goes it
with Mr. Stamp, Mom, huh?
Has he made his first move?
Erica: Bianca --
Bianca: I mean I guess that
you'll give him a hard time
at first, but then --
I see a new campaign in this --
how to enchant your employees,
how to entice your underlings!
Erica: Bianca, that is
enough!
Bianca: I'm going to take
a cab to school, and I don't
know what I'm going to do
afterwards, but I doubt I'll be
home.
Anna: Didn't you almost kill
me once?
Huh. Hmm.
I seem to remember that
you pulled a gun on me,
but didn't I immobilize
you pretty quick?
Chris: Did you?
Anna: Yeah, that was my foot
on your throat, wasn't it,
not vice versa.
Chris: You were a boil
on my rump, Devane.
Anna: Oh, I would've gladly
eaten your liver with a little
dry Chianti.
Chris: You know, we could've
been a good team, but
you just -- you couldn't mind
your manners, could you?
Anna: Not my strong suit.
You knew whatever went down
in Port Charles was my business.
Chris: The operation almost
went down because you couldn't
follow orders.
You didn't back off when
you were told, remember?
Anna: That is your
self-serving version.
Chris: You know something --
Anna: I was helping
your agency out.
You needed it.
Chris: And you know something
I don't?
Anna: As a matter of fact,
I do.
I did a check on you back then.
Seems you just worked your way
out of some big trouble.
I never found out what, but it
warranted an internal
investigation and two years'
desk duty.
Chris: I read you lost
your mind.
Anna: Oh, you think I'm
imagining it?
Chris: What do you want?
Anna: I guess I could ask
around.
Chris: What do you want?
Anna: You're on my turf now.
Chris: Good. So?
Anna: So
I care what goes on around here.
So whatever your game is, I'd be
willing to give you a hand.
Chris: How generous.
Anna: I thought so.
Chris: I knew it.
I saw it the second
you slithered in here.
Agent Devane wants to get back
in the saddle.
Jesse: You know what?
You do whatever it is you have
to do because I ain't it
in anymore.
You have at it, player!
Ryan: It's you, isn't it?
Gillian, you've come back to me.
Gillian: [As Opal] sorry,
Sugar, it's me.
Just plain old Opal.
Ryan: Something just
happened.
Something wonderful just
happened.
Gillian: You mean that cool
breeze just now?
Ryan: Yes!
And then --
Gillian: Well, yeah,
that felt nice, didn't it?
Especially because of the hot
weather we've been having
for this time of year.
Ryan: Opal, what is going
on here?
I mean, we both showed up here and we don't even know why.
Gillian: I guess it's fate,
Sugar.
The fact is I'm in trouble
and you're just the fellow who
can help me out.
Chris: You want to go back
to work again.
Anna: Sure. Why not?
I'm only supposed to be dead.
Chris: And you're willing
to blackmail me with this
supposed dirt you have on me?
Anna: No, I'm not going
to blackmail you.
I don't have to.
You know you can use me
in your operation.
Chris: Why work for me when
you can work for your agency?
Oh, that's right.
You already tried that
but they turned you down,
offered you the big,
fat pension.
They were just being nice,
you know.
Anna: You already knew that.
Chris: Oh, keeping tabs works
both ways, Devane.
You approached the WSB. when
you were visiting your daughter
in New York.
You got to see their point,
though.
It's hard to do undercover when
your face has been on the cover
of every magazine and newspaper
in the world.
And then there's that little
rumor about you going
loony tunes.
Anna: I'm perfectly fine.
I can prove it.
God, what is that smell?
It's like there's napalm in here
or something.
Chris: That's my
bargain-basement after-shave.
I wear it to bug Ms. Kane.
Anna: Oh, and I'm supposed
to be loony tunes?
Chris: You should know,
Devane, the bureau does not hire
freelancers.
You should know that.
Anna: So I could be
unofficial.
Chris: You're kidding me,
right?
Anna: No.
No one needs to know.
I can just work for you,
be an extra pair of eyes.
Chris: No, no, no, no.
I don't think that's possible.
Anna: Look, I need a way
back in.
I need to prove myself again,
show that I'm as fit
as I ever was.
Chris: Look, I sympathize,
but I'm not running a halfway
house for broken-down spies, ok?
Anna: You seem to be awfully
protective of this operation.
Maybe you don't want an extra
pair of eyes trained on you.
Chris: I'm beginning to get
that bad smell in here, too.
Why don't you hit the road?
Anna: I'm not through yet.
Chris: I am.
Anna: You're even more
arrogant than I remember.
Erica: I demand to know
exactly what you and Mr. Stamp
have been up to in my limo.
And don't tell me you were
asking for directions.
Chris: What would you like
to know?
Anna: You know that old
British saying, "If the limo's
rocking, don't come knocking"?
Erica: Yeah, you're
hilarious.
Mr. Stamp, I'd like
an explanation and I want
it now.
Adam: I'm going to get Ryan
away from Liza with your help
or without it.
But I assure you it'll be better
for Ryan if you agree
to my plan.
Mia: So what's your plan?
Adam: So you're in?
Mia: No.
I am done with you.
How many times do I have
to tell you?
Adam: All right, all right,
I tried.
But this money is going to pay
to get Ryan out of my life one
way or another.
Mia: You're messing
with my head.
It won't work.
Adam: No, no, no, it's all
right. You turned me down.
I'll just have to look
elsewhere.
Mia: You know, I thought Liza
told you to stay out
of her business.
What if I
look for her and tell her what
you're up to?
Adam: Well, you're going
to have to find her
because my wife has taken off --
I don't know where the hell
to -- thanks to Ryan Lavery.
Mia: Oh, yeah, it's always
about Ryan.
And you're such a saint.
Adam: No, she doesn't want
a saint.
She wants me.
She'll forgive me.
She always has.
But with Ryan around,
she'll keep running off to Ryan,
and I'll keep getting
ultimatums.
Mia: My God!
You know, you're just sick.
You and Liza both.
I don't even know how Ryan got
twisted up with the two of you.
Adam: Exactly.
He shouldn't be.
Mia, you're going to earn this
money yet.
Mia: You can just shove
your money.
I care about Ryan.
Adam: Obviously.
That was apparent to me
the night you came to our house
and pleaded passionately
on his behalf.
I can see you care a great deal
for Ryan.
Mia: So what are
you getting at?
Adam: That it would be quite
easy and comfortable for you to,
well, get his attention away
from Liza, to distract him.
Mia: You want me
to seduce him.
Adam: The method is up
to you.
I just want him to forget about
Liza.
Mia: So that's your
plan, huh?
Want to give me $100,000
to sleep with Ryan?
Adam: Well, that seems to be
a recurring theme with you.
Execute it any way you like.
If you don't want the money,
Mia, throw it away.
I have something even better
to offer you -- Liza's
acceptance.
I can help you become part
of this family.
Mia: Are you for real?
God, I mean, you're offering
money to me like I'm some whore.
Then you say, "Oh, come on,
join my family."
Adam: Calm down.
I'm trying to offer you what
you came to this town for.
Mia: You know what?
I wish I never, ever came
to this town.
Liza's right.
She isn't my sister.
Take your money and your family
and just keep it, ok?
Stuart: Mia, is everything
all right?
What's the matter?
Mia: Just leave me alone.
All of you, just leave me alone!
Stuart: Adam, what did you do
to Mia?
Adam: Nothing.
She's obviously unstable.
You can see that.
Stuart: No, she seemed very
sweet when I met her.
Adam: Well, she was obnoxious
and pigheaded to me.
Stuart: Sounds like the pot
and the kettle to me.
Adam: I was the soul
of reason.
I was offering her the one thing
that she wants most in this
world, and you saw her reaction.
Stuart: Well, why did
you offer anything?
Adam: I want her to help me
get Liza back.
Stuart: Well, why do you need
to go to her?
I want you and Liza to get back
together.
Why don't you ask me
to help you?
Why are you looking at me like
that?
Adam: Oh, um --
Stuart, maybe you can help me.
Ryan: Opal?
What do you need?
I'll do anything for you.
Gillian: [As Opal]
it's my car.
I've been getting a mighty
uneven ride lately.
I do believe it's --
Ryan: Tire pressure?
Gillian: Bingo!
I heard that riding around
with uneven pressure can be
downright dangerous.
Well, what is it?
Ryan: I used to get after
Gillian to check her tire
pressure.
Gillian: Oh, that's right.
I mean --
Ryan: She always used to say
that --
Gillian: "I don't want
to break a nail."
Ryan: How did you know that?
Gillian: Um --
Ryan: How did you know that
Gillian used to say that?
Gillian: Well, most gals feel
that way about their nails.
I -- I do own the Glamorama,
after all.
Ryan: Yeah.
Right.
Gillian: So, can you check
my tire pressure?
Ryan: Yeah.
Where'd you park your car?
Gillian: Uh --
on the corner?
It's the lime-green one.
Ryan: Keys?
Gillian: Keys.
Oh.
Ryan: I'll be right back.
Gillian: Take your time.
I'll pop into this SOS and
have a cup of coffee.
Jesse: All right, come on.
Get out of there!
Now!
Gillian!
Gillian: [Normal voice]
When I'm finished.
[Engine starts]
Jesse: What is all this tire
pressure stuff?
Gillian: Oh, I don't care
about that.
I just needed to get Ryan's
motorcycle.
[Engine revs]
Jesse: Why?
Gillian: Because I have
to set up a meeting that
should've happened long ago.
[Tires screech]
Stuart: Hello?
Mia: Leave me alone, please.
Stuart: I can't.
Mia: Why?
Did Adam send you after me?
Stuart: Well, yes.
Mia: You can tell to shove
his money --
Stuart: No, no, no.
I told him -- I told him no,
that you had every right to be
mad at him.
Mia: But here you are.
Stuart: Well, because --
because I'm not -- I'm not doing
because Adam said to do it.
I'm doing it because you're
upset.
And I don't like to see that.
Mia: I'm not your business.
Stuart: Well, sure you are.
You're family.
Mia: How do you know that?
Stuart: You said so.
Mia: You believe me?
Stuart: I'll believe you till
I know different.
Mia: Ryan told me about you.
Stuart: Oh.
It was all good, I hope.
Mia: Yeah.
He said you were the best.
Stuart: Oh, well, I'm not
really.
I'm really sorry that Adam was
so mean to you.
He -- he can really be a bully
sometimes.
Mia: A bully?
I can think of worse names
to call him.
Stuart: Oh, yeah, me, too.
But I apologize for my brother.
Mia: Well, thanks.
Stuart: And while I'm at it,
I might as well apologize
for Liza, too.
Mia: For Liza?
Stuart: Well, I mean,
I know she's been -- she's had
a rough time, and your news
and all.
But she should think about what
you're going through.
Mia: I don't get it.
I mean, what real reason do
you have to take my side?
Stuart: Is there anyone else
that can take your side
right now?
Mia: No.
Why should you care?
Stuart: Because you're alone,
and nobody should have to be
alone.
We should all have somebody that
we can talk to, that we can
trust.
And I'll -- if you want,
I can be that person for you.
Chris: Anna and I were just
passing time.
Is -- is Bianca ready to go?
Erica: Bianca actually took
a cab to school.
I came down to tell you that
you could have the morning off,
but I can see I needn't have
bothered.
Chris: Nothing was happening.
Anna: We weren't really doing
it in your vehicle.
Chris: Anna was just having
a little -- ha-ha-ha -- fun
with you.
Erica: Because she's such
a fun girl.
Chris: Look, we go back
a ways, and we were just talking
about old times.
I take it you two have --
Anna: Yeah, we have.
Erica: Yes, and Anna appears
to be just as self-centered,
just as insensitive
as her sister, Alex, only she's
crude.
So, all that adds up to no good
qualities.
Anna: It's what's gotten me
where I am today.
Erica: Exactly.
Ok, Mr. Stamp, would you please
see me to my office immediately?
Chris: Of course.
Anna: Lovely to see
you again.
Gillian: Oh!
That was wild!
Whoo!
Jesse: Are you crazy?
You could've had her killed!
Gillian: Don't be silly,
Jesse.
I'm already dead.
Jesse: Not you, stupid!
Her.
Gillian: Oh.
Oh.
Oh, I'm sorry, Opal.
I would never do anything
to hurt you.
No.
You are my closest friend
in the whole world.
Jesse: You know, the only
thing that you are close to is
the edge, and I'm about to throw
you over.
Gillian: But look at her.
Opal has never looked more alive
in her life.
Jesse: Now what?
What are you doing?
Gillian: One down, one to go!
Jesse: Oh, so you haven't
finished your little crime
spree, huh?
Gillian: Uh-uh.
Just half done.
Jesse: You know, you'd think
a bullet in the head would've
slowed your little narrow behind
down.
Gillian: You'd think so, wouldn't you?
But I have to organize a meeting
that is long overdue.
Jesse: What?
Gillian: My task.
[Jesse looks upward]
Jesse: Her task.
Her task.
You know, I'm supposed to be --
[Car engine starts]
Jesse: I -- I --
and this -- ugh!
You know, you'd better know what
you're doing!
I know you know what you're
doing.
I'm just confused.
[Tires screech]
Erica: All right,
Mr. Stamp, I want the truth.
Chris: The truth, Ms. Kane?
The truth about?
Erica: About what was just
was Anna Devane doing in my car?
Chris: I told you that we were just talking.
Look, if you don't believe me,
I'll have the limo fumigated.
Erica: Oh my
please do.
Chris: Fine.
Are we done?
Erica: No.
Chris: Ms. Kane, are we done?
Erica: No!
Look, I don't care if you're
having a personal relationship
with that woman.
Chris: What the hell are
we talking about here?
Erica: I happen to know all
about her.
I know that she was a notorious
spy -- I mean, when she was
young.
Chris: Of course.
Erica: And she worked
as a double agent and sometimes
a triple agent, and I'm sure
half the time she didn't know
who she was working for.
Chris: So?
Erica: So she's not to be
trusted.
Is she working with you?
Is she working with you on this
case?
Chris: Well, why didn't
you say that five minutes ago?
Erica: Is she?
Chris: No!
Erica: I don't believe you.
Chris: Oh, well,
that's your problem, Lady.
Erica: When you met me,
my problems became your
problems.
Chris: Don't I know it.
Erica: I won't have that
woman working as a spy
in my company.
I would be further putting
people at risk here.
Everybody.
Chris: Well, just
for your information,
I don't trust her, either.
Erica: You don't?
Chris: No.
Anna Devane is a loose cannon.
That's the last thing we need
in here.
Erica: Well, why didn't
you say that five minutes ago?
Chris: Ugh!
I'm going to go fumigate
the limo.
Erica: No, no, that's not
necessary.
Look, Anna Devane -- Gillian
Lavery is dead because of Anna
Devane's reckless past.
Chris: So I've heard.
Erica: How does a woman
become a spy?
Chris: Why?
You -- you only approve of male spies?
Erica: No, I mean, she had
a little girl, for heaven's
sakes, and then she left that
little girl all by herself.
Chris: That's one reason I'm
sure she's gone a little nutso.
Erica: I mean, it's hard
enough to be a parent.
But these people who play fast
and loose with their lives,
I don't understand it.
How can they do that
to their child?
Chris: You know something,
Ms. Kane, you got an awfully big
mouth.
You judge people you have
no right to judge.
You just stuff a sock in it.
Stuart: So, your uncle was
a real good guy, huh?
Mia: Yeah, he was --
you know, he was always around
for me after my mom died.
Stuart: And he was the only
family that you had.
I mean, except for, you know --
Mia: He was it.
And after he died, I didn't even
have a place to live.
Stuart: How come?
Mia: Well, I worked
in his boxing club, you know,
and I stayed in this room
in the back.
And then after he died,
the government seized the club
and, well, you know, back taxes
and --
Stuart: What did you do?
Mia: I -- I managed.
Stuart: Hmm.
Must've been rough.
Mia: Thought it was pretty
bad, but even then I was better
off than I am here.
Stuart: Oh, I -- I really
don't want that to be true.
Why don't you let me help
you get a place to live?
I could lend you some money.
Mia: No, no, don't.
No.
Stuart: You can pay me back.
Mia: Thanks, anyway,
but I really -- you know,
I don't need anything.
Stuart: I don't want anything
from you.
I'm not Adam.
Mia: Yeah, you two are really
different.
Stuart: Yeah, well, you know,
Adam's really not that bad.
He's just --
I just trust people more than
he does.
Mia: There's not a whole lot
of that around here, is there?
Trust.
Stuart: You really trusted
Ryan, don't you?
Mia: How do you know that?
Stuart: Marian, my wife.
We have no secrets.
Mia: Oh.
Stuart: Yeah, she said you --
you two are really good friends.
Mia: Mm-hmm, but he's
messed up.
Stuart: What do you mean?
Because of what happened
to his wife?
Mia: Yeah.
Stuart: Yeah.
That's really sad.
Mia: Yeah, but you know,
that's not the only thing.
I mean, other things have
happened to him and --
Stuart: Oh, really?
Like -- like what?
Mia: Well, he had it bad
with his dad.
You know, he got roughed up
a lot.
Stuart: Oh, that's bad.
Mia: Yeah.
And then his old man went off
and left him, which you'd think
would be a good thing,
but I think it scarred him even
more.
Stuart: Oh, sure.
Mia: I mean, I like Ryan.
I'm just scared for him.
Stuart: Yeah.
You mean, like --
I mean, what do you mean?
Mia: Well, I don't know.
He just keeps doing stupid
things.
Not meaning to, of course.
It's just like the littlest
things can just set him off.
Chris: Damn!
Chris: What the hell?
Where's my limo?
Stuart: Adam?
The filter in the pool was fine,
but I went ahead and cleaned it
because you asked me to.
Adam?
Adam?
Where'd you go?
Stuart: Why'd you take off
your clothes?
Stuart: And where are
my clothes?
Adam: [As Stuart]
I'm really glad we had this
talk.
Mia: Why?
Adam: Well, because we got
to know each other better.
If you ever want to talk again,
you could just come by my place
any time.
Mia: Yeah.
I'll come by.
Adam: Good, good.
It'd be good company.
Mia: Why not?
Well, I got to get going.
Adam: Oh, already?
Mia: Yeah.
See you around, Stuart
Adam: Ok.
Don't be a stranger.
Come by.
Adam: [Normal voice]
Well.
So, Ryan was an abused child.
Hmm -- has father issues.
Should be able to do something
with that.
Thank you, Mia.
Thank you for the sample
of your DNA.
I will find out whether you are
Liza's sister or just another
gold-digging tramp.
[Adam puts a strand of Mia's hair in his handkerchief]
Erica: Val, will you please
get Sven to come over here right
away?
I swear, if I don't have
a massage today, I'm not even
going to be responsible
for my own actions.
Bianca: Opal, just follow me.
Opal: I don't --
Erica: What's going on out
there?
Bianca: Mom, I'm sorry.
Erica: Opal!
Bianca, what happened?
Bianca: I was in the middle
of school in between classes,
and I look out the window
and I see Opal just wandering
around traffic.
Do you want to sit down?
Erica: Sit down, Honey.
Bianca: She was in the middle
of the street just looking like
this.
Erica: Opal?
What happened?
Bianca: I couldn't just take
her home, right?
Erica: No, Honey, no.
Of course not, no.
You did the right thing.
I -- Opal?
Was there an accident?
Talk to me.
Opal: Where's that music
coming from?
Erica: Music?
Opal, there's no music.
Opal: What's that song?
I can't think of the name of it.
Oh, I remember.
Listen.
It's "Born To Be Wild."
Jesse: The police station?
Gillian: Mm-hmm.
Just keep your eyes peeled.
You'll see how it all works out.
Jesse: Thugs, doughnuts.
Man.
Ain't nothing changed.
Gillian: Look.
Ryan's about to meet somebody
he's never met before -- well,
you know, in pine valley,
anyway.
I am so good.
Jesse: What is this, Gillian?
Gillian: My task being
completed.
Ryan: Yeah, I want to report
a stolen motorcycle.
Gillian: Now watch.
Watch.
Chris: Excuse me, I'd like
to report a stolen limo.
Ryan: Hey.
I was here first, Buddy.
ON THE NEXT - - - ALL MY CHILDREN
Laura: Write up the meds
and this will all be over.
Greenlee: This is so not
over.
Brooke: If Laura has
a problem, then --
Leo: I'm the problem.